Critic, editor, curator, and instigator. Bylines @metropolis @archpaper @dezeen Book review editor @landarchmag

Los Angeles
Joined April 2009
“How many hours did junior designers sweat in the model shop so that we could ruminate on the flickering abstraction of a discursive object?” Mimi Zeiger (@loudpaper) reviews “M³: modeled works [archive] 1972–2022” by Thom Mayne and Morphosis in LARA #1. nyra.nyc/articles/west-world
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Drew 32 LA landmarks for the Los Angeles Review of Architecture centerfold
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Artist-in-residence Mimi Zeiger/@loudpaper (MF 24) shows the advice she received from the MacDowell Oracle during her presentation on photography and architecture in the James Baldwin Library. "Your eyes will adjust in the dark. Be patient."
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Hopped off the plane at LAX, with a dream and…my copy of the Los Angeles Review of Architecture. Announcing LARA #1, guest edited by Mimi Zeiger (@loudpaper).
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Disguised density. Stealth density. Gentle density. Language used to deflect the fears and misconceptions that have accumulated around multifamily housing—biases that align it with the past specters of bleak public housing projects. @loudpaper @HarvardGSD gsd.harvard.edu/2023/12/disg…
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“Grind culture has come under fire as symptomatic of labor exploitation, but Gissen @davidgissen, a disabled designer and historian, expands and redirects the critique.” Mimi Zeiger @loudpaper writes in Issue #33 Image: Anton Kudelin nyra.nyc/articles/stumble-fo…
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Curren Price and Mitch Englander = 40% of the PLUM Committee that voted to do Jose Huizar's dirty work and destroy the Los Angeles Times landmark designation so Onni Group can build a tower. This is clear corruption. City of LA: Reverse the crooked deal! esotouric.com/pereira/
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It appears @sundaegirl, too, traveled all the way to Venice to collect our new issue. Fortunately she found one, but again: we have stockists coast to coast, and will even mail you your own copy if you subscribe. We value our readers' finances.
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"His observation leaves me breathless for a moment, as if eyes opened on the typeset page and stared right at the impairment I’ve masked for a decade..." Just posted today: @loudpaper's review of the Architecture of Disability, by @davidgissen nyra.nyc/articles/stumble-fo…
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Through these photographs—acts of investigation and translation—we find glimpses of his utopian desire amidst the chaos, beauty, and violence of everyday life.
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This work is decidedly interpretive, seeking out the many narratives contained within parks, markets, collective housing, malls, and bureaucratic buildings.
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Commissioned photography and video by artists Adam Wiseman, Lake Verea, Onnis Luque, Sonia Madrigal, and Zara Pfeifer veers from the documentary conceit of architectural photography towards the subjective.
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The exhibition takes as subject Zohn’s robust civic and commercial architecture built in Guadalajara from the 1950s to the 1990s, with an interest in how the city’s social, cultural, and material histories are interwoven with his structures.
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Our feature includes texts by @loudpaper and Tony Macarena (Lorena Canales and Alejandro Olávarri), curators of the exhibition “Seeking Zohn,” as well as architect and editor @otrootroblog. mascontext.com/observations/…
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Mimi Zeiger (@loudpaper) reviews the recently completed Hammer Museum, which has just come out of a more than 20-year renovation that rethought many components of the building, including its lobby, which now opens out the street. ow.ly/qa7150Oiubb
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“Seeking Zohn” presents works by Mexican-Austrian architect and engineer Alejandro Zohn (1930–2000) through contemporary photography and design by artists Adam Wiseman, Lake Verea, Onnis Luque, Sonia Madrigal, Zara Pfeifer, and Studio Fabien Cappello.
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Seeking Zohn at the Schindler House, West Hollywood; Mimi Zeiger & Tony Macarena, curators.
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