☆ astoria retweeted
#Clayface has made $24M at the domestic box office, with a global opening of $43M this weekend [could go up by tmrw morning].
GREAT word of mouth, legs should be solid!
you ignoring that she's part of a powerful mob group and the problem here is not the woman but the gang that cut him up and then framed him. a woman affiliated with criminals isn't supposed to be saint lmao let woman be evil in peace
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☆ astoria retweeted
‘CLAYFACE’ debuts on CinemaScore with an A-
Very rare score for an R-rated film.
Read our review: bit.ly/ClayDF
☆ astoria retweeted
"Cara de Barro" recebeu um forte A- do público no CinemaScore.
Mesma avaliação de Superman (2025), The Batman e Obsessão.
☆ astoria retweeted
Audiences say #Clayface is Verified Hot at 94% on the Popcornmeter! rottentomatoes.com/m/clayfac…
☆ astoria retweeted
Clayface debuts with a 95% Audience Score on Rotten Tomatoes. 🍅
Absolutely insane for R Rated Horror.
☆ astoria retweeted
‘CLAYFACE’ just made history 🫠
The highest rated solo comic book villain movie ever, and the only one Certified Fresh on Rotten Tomatoes.
☆ astoria retweeted
Review de Cara de Barro.
Cara de Barro é puro terror e mostra que a DC ainda sabe ser sombria.
Parece que a DC resolveu chutar o balde com Cara de Barro, e sinceramente? Deu muito certo. O filme deixa de lado aquela fórmula de super-herói cheia de piadinhas e aposta em um terror pesado, violento e que não tem medo de deixar o público desconfortável.
Tom Rhys Harries manda muito bem no papel e consegue mostrar como o protagonista vai se perdendo ao longo da história. Dá até para sentir pena do cara pelo que ele passa, mas suas escolhas tornam cada vez mais difícil ficar do lado dele. E é justamente esse conflito que deixa o filme tão interessante.
O terror corporal também é um dos destaques. Tem cenas bem grotescas, momentos difíceis de assistir e uma atmosfera pesada que praticamente não dá descanso. Só que isso pode cansar quem prefere algo mais dinâmico ou com umas piadas no meio para aliviar a tensão.
No geral, Cara de Barro é uma surpresa muito boa para quem curte terror. O filme tem personalidade, não fica dependendo de referências a outros projetos da DC e mostra que uma história de vilão pode ser muito mais interessante quando não tenta transformar todo mundo em herói.
No fim, é sangue, tragédia e gente perdendo completamente o controle. A DC acertou em cheio ao apostar nesse lado mais monstruoso.
Nota: 8,2/10.
☆ astoria retweeted
'Clayface' Review: DC Studios' Batman Villain Origin Story Is a Bona Fide Body-Horror Delight hollywoodreporter.com/movies…
☆ astoria retweeted
The first reviews are in for #Clayface - currently it's Fresh at 77% on the Tomatometer, with 44 reviews: rottentomatoes.com/m/clayfac…
☆ astoria retweeted
"Clayface delivers the sort of psychological depth and emotional resonance that enable it to bear comparisons to the works of such body horror maestros as David Cronenberg and Sam Raimi."
Have I told you what a pleasure it's been working with director James Watkins on this project? If so, I'll say it again!
hollywoodreporter.com/movies…
☆ astoria retweeted
Happy 55th anniversary to John Stewart, whose resume includes Marine, architect, and Green Lantern. That's already three more qualifications than most of us have, and somehow he still has to deal with the rest of the universe's nonsense. Our John Stewart, Aaron Pierre brought all of that complexity to the screen in LANTERNS. John Stewart first appeared in GREEN LANTERN (Vol. 2) #87, written by Denny O’Neil, with pencils by Neal Adams and inks by Dick Giordano.
☆ astoria retweeted
‘CLAYFACE’ is the first horror film in the DCU, but does it manage to be any good?
Find out in our review… discussingfilm.net/2026/10/2…
RT @DiscussingFilm: A ‘POISON IVY’ series is in the works at HBO.
• Lauren LeFranc (‘The Penguin’) is in talks to write the series
• It w…
☆ astoria retweeted
#Clayface Review: They actually made a comic book movie that feels dangerous, awkward and what not. The body horror is genuinely disturbing with some insanely creative sequences, but beneath all the gore lies a tragic story with a gothic soul. Tom Rhys Harries really sells Matt Hagen’s slow descent making you feel for a guy who’s becoming something truly monstrous. Overall it is Messy, disturbing and unimaginably tragic.
DC nailed it with this one!



























