penny ⭐️

this is sooooo wolf and sheep

pio discovered that he liked to be manhandled by jeongyo that day

"When that time comes, I’ll write them (Pio and Jeongyo) a letter and tell them to stop playing hard to get and come to Korea to perform!" implies pio has been living together with jeongyo in czech republic the whole time 😭

im going back to the girl he likes. you mean to tell me percy twirls annabeth and they dance together while he likes her and she likes him. mutually crushing on each other and then they get separated

EU TÔ ME RACHANDO KKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKK

do you get déjà vu?

Hong Jaein 27.03.2000 Choi Jeongyo 02.08.2000 Kang Pio 18.11.2000 KNOWING PIO BEING THE YOUNGEST AMONGST THEM GOT ME DEVASTATED 😭 like no wonder both jaein and jeongyo always been so protective over pio.. he’s the baby 😭💔💔💔 #FourHandsTwoSonatas

ㅡ #FourHandsTwoSonatas “Jeongyo was just a wolf who loved a sheep”… The writer reveals the ‘destined’ fate of Song Kang and Lee Junyoung. Reactions noting that Pio and Jeongyo's narrative is “more poignant than most romances” stem from how the emotional trajectory they experience mirrors the moments when real lovers fall in love and part ways. Growing up in different environments, the two friends forge a friendship through the medium of the piano, passing through stages of deeply cherishing while simultaneously keeping each other in check. Writer Shin projected the image of “Heathcliff” a lone wolf roaming the wild onto Jeongyo, while wrapping Pio in the texture of “Catherine” as cold and cynical as an impenetrable wall. In Four Hands Two Sonatas, although Pio grew up in an affluent environment, his family was never once a comfortable presence, while Jeongyo had to force the only person who felt like family Pio out of his heart. In the end, because they were each other's sole refuge, an inseparable bond was inevitable. “A starving wolf loves a sheep.” By instinct, a sheep is food for a wolf to satisfy its hunger, but the moment it falls in love with that sheep, the wolf falls into a contradiction between its desires and its love. Jeongyo is no different. Although Pio sits at the end of the revenge that helped him endure the past nine years, the more he tries to tear Pio down, the more he faces the reality that he still deeply cares for him. Pio is both the target of his revenge and the person he refuses to lose. The writer layered Jeongyo’s dilemma unable to harm him because he loves him, yet unable to let go because he hates him. With the image of the “starving wolf” deepening the narrative of revenge and a love-hate dynamic toward Pio.