Last King retweeted
Fuccck nigga capitalism sucks so much instead of having people (slaves) work 8 years for a PC port we got LLMs making shit fuccck instead of having emulation take 5 years and immediately fall apart when the dev gets DMCA'd, anyone can make an emulator this succks I'm seeething
Last King retweeted
Media literacy folx when the main character's mother is kidnapped, brutalized, and starved for a month by inhuman violent savages and the master morality ubermensch main character justifiably kills them all, but the slave morality Jedi said it was bad, so it was le heckin bad!!
What's the Jedi's solution for the inhuman violent savages who have a thousand year history of brutalizing innocent civilians? Nothing. Anakin takes action into his own hands to solve the Tusken raider problem in an "eye for an eye" way - exactly how the galaxy has treated him.
Video essayist syndrome:
They don’t ask if it works, they just point at the trope, declare it “overdone,” and move on — usually without actually watching
"Social media already decided so it must be true!"
Last King retweeted
Re:Zero fans confuse an over engineered escape room with a world building. The entire universe is artificially constructed just to torture the main character, whereas MT actually builds an organic, vast and living continent with functional geography, economies, and languages.
Hot take
Mushoku worldbuilding is pretty mediocre, mtards see pretty locations and think that's what good worldbuilding is but to anyone with media literacy they will prefer actual depth and complexity like Re:Zero Pleiades watchtower or Vollachia
teapaw.org/NeoLonst/status/211519…
#rezero
Last King retweeted
The 3 defining photos of Malfoid
Last King retweeted
Stealing Japanese animation I guess stealing is all you guys are good for. Land. Culture. Wallets.
Thank God I discovered this before I started watching; at least there was no risk of me wasting my time for an open ending using the excuse of "realism"
Kocha Agasawa, creadora del manga "You and I Are Polar Opposites", mencionó que no le habría importado que sus protagonistas terminaran separados, siempre y cuando ambos aprendieran a ser felices por su propia cuenta.
La autora explicó que una relación codependiente no representa un verdadero final feliz. Por eso decidió evitar el típico salto temporal hacia una boda y darle prioridad al crecimiento personal de los personajes, considerando que aprender a valerse por sí mismos era más importante que garantizar que permanecieran juntos.




















































