Craig Sanger (@craigsanger) header
Craig Sanger (@craigsanger) profile picture

Former Projectionist

Oklahoma City, Oklahoma
Joined March 2008
Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)Photo by Craig Sanger (@craigsanger)
All I’ve ever wanted was a mysterious unmarked envelope to arrive on my doorstep. FOODIE by Stokes Prickett. Radio check, over.
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Best First Screenplay: Fredrica Bailey, Stefon Bristol - SEE YOU YESTERDAY Hannah Bos, Paul Thureen - DRIVEWAYS Bridget Savage Cole, Danielle Krudy - BLOW THE MAN DOWN Jocelyn Deboer, Dawn Luebbe - GREENER GRASS James Montague, Craig W. Sanger - THE VAST OF NIGHT #SpiritAwards
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“JoJo Rabbit” 75% - A tricky balance of tones to pull off, but Taika’s real gift is getting winning and truly funny performances out of kids.
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“The Lighthouse” 75% - High marks in my Keeper’s log for the film craft and dedication to sea language.
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Overworked movie trailer trope right now — the tick-tocking of a clock. Edits matched the beat of the ticks, tempo increases to a manic pace that leads to a crescendo — then, finally back to a singular, normal speed tick-tock layered with reverb.
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“Parasite” 88% - Darkly comedic, cruel at times look at the modern “High and Low” class gap. Set design of the two primary homes is absolutely killer.
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“The Irishman” 88% - A trio of knockout performances. Pesci is a national treasure. The runtime is always the lead, but I’m glad I got to see it on the big screen in a theatre with a crowd.
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AirDrop has to be the single most frustrating Apple feature of all time. Mostly because when it works it’s a genius tool, but it’s so wildly inconsistent and totally schizophrenic.
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“Gemini Man” 63%-The high frame rate is a big ask for the audience to overcome. But the first hour is a really exciting Will Smith “Bourne” movie with some well executed, high concept chase sequences.
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Andrew Patterson's The Vast of Night is "...eerie and compelling..." and unlike anything we've seen in a long time. Check out the new poster, designed by Midnight Marauder for Mondo.
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And finally! My most-anticipated film of the fest was Andrew Patterson's THE VAST OF NIGHT, a low-budget, high-ambition period sci-fi flick about a 1950s alien invasion. It lived up to the hype. variety.com/2019/film/review…
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Public Service Announcement: the @A24 podcast is just wonderful. Especially the extended Bergman discussion with Ari Aster & Robert Eggers.
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“Once Upon a Time in ... Hollywood” 100% - One of those times I wish I could run the projector back and start it over again immediately.
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“The 14 Fists of McCluskey.” “Kill Me Now Ringo, Said the Gringo.” “Operazione Dyn-o-mite!” Ready to watch the whole Rick Dalton library.
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I never realized that the ”Eyes Wide Shut” score was so very “Curb Your Enthusiasm” adjacent.
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“The Art of Self Defense” 75%-Appreciate full commitment to the dark comedy bit. Eisenberg is always solid, Nivola is terrific here, what’s he been doing?
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“Yesterday” 75% - A delightful, entertaining watch. The musical fantasy works much better than the rom-com bits. What’s wrong with lightweight crowd-pleaser every once in a while?
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“Toy Story 4” 75%-I was worried Pixar would try to ratchet up the emotion, the result was a fairly simple, often funny adventurer that occasionally touches on interesting existential breakdowns.
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