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Richard Kind has tested for the role of James Bond.
(Source: richardkindfacts.net/newsā¦)
Ken Russell's 'The Devils' Feels More Relevant Than It Did 55 Years Ago. That's Because It's About a World Gone Mad variety.com/2026/film/columnā¦
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Just realized Welles is literally doing the iconic Holmes pose on the poster for F for Fake. He knew.
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History in the making. A collection of moments on the set of KEN RUSSELLāS THE DEVILS.
In theaters now: thedevils.movie
KEN RUSSELL'S THE DEVILS - Now Playing In Theaters
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Blue Velvet on PSP signed by cinematographer Frederick Elmes and editor Duwayne Dunham
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Dame Vanessa Redgrave receives a standing ovation as she makes a surprise appearance, joining the audience for a screening of the 35mm restored directorās cut of Ken Russellās 1971 film THE DEVILS at #LFF
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Actor & comedian Buster Keaton, was #BornOnThisDay Oct. 4, 1895. Remembered for his silent films, which showcased his physical comedy & stoic, deadpan expression & later earned him an Academy Honorary Award in 1959. Passed in 1966 (age 70) from lungcancer #RIP #gonetoosoon #BOTD
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Happy Heavenly Birthday to the great Stone Face, the one and only Buster Keaton.
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Buster Keaton was born 131 years ago today, on Oct. 4, 1895
(The Goat 1921)
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Coming to 4K UHD in 2027 from Flicker Alley
Sunrise: A Song of Two Humans (1927) 4K UHD
complete 4K restoration of the iconic Movietone version that was released in America. The best surviving elements were ultimately identified at the British Film Institute National Archive, The Museum of Modern Art, and CinĆ©mathĆØque royale de Belgique. Sources were scanned at 4K resolution and carefully compared to create the master edit. The combined sources were digitally restored by SFFP while the BFI restored the Movietone soundtrack. Two reels of a 1927 35mm nitrate print belonging to the George Eastman Museumāthe only two reels from the original release that are known to surviveāwere used as reference to perfectly restore Murnauās play of light, dark, and shadow.
A second restoration is underway based on a unique print of a localized version of Sunrise released in Czechoslovakia. Based on the export negative, this 35mm print comprises alternate takes of every shot included in the American release, offering special insight into the filmās production. This restoration is being carried out in collaboration with NĆ”rodnĆ filmový archiv, Prague, the National Film Archive of the Czech Republic. A third restoration is underway based on another unique printāa 35mm nitrate print belonging to the Eye Filmmuseum and created from the silent versions of the domestic American negative, localized for exhibition in the Netherlands with Dutch titles.
The American release of Sunrise included two versions: a silent version with a full-aperture 4:3 aspect ratio and a Movietone sound version with a 1.19:1 aspect ratio. The Movietone sound-on-film process required space for the optical soundtrack, giving the picture a nearly square format. While no copies of the original American silent version have survived, the prints from NÔrodnà filmový archiv, Prague and Eye Filmmuseum offer a window onto primary, uncropped shots as Murnau and cinematographer Charles Rosher originally framed them.
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