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Kapag kinuwento ang buhay ng mga taong naghihirap sa pelikula, natutulangan ba talaga sila?
Ang mahirap at mayaman ay pwede ba talaga maging magkaibigan na tunay?
Andaming magagandang tanong na hinimay sa pelikulang ito. Must-watch sa Netflix. Nakakakilabot.
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some of my most prized possessions 😭
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Stop blaming external factors for very poor growth (2.1% in Q3 2026)! Look at the fantastic growth figures of our neighbors...
Btw tayo pa ang chair ng ASEAN this year. Embarrassing growth figures! 😖
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Opening this November 11:
- 'Remember'
- 'Unfiltered'
- 'Detective Conan: The Counterfeit Case of Ultra 30'
- 'How To Rob A Bank'
- #QCinema2026 (11/13-22)
- 'Dune' & 'Dune: Part Two' Re-releases
- Take Juan 2026 (11/11, Cinematheque Manila)
- 'The Beast'
“if we keep punishing people for accidentally arriving somewhere somebody else has already been, eventually we’re going to frighten the creativity out of everyone.”
Robbie Williams defends Olivia Rodrigo after she was accused of copying his song “Candy” with “take me home (4 christmas)”:
“Artists deserve to be protected. But there’s a difference between protecting your work and treating every vaguely familiar sequence of notes as a winning lottery ticket. It sounds to me as though she may have accidentally stumbled across a musical echo of mine in one of her new songs. And do you know what? I couldn’t care less. I don’t know whether there’s technically a publishing issue, a copyright issue, or no issue whatsoever. And I don’t want to know. I’m not going after her. Because I think at some point, some f**king sanity has to prevail […] We all stand on the shoulders of people who came before us. Sometimes consciously. Sometimes without even knowing it. That’s how music works. If we keep punishing people for accidentally arriving somewhere somebody else has already been, eventually we’re going to frighten the creativity out of everyone.”
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First look at ‘THE TAKE’, starring Robert Pattinson, Denzel Washington and Daisy Edgar-Jones.
The thriller follows a bank guard, a teller, and a master thief who are caught in a deadly game of deception.
Releasing January 15 on Netflix.
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Hated that film for the same reasons described here. A lot of these scripts have a tendency of trying to brute force its female lead (and audience) to forgive men for objectively shitty decisions without the work to make it believable
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i know it's just the homophobia because this man fake eats pussy on bridgerton with more love and hunger than any straight dude in real life

















































