lyra retweeted
Just another Shake It Saturday... wait, no. Something's different...
Happy Shake It Saturday!
mum's voting history (best guess minus the last five):
1979🌳CON
1983🌳CON
1987🌳CON
1992🌳CON
1997🌳CON
2001🌳CON
2005🌳CON
2010🌳CON
2015🌳CON
2016 🇪🇺 REMAIN
2017🌳CON
2019🌳CON
2024🔸LIB
dad's voting history:
1979🔸LIB
2016 🇪🇺 REMAIN
never voted again
My parents' voting history (from what I know)
Mum (Mostly White British ancestry):
1992: 🔶 LDM
1997: 🌹LAB
2001: 🌹LAB
2005: 🌹LAB
2010: 🌹LAB
2015: 🟪 UKIP
2017: 🌹LAB
2019: ⚫ IND
2024: ♻️ GRN
Dad (Jewish descendant of the Jews brought over from William of Orange):
1983: 🌳 CON
1987: 🌹LAB
1992: 🌹LAB
1997: 🌹LAB
2001: 🟪 UKIP
2005: 🇬🇧 BNP
2010: 🇬🇧 BNP
2015: 🟪 UKIP
2017: 🟪 UKIP
2019: ➡️ BRE
2024: ➡️ REF
i translated an exclusive japanese interview between fujimoto tatsuki (chainsaw man) and oscar-winning director kore-eda hirokazu about the live action release of the film 'look back' (2026) full link: letterboxd.com/plifal/film/l…
lyra retweeted
🎉HAPPY BIRTHDAY🎉
本日9月1日は、あんこうチームの冷泉麻子の誕生日です🎊
麻子、お誕生日おめでとう!✨
▼誕生日カレンダーはこちら
girls-und-panzer-finale.jp/1……
#garupan
funny that peter hitchens' journalism inspired people who neither read it nor understood it. podcasts with ""culturally christian"" nodding heads, hoping that someone will listen; but they never have and never will. many such cases. trapped between racialists and hyperliberals.
.@cfdownes We sixties veterans remember the US officer who destroyed a village in Vietnam 'in order to save it'. I doubt you have any clue what your ideas would mean in practice. Few teeenagers do. If you get your way, others will need to forgive you, for quite a lot.
sorry for conservaposting. his specific situation here struck familiar to me though in broad strokes. i remember watching his poetry recital as a child on a bbc political panel, and i agree with him more here than other culture writing (incl hitchens' own) youtu.be/BHoAQW_DBI4?si=JLYU…
since my tl is talking about 'ran';
honestly, this film has one of the most impactful title cards i've ever seen in a film. the pure energy and murderous intent in nakadai's eyes, the cut to symbolise the kill itself. no matter how many times i watch it i will never tire of it.
finally watched jeanne dielman, it was great!
letterboxd.com/plifal/film/j…
this is true. i also think of it as a generational shift. we're now no longer living in a world where blockbuster cinema is defined by spielberg etc., but the successors of their successors. we lose understanding of kurosawa's importance and formal mastery in the process





















