Erik Barmack retweeted
Fully AI-generated tracks reportedly account for about a third of Apple’s monthly uploads, yet generate less than 0.5 percent of listening.
@ebarmack on the AI music boom no one's listening to
theankler.com/apple-musics-b…
Erik Barmack retweeted
Swathes of AI-generated music are uploaded to @AppleMusic and @Spotify every day. But no one is tuning in.
@ebarmack looks at why these platforms are now labeling AI tracks, and why this genre hasn't caught on - mrf.lu/2Cw-q
Erik Barmack retweeted
Digital performers are quickly taking over the massive Chinese microdrama scene, according to @ebarmack at @TheAnkler. I’ve always been skeptical that audiences would want to watch fake people but that may have been wishful thinking. theankler.com/will-audiences…
Erik Barmack retweeted
This week, for @TheAnkler, we explore @A24, @google's DeepMind, and the dangerous business of Big Tech selling cool.
theankler.com/a24-google-dee…
Erik Barmack retweeted
Two days ago, I posted about @Stubhub duping my family's w/r/t the @FIFAWorldCup. We were given a "Fan Guarantee," which can basically be refunded the day of a match (after spending lots of money on travel). Two days ago, @TeamStubHub promised to help, then ... silence.
Erik Barmack retweeted
Telemundo is absolutely on fire this World Cup.
Soccer fans are tuning into Telemundo in unheard-of numbers, and in the process, they're making it clear that they don't care whether they're watching in English or Spanish - mrf.lu/WXgQ
Erik Barmack retweeted
.@ebarmack talks with Bryn Mooser, the founder behind @Asteria, an AI company that’s training models only on licensed, legally defensible material. The goal: safeguard IP and give studios AI tools that respect creativity rather than replace it theankler.com/p/sora-2-shook…
Erik Barmack retweeted
Sora 2 let anyone generate performances with real actors’ faces unless they opted out. WME said enough and OpenAI blinked. @ebarmack lays out the next steps in Hollywood's fight: theankler.com/p/sora-2-and-t…
Erik Barmack retweeted
The Sphere has reimagined The Wizard of Oz with AI-enhanced visuals, a shortened runtime, wind machines, and $104 tickets. @ebarmack asks whether this is the future of filmmaking or a warning sign for creatives already fighting to protect their value theankler.com/p/spheres-wiza…
Erik Barmack retweeted
Production is underway on Death of a Horse — a bold new Icelandic crime drama from the Act4 award-winning team behind Reykjavík Fusion. 🕵️♂️🐎
Classic crime engine. Unconventional twist.
With Windlight & #New8 partners SVT, DR, @yleuutiset , RÚV, NRK, VRT, NPO, @ZDF
Erik Barmack retweeted
CAA has invested in AI startup @Moonvalley, whose model is trained entirely on licensed video. @ebarmack reports on how the agency’s “consent and control” approach aims to protect client rights as AI begins to reshape Hollywood theankler.com/p/why-caa-bet-…
Erik Barmack retweeted
Wonder Dynamics lets indie filmmakers insert CG characters into scenes without mocap or big post teams. @ebarmack reports on how the tech is built to support VFX artists, not replace them: theankler.com/p/the-ai-makin…
Erik Barmack retweeted
Google’s Veo 3 powered a $2,000 ad that aired during the NBA Finals and quickly went viral. It signals a shift in how video can be made, and raises serious questions for the more than 100,000 Hollywood jobs that may be at risk. @ebarmack reports: theankler.com/p/the-2k-ad-th…
Erik Barmack retweeted
Blumhouse Announces First Spanish Language Original Film 'No Me Sigas' From Directors Ximena and Eduardo García Lecuona deadline.com/2025/06/blumhou…
Erik Barmack retweeted
Thrilled to partner with @blumhouse on their first Spanish-language horror film: No Me Sigas 🩸
In Mexican theaters this October via @Cinepolis.
Directed by @xime_lecuona & Eduardo Lecuona.
Sinister, smart, and impossible to shake.
#NoMeSigas #Blumhouse #EdgeFilmsMX
Erik Barmack retweeted
You may not think software that makes coding easier would upend entertainment, but that’s exactly what Cursor is doing. @ebarmack explains how the unicorn company could rebuild VFX, localization and dubbing, marketing and distribution and screenwriting theankler.com/p/cursor-ai-co…
Erik Barmack retweeted
Check out @Variety's interview with Ólafur Darri Ólafsson — star of Severance and Reykjavík Fusion, which just premiered @CANNESERIES! From Wild Sheep Content (@ebarmack), @themdpstudio & Act4. #Canneseries #ReykjavikFusion.
Full interview: variety.com/2025/tv/global/o…
Erik Barmack retweeted
The new Cold War with China is about trade but it’s also about AI. @EBarmack examines @Kling_ai, a new Chinese AI video tool that can quickly pump out slick videos, handling everything from swapping actors to creating action sequences to complex animation theankler.com/p/kling-ai-chi…
Erik Barmack retweeted
Come and knock on our door, we’ve been waiting for…AI Suzanne Somers? @EBarmack dives into the unsettling future where AI robot actors can carry out performances long after a person has passed, turning agents and managers into estate planners
theankler.com/p/multi-billio…



































