Something for #SeaChanges and @LancasterGothic !
Daisy Boooootcher 👻 retweeted
#FolkloreSunday One of the best-known photos of Sarah Bernhardt shows the actress lying in a coffin with her arms folded on her chest. According to a rumor, she ordered a coffin for her exact measures and slept in it like in a regular bed. thecollector.com/sarah-bernh…
Daisy Boooootcher 👻 retweeted
🍄😂 When the forest serves up mushrooms with legs!
Looks like this one was halfway to yoga class before getting spotted. 🧘♂️🌿
Nature really has a sense of humor!
Daisy Boooootcher 👻 retweeted
Barbara McClintock's 'Heartaches of a French Cat', 1989.
#illustration
Our last paper! Dr Francesca Sawaya's 'Mermaid ballets in the twentieth century'
#SeaChanges
Our penultimate paper of the entire conference - Victoria Hurtado on 'The fantastical narratives of Friedrich de la Motte Fouqué and Richard Wagner, featuringundines, illustrated by Arthur Rackham. Are those realms of enchantment under threat?'
#SeaChanges
Final paper for Traumatic water folk is:
Claire Cunningham - 'Wet brown graves: Irish Gothic bog bodies in Seamus Heaney and Miranda Carr'
#SeaChanges
Next up - Stefanie Tegeler's paper on 'Dead in the water: Narrating trauma through Tolkien’s dead in the marshes and Rowling’s Inferi'
#SeaChanges
Have been ensnared by the jellyfish - fascinating paper from
Fred Hook on
‘The struggle of one thing twisting into another and back again’: The re-enchantment of the sea lung in Julia Armfield’s Our Wives Under the Sea
#SeaChanges
Our final paper for Oceanic Post colonialism - Dr Maria Szafrańska-Chmielarz's paper 'An impossible outsider: Singaporean mermaid in Amanda Lee Koe’s Siren'
#SeaChanges
Our second paper : 'Navigating the Spectral Season: Unearthing Colonial Hauntings in Maritime Fiction' with Shahrukh Khan
#SeaChanges
Starting off our Oceanic Post colonialism panel with Shabnam Ahsan's paper 'Transgression And transformation: Mer-human relationships in the tales Of Ruth ManningSanders'
#SeaChanges
Next up - Dr Izumi Nagai's paper ‘A girl who came from the bottom of the sea’: Gothic and feminist aspects in Hiroko Katayama’s Tanka poetry'
#SeaChanges































