https://xitter.cf/t.co/DlczStLIy7; https://xitter.cf/t.co/gC7z7I0ctG https://xitter.cf/t.co/VSIJApzAgC
Brooklyn, NY
Joined November 2008
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Rumsey Taylor retweeted
We’re hiring 👇
xitter.cf/gianordoli/status/1821…
Come work with me at NYT! We have an opening for a Graphics/Multimedia Editor in the Digital News Design team. 🧵nytimes.wd5.myworkdayjobs.co…
Rumsey Taylor retweeted
STOP EVERYTHING. Just learned there is an easter egg on my 2018 story about doggie gentrification. Type "sprout", the name of genius designer @iamrumz's dog, and put up the volume. Free link:
nytimes.com/interactive/2018…
Rumsey Taylor retweeted
all the personal news fit to print
We’re thrilled to announce @alissamarie is joining Culture as a critic covering movies. nytco.com/press/alissa-wilki…
Banger.
Evening viewing recommendation? In our '90s Horror collection on the Criterion Channel, watch THE RAPTURE (1991)—the debut feature from writer turned filmmaker Michael Tolkin—starring David Duchovny and Mimi Rogers. bit.ly/3ELMsC3
Rumsey Taylor retweeted
John Carpenter and Buckethead collaborating on the soundtrack to Carpenter's GHOSTS OF MARS, released on this day in 2001
I wrote about producer, writer, director and star Neil Breen, whose five imaginative, bewildering low-budget paranormal thrillers have spurred both ridicule and awe in audiences worldwide.
nytimes.com/2023/08/07/movie…
Regardless of whether Breen’s films are endearingly “bad” (he is often likened to Tommy Wiseau or Ed Wood) or ambitious but barely coherent mainstream experiences, they continue to engage audiences around the world.
nytimes.com/2023/08/07/movie…
Rumsey Taylor retweeted
For 18 years Neil Breen has been making imaginative but bewildering paranormal thrillers. He’s the star, director, writer, but also sound effects supervisor, editor, set designer and much more. The distinguishing feature of a Neil Breen film is Neil Breen. nyti.ms/3KuwijI
