Don't you hate it when a good band enters their Grammy phase?
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"The physicality of the sound is a radical act against atomization, and the powers that be who want us to stay home and watch Netflix."
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The chilling score to You Can See Everything! Music for Puerto Rican liberation! A mind-scrambling mix of footwork, jungle, techno, and prime M.I.A.! All this and more in this week's Five Albums
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Grammy-winning producer and Doechii collaborator Stoic recently joined us for an edition of The Producers to talk about his favorite beats by MF Doom, No I.D., Madlib, Baby Keem, and his latest album Paella!
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A soundtrack for demonic hoedowns, a lyric we're still not convinced we're actually mishearing, and more
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Hearing Things officially turns 2 tomorrow! We're running a big sale and threw a small show to celebrate! Exclamation marks!!!
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Tinashe's well-deserved uplifting! Imaginative DIY guitar music! Collages of hip-hop, Afrobeat, and drum n bass! All this and more in this week's Five Albums
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At this point, Slow Pulp's Emily Massey and her dad aren’t just fellow musicians. They’re collaborators. For all three of the band's albums, Emily has recorded her vocals with her father, just the two of them. “It is not normal,” she admits with a laugh.
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AI art is not cheap. The cost is just passed down to those who have been deemed expendable.
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...and other pressing inquiries.
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NYC, come celebrate two years of Hearing Things tonight @ Night Club 101 with a late show featuring Tasha, Hannah Frances, and our founders DJing!
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“Everyone should listen to this very imposing and long album at least once in life, or in this case, death” ...any guesses which record Sweeping Promises is referencing?
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A multi-faceted pop breakup album! An ambient banjo album! Heartfelt hip-hop tied to Greek mythology! All this and more in this week's edition of Five Albums
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If history is defined by the victors, then John Wilson's documentaries present a version grounded in the regular-degulars.
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Slow Pulp's Emily Massey has proven herself to be one of the decade’s most affecting rock singers, like a less serrated Courtney Love or a more sober Paul Westerberg
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Celebrated rappers and producers are selling out the culture in exchange for artwork usually reserved for the world’s shittiest hot chicken restaurants
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While their musical touchstones nod to simpler times, the despondency in Slow Pulp's songs speaks to our doomscrolling era, when it can feel like a considerable feat to make it through one more overloaded day
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If the people behind an album can’t be bothered to invest more than a few seconds into their artwork, how dare they expect us to spend our time listening to it?
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You play it once and you have to play it again right away, because there’s no way you’ve caught up to everything that’s happening
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A kaleidoscopic multi-genre extravaganza! Intergalactic dance music to throw ass to! Latine country-pop with heaping spoonfuls of rap and fiddle! All this and more in this week's Five Albums.
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