🦦 | KeyFrame Staff List Admin & Dev | Tatsuya Yoshihara & Black Clover fanboy | pfp by @sanguiniii & banner by @reurangel_

Joined November 2014
🟣 KeyFrame Staff List now has a brand new powerful server and domain name! ✨ keyframe-staff-list.com/ ✨ (All old links will be redirected automatically) Lots of cool updates for the stats tab of a staff list are coming soon, so please look forward to it!
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#BLEACH完結 おめでとうございます! 原作のファンとして、千年血戦篇に少しでも携わることができて、本当に嬉しく思います! このような素敵な機会をいただけたことに、心から感謝しています! 本当にありがとうございました!!この経験をいつまでも大切にしていきたいと思います! #BLEACH_anime
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Soutient aux manifestations! ❤️ (La jeunesse emmerde le Rassemblement National, et Macron allez)
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Visually, as I predicted, this episode is my favorite BY FAR. The comp team really carried this episode for me. Really nice compositions here and there too.
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Now, I'm looking forward to the preview pics of episode 5 on Monday... 👁️👄👁️
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Oh yea as always I forget to mention things, another thing that confused me is how they used the OP for the ED just a few minutes after using it as an insert lol. Thought it was a little funny The STEREOTYPE special ED is kinda cool tho, I guess they wanted to use those 3D models
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演出デビュー作です🙇‍♀️ 第1話演出の前屋様と種村監督の厚いサポートのもと、第4話の演出全般を担当いたしました。そのほか、作画と、後半の教会の氷漬け美術設定にも携わらせていただきました。 作画では、回想シーン冒頭のファウスト家屋敷でのナハト、モルゲン、ヤミのやりとりをすべて描きました。ありがたいことに、担当した原画が告知用サムネイル2枚にも採用されました🙌 このパートの2原を担当してくださった皆様、丁寧なお仕事を本当にありがとうございました! 原作でも本エピソードが大好きなため、制作中は毎日が「限界を越えろ」でした。 途中で演出の方向性を変更したり、不手際があったりと、各スタッフの皆様に迷惑をおかけしましたが、自由にやらせていただき、信じてご協力くださった皆様には心から感謝しております。 自身にとって、本作は初めてのジャンプ作品であり、学びの多い機会でありながら最初で最後の参加となります。 ファンの皆様に4話をアニメとして純粋楽しむことはもちろん、4話ならではの隠し要素が散りばめられていますので、考察してもらえたら嬉しいです。 ご視聴いただき、ありがとうございました! This is my first debut as ED🙇‍♀️ With many supports from ep 1 ED Maeya-sama and Director Tanemura, I took in charge of the whole episode. Also, I worked as an animator and helped on visual setting for interior of frosted church. My LO part is the whole backstory of dialogue between Nacht, Morgen, and Yams at Faust’s house. Thank you for selecting two of my genga as key visuals for promotion🙌 Thank you so much to staffs who worked for 2gen for this part with keen details! This episode is my favorite in manga as well, so every day was surpassing my limit. There were directional change and accidents, causing trouble to sections. Simultaneously, I appreciate very much for having liberty to decide the art and believe in the direction. This is my first Jump manga anime involvement, many learnings, and become first and last involvement in BC. I wish for fans to enjoy and talk about creativities dedicated to ep 4. Thank you for watching BC! #ブラッククローバー #ブラクロ #BlackClover
━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━   🍀 ご視聴ありがとうございました!🍀 ━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━ ━   TVアニメ「#ブラッククローバー」2nd Season 第4話をご覧いただき、ありがとうございました! 第5話もぜひお楽しみに⚔ 📺毎週土曜23:00~ テレ東系列ほかにて放送! ▼配信情報はこちら✨ bclover.jp/onair/ #ブラクロ
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But one of the biggest surprises of the episode is Yi Zhang’s Chief Animation Director credit. This is his first time as CAD in the series, but also in the industry. This is pretty huge, as the latest promotions as CAD were RIN-MI in S1 #123 and Kumiko Tokunaga in the movie iirc.
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It may not be everyone's cup of tea in the more expressive shots, but I really like his style. Tasteful DB-like triple shading, very detailed corrections with a nice use of thick lines. He also seems to draw the ears (and sometimes the shading) like Tabata, Sunagawa & Akasaka!
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Thread: Black Clover 2nd Season #04 A lot to say about this episode! As I expected, it's probably the most beautiful episode of the series (concerning the art direction/compositing), but I have some reservations about other points. It will be particularly exciting to break down!
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I was looking for more content with Nacht, so it made me like him even more. I absolutely loved the orchestral insert, it really helps convey that the demon's power is terrifying and the feelings of Morgen's loss. The direction in this part is particularly great too.
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Pen name staff in the main credits have always been pretty rare in the show, so it's pretty interesting. The main director of the ep, Ji-Eun Park, also seems to have started storyboarding/directing recently, accompanied by Toshihiro Maeya. Yet, the direction is still really good!
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First, content-wise, it's definitely my favorite episode. I really enjoyed the direction and the storyboard, especially during the flashback part. But it also makes me curious about that second storyboard of the episode next to Tanemura: Tessai Izumi. Probably a pen name?
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