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Coyote v. Acme capsule review:
All smiles. No gut busters or guffaws the way I was howling with laughter at Bugs v. Pete Puma or Daffy v. Taz as a young lad, but the film was filled with smart, sly, good-natured lines and gags from start to finish. FAR funnier than Space Jam.
The Definitive word on the Andrew Garfield Spider-Man movies!
youtu.be/aqr8Nmpmiqs
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From struggling to make money as a streamer to landing a role in Marvel’s X-Men ,Inde Navarrette’s journey is incredible. 🔥
The Odyssey v. Spider-Man: Brand New Day on Fabulous Film & Friends
Mid-2026: it was a Tom Holland and Zendaya summer and now we here at FFF are left in its wake, pondering two of the year’s most anticipated cinematic spectacles starring those marvelous newlyweds and their intensely motor-mouthed friend Jon Bernthal where each film was tasked with living up to enormous hopes and sky-high expectations and we’re wondering if those impossible expectations were met.
Do these films speak to each other on a deeper level — or are they simply two big summer movies that happened to star the same people?
Find out!
youtu.be/9s-kY8IIGnQ
You kids today don’t know the real Spidey/Peter Parker drawn by Ross Andru. Before the peak years with Romita Jr.
Controversial take:
The Amazing Spider-Man 2 is still the best of the Spidey films in tone and spirit.
Garfield’s Peter had the humor, heart, and INDEPENDENT street-level energy that felt closest to the comics I grew up with. The relationships with Gwen (Emma Stone), Aunt May (Sally Field) and Harry Osborn (Dane DeHaan) felt lived in and real. Hans Zimmer’s high-energy score actually gives a Spidey film a feeling of heroic and frantic relentlessness, which the character needs. And those maligned Rhino bookends remain the truest, most comic-accurate moments in the entire movie.
But the movie is still a failure in studio tampering, screenwriting and editing.
Here are 10 fixes:
1) Cut Max Dillon’s lonely birthday-to-himself scene. It gives off tired Batman Forever homoerotic undertones and completely throws one out of the movie.
2 ) Peter SHOULD give Harry the spider blood — I say because Harry checks the Oscorp cameras and sees Peter getting bitten. Raise the stakes, dummies. Harry blackmails Peter, basically.
3) Slow down Harry’s transformation and give the friendship history more weight on screen before the betrayal.
4) Cut Dr. Kafka completely.
5) Give Electro a clear demand: he wants 1 billion dollars for his grid design — either in cash or in blood.
6) Lose the jetliner-without-power subplot entirely. It’s pure time-waster; the third act is already dense enough with Harry and Electro’s alliance (which is actually logical — Osborn ousted, Electro nullified, they genuinely need each other)
7) Give Harry a real costume instead of Spirit Halloween Store Make up.
8) Gwen shouldn't die (yet). She goes to England. Peter is heartbroken, but the Rhino scene pulls him out of it — a perfect high note to end on. No matter what, Spidey is there to save the day.
9) Fix the ending kid scene: the kid is about to get caught in gunfire, Spidey webs him up and sets him safely on a rooftop. The original version is ridiculous — cops would never let a kid walk out to confront Rhino.
10) No Alicia Keys song.
Bonus points to the film for making Spidey a NY institution.
Just so you know, here are my favorite 9 Spider-Man films ranked by best interpretation of the character and the truest in the spirit of the comic book.
1) The Amazing Spider-Man 2 (Yeah, yeah, I know, it's the worst in the eyes of the same pop culture watchdogs who declared the even Star Treks the only good ones)
2) Spider-Man No Way Home
3) Spider-Man: Brand New Day
4) Spider-Man: Homecoming
5) Spider-Man: Far From Home
6) The Amazing Spider-Man
7) Spider-Man 2
8) Spider-Man
9) Spider-Man 3
And just to explain the Raimi/Maguire rankings: some day I will give a full-throated rant about those films, but I think they don't even hit the emotional resonance and human experience found in a comic book. None of them. All I can do when I watch those films is think, "Who acts like this?? And how do you so badly bungle a set of stories that were written for you???"
Just throwing it out there:
If Marvel Sony is planning on making Jean DeWolff matter in the MCU, and following up with the best "street level" Spider-Man story, I think the obvious choice to play Stan Carter/Sin-Eater is Bob Odenkirk.
Am I right or am I right?















