Replying to @shitcapmgmt @MasterTimBlais
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And of course:
"They're gynecological instruments for working on mutant women."
"Mutant women? That's a great theme for a show."
"It's not for a show. It's not art." – at Gießen, Deutschland
Getting better at controlling pressure and line width, but now discovering how awkward the airbrush is to draw with, super difficult to make a steady line. My respect for Giger et al grows. – at Gießen, Deutschland
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Trying with tattoo inks rather than acrylic/gouache. Seems easier to get vibrant darks. Still getting lots of paint runs though. Next time I try lower pressure or thicker paint...
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Lots of fiddly air pressure stuff to get the hang of, and the compressor is loud. But immediately lends itself to smooth gradients and layered stencil textures that are really hard to get with other kinds of painting. Seems interesting, stay tuned for me learning how to use it!?
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Went to the HR Giger museum in Gruyères and immediately came home and ordered myself an airbursh. What great textures he had, huh. – at Gießen, Deutschland
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That feeling when you begin a 0.03mm pen texture then realise it's going to be super tedious filling the whole space with it...
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We've started cheering and shouting BARRY CONVEX every time Leslie Carlson shows up, which has been the last three movies (though sadly looks like this is the end of his Cronenrun).
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Replying to @vgr
Interesting. What do you see as the distinction between the metamodern and more "traditional" performance-based art (eg Yves Klein's nude bodyprint paintings or Maria Abramovic installing herself in galleries)?

























