Teenage Mutant Ninja Turtles: The Last Ronin x RSVLTS is live ⚔️🔴
Strike hard with a dramatic TMNT haul fueled by vengeance, steeped in Splinter’s wisdom, and styled like a dark, gritty, captivating masterpiece. Full collection available at rsvlts.com/collections/teena… ⚫
Fall Harvest, Presented by RestoCorp
rsvlts.com/blogs/news/camp-k…
Ian Glaubinger™ retweeted
SoCal Cruisin'
All new 24x18, 4 color, limited edition screen print will go on sale at NYCC. Matching sticker available and comes free with purchase.
This is a love letter to fabulous old cars (that I know nothing about) and traveling in one of my favorite places; California.
Ian Glaubinger™ retweeted
One of a few pieces that I have featured in 35 Years of Speed: The Sonic Art Exhibit with @iam8bit #sonic35exhibit
Ian Glaubinger™ retweeted
GOD DAMNIT DONUT
Hello fellow crawlers, I too am hooked. Just started book 4. See you at NYCC.
#dcc #DungeonCrawlerCarl #donutholes #mattdinniman
(brought to you by the fine folks at the Borant Corporation)
Ian Glaubinger™ retweeted
Grab one. It’s her birthday month.
theartofnuridurr.com/shop/p/…
Ian Glaubinger™ retweeted
While filming Splash (1984), John Candy once arrived late to the set and delayed filming, which was unusual for the actor, who was known for being professional. According to Ron Howard, Candy profusely apologized when he arrived, and Howard told him it was fine and that they would begin shooting.
Candy then revealed that he had not slept and was actually drunk. The night before, he had gone to a bar where he encountered Jack Nicholson, who recognized him and proceeded to buy him drinks throughout the night. Candy had told Nicholson, "But I've got to go shoot." Nicholson simply replied, "You're going to be all right, kid. Don't worry about it."
Candy then went on to film his scene on the racquetball court, where he was hit by the ball, and managed to get it right in just three takes.
Ian Glaubinger™ retweeted
It’s a Great Big Beautiful Tomorrow by @hasunow - bit.ly/3Mev7nP
#epcot #1980s #future #themepark #homedecor
Ian Glaubinger™ retweeted
Happy 75th Dad!
Today I'm remembering your weirdness and your extraordinary capacity to love.
And for the folks out there who'd like to celebrate with me, go do something kind for someone. Make someone laugh. Put a little more good into the world.
Love you forever.
Ian Glaubinger™ retweeted
There’s still some great art by incredible artists sitting here. I mean it’s only day 3, but still.
parkstop.myshopify.com/colle…
Ian Glaubinger™ retweeted
🌟Silent Cartoon All Stars🌟
Your favorite characters from the 1920’s are being compiled in this new Blu Ray collection from @naah1929 & @RockinPins including Felix, Koko, Winsor McCay, Farmer Alfalfa & more! Help us make this collection a reality!
kickstarter.com/projects/mut…
Ian Glaubinger™ retweeted
Katherine Argent wrote a masterpiece of a tweet. We turned it into a dramatic one-take short film.
This is “Everything is Fine.”
Search is full of ads and wrong answers. Every other email is an ad. Prime Video charges you and shows ads. Paramount? Ads. Peacock? YouTube? Hulu? Ads followed by more ads. Netflix full of ads. Meta and X, every other thing is an ad. Pinterest is nothing but ads. AI is in everything. AI finishes sentences incorrectly and won’t stop. AI reads your email and search history to target you with more ads. Every time you open an app or visit a site there’s an update making it worse. In a hurry? First, click here to agree to terms you don’t have time to read and must accept. You need an account to do that. Change your temporary password. Enter your 2FA code. Check your email and enter that code. Now use a passkey. Your password is too simple to remember. Change it. No, not like that. Now log on. Enter your 2FA code. Check your email for a code… Welcome back! We’ve updated our terms of service and privacy policy (you have none). Subscribe to the site. Subscribe to Netflix. Subscribe to toilet paper. Subscribe to these groceries. Pay a membership fee for the right to subscribe then tip your driver who delivers the subscriptions your membership lets you subscribe to. Time to work? We’ve got to update your laptop and will slow down everything you do until you agree to update. But first, click here to agree. Update installed — your laptop’s broken now. It doesn’t matter, since your boss just replaced you with AI. Go to your phone to complain on social media. Wait, your phone needs an update so we can add more AI. Click here. Oh sorry, your phone can’t handle this update. Now it’s useless. Go get the newest phone. Here’s a text from a friend, an email, a voice mail they left three days ago but you didn’t see until now because of sync problems with the cloud. It’s their GoFundMe. Their MLM. Their Patreon. Never mind, you didn’t respond to their text within 9 minutes and now you’re no longer friends. They blocked you. Make new friends. Download this app to find people in your area. In your neighborhood. On your street. Two doors down from you. Do you know this person yet, we think you’d get along. You need an account to use this app. That username is taken. Enter a password. Not that one, you used it on another site. You need to be connected to WiFi to download the app. Allow the app to connect to other devices on your network. Allow the app to access your contacts, know your precise location, store your credit card details. Oops, sorry, we got hacked now all that info is available on the web. There’s a class action suit. You can join. It’ll take a decade to get your $3.73 share of the ten billion settlement. We’ll send it via PayPal or deposit it to your bank, just tell us those details. Oh no, another hack. That info is circulating now, too. Here’s a spam call, a spam email, a spam text. Why are you angry? Why are you talking about getting rid of your phone? Why don’t you like AI, it lets us make all of this easier? Do you know how ridiculous that sounds? This is progress. You’ll be left behind. Do you want to be left behind? Do you???
Ian Glaubinger™ retweeted
Back to the Future (1985) is a rare blockbuster where narrative engineering becomes invisible. The screenplay built on precise setups and payoffs, where nearly every line, prop, and action reverberates later in the story.


































