THE CINEMA THAT IS STAINED GLASS In Bono’s memoir, he retells an event at the Chapelle du Rosaire de Vence, where he tried to explain to the priest that stained glass is the birth of cinema—the first examples of the use of a projector. “It’s the sun that propels each narrative; the glass is the film. Catholics are great storytellers, even when it’s just pure color, like these greens and blues and yellows.” “It reminds me,” he continues, “of the stained glass of St. Canice’s Church, where I used to go as a boy with my mother.”