the1993

Lascivia, a woman looking in the mirror or an allegory of lust (1615-23) - Abraham Janssens (1575–1632)

Queen Eleanor (1858) by Frederick Sandys (British, 1829 – 1904), oil on canvas, 40.6 × 30.5 cm (16.0 × 12.0 in), National Museum Cardiff, Wales

The Grief of the Pasha, by Jean Leon Gerome (1885)

Mors Imperator, by Hermione von Preuschen (1887)

The Holy Family (1761) - Franz Christoph Janneck (1703–1761)

The Corpus Christi Procession (1881) - Hipolit Lipiński (1846–1884)

Danaë (c.1612) - Artemisia Gentileschi (1593–1653) baroque

The Destruction of Sodom and Gomorrah (detail), Jules Laurens (French, 1825–1901), oil on canvas

The Count of La Forest with his Wife and Daughter by Francois-Andre Vincent, 1804.

The Parquet Planers (1875) by Gustave Caillebotte

Study of Two Heads (c.1609) - Peter Paul Rubens (1577–1640)

Christoffer Wilhelm Eckersberg Das Pförtnerhaus im Park der Villa Borghese in Rom 1816

Jørgen Roed - La Scala Santa at the Monastery San Benedetto near Subiaco (1857)

The Fall of the Damned, by Peter Paul Rubens (1621)

Allegory of Satan - Lord of the World. ~ • Alegoria szatana / Pan świata • ~ Ludwik Stasiak (1858–1924)

Full Moon in the Scottish Lowlands near Berwik-upon-Tweed (1850) - Carlo Bossoli (1815–1884)

Gold of the Rhine (1875) - Theodor Pixis (1831-1907)

Battle of the Centaurs and the Lapiths (1852) - William-Adolphe Bouguereau (1825–1905)

The Young Martyr by Paul Delaroche, 1855