i will be making a video talking about exactly why this is a terrible idea.
Spotify just announced a feature that could either save the music industry or destroy it.
Starting as early as Q1 2027, Spotify Premium subscribers will be able to use AI to transform any participating artist’s song into a completely different version. Turn a folk ballad into a dance track. Make a hip-hop song sound acoustic. Generate a cover where one artist’s voice performs another artist’s song. Remix a pop hit into lo-fi study music. Create the version of your favorite song that only existed in your head until now.
The remixes will be uploaded directly to Spotify. They’ll appear in playlists. They’ll count toward the original song’s chart position. And most importantly the original artist will earn royalties every time someone listens to a fan-created remix of their work.
Spotify has already signed a landmark licensing deal with Universal Music Group the world’s largest record label. Negotiations with Sony Music and Warner Music are ongoing. The feature will cost an additional $4–$5/month on top of Spotify Premium. And analysts project 7–8% of American subscribers will adopt it by 2028.
This is not Suno or Udio generating music from text prompts. This is fans remixing real songs by real artists with the artists’ permission, on the world’s largest streaming platform, with royalties flowing back to the creators.
A music industry analyst who’s covered streaming economics for 15 years told her team something after reading the licensing agreement that reframed how she understood the future of recorded music.
“Spotify just turned 640 million listeners into 640 million potential remixers. The question isn’t whether people will use it they will. The question is whether paying artists for fan remixes solves the economics of streaming or creates a world where the original recording is worth less than the infinite remixes generated from it.”
Here’s what Spotify’s AI remix feature actually is, who wins, who loses, and why this might be the most consequential decision in the music industry since the launch of streaming itself 🧵
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just a reminder callum newman put a sword to his neck and he’s still trying to uphold the peace. i need to reach ospreay levels of tranquility
I sit here embarrassed about what took place in Hiroshima.
Having mine & Callum’s frustrations come in the way of victory for the crUE and done so publicly in front of fans that supported us in the inception of this once powerful team.
I can’t fully say what lies in the future for myself, Callum or anyone in the United Empire.
I’ve informed New Japan match makers that I’ve accepted Callum’s request to fight one on one in the Tokyo Dome at Wrestle Kingdom on January 4th ‘27
My public request to all UE players, allow myself & Callum to uphold the code we set when we first started.
“Seconds are welcomed, but no inferences.”
We weren't there to fight each other's battles. We were there to make each other strong enough to win them.
Although fractured, we will heal and bring UE back to the top of the wrestling world.
Thank you for your time.
- Will
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CB✌🏾Breezy retweeted
BOLTIN OLEG GERMANS BOTH KENNY OMEGA & YOTA TSUJI WHILE TSUJI DOING A POISONRANA FROM THE TOP ROPE.
WHAT THE FUCKING HELL.
the swirl ever since coming to japan have been absolutely phenomenal and i hope they go on an insane run when they return to AEW #njpst
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the la mistica looks so hilarious & devastating at the same time with how hard he be wrenching ts😭 #njpst
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how can you not love the death riders like I FEEL EVERYTHING IN MY VEINS WATCHING THEM WORK #AEWCollision
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CB✌🏾Breezy retweeted
Gameplay Sliders V3 will be up in a day or two. Been working on them for a few months now
These games are a headache to create for but once you get some things playing decently. It can overall be a better experience #WWE2K26






