Metal enthusiast & Neo-classical air guitarist Follow me for a sarcastic deep dive into hair metal!!

Your mom's house
Joined December 2025
Nobody ever wrote a song called “Fuck the Fire Department” — unless it was written for the soundtrack of a certain kind of movie, of course 😉 Showing up on the worst day of your life, these heroes run in the direction everyone else is fleeing. FireHouse did the band version of that — straight into a music industry that was moments from becoming fully involved. FireHouse, formed in 1984, was one of the last glam bands to have a profitable commercial push. Despite the ground of the music scene already shifting, FireHouse had unbelievable success — their 1990 self-titled debut got to # 21 on the Billboard 200 and eventually went double platinum. Their epic power ballad Love of a Lifetime would go on to irritate single people at weddings the world over. They even won the American Music Award for Favorite New Heavy Metal/Hard Rock Artist beating out Nirvana and Alice in Chains! They braved the inferno and instead of being consumed by it, they harnessed it into a career north of 7 million records. Filled with booming drums, crunchy guitar riffs, huge sing-along choruses, and CJ Snare’s distinct and powerful tenor, this album is the answer to all your glam and arena rock desires. It gets better and better after every spin — and no, I will not apologize for my never-ending love of Love of a Lifetime! No matter how many times I hear it, I get goosebumps — and how could you not, with such a beautiful testament to undying love? So, if you happen to live under a rock and somehow missed these guys, stop running towards that roaring structure fire that is your social life and indulge in this last hurrah of hair metal — or the only thing you will be fully involved in is watching a “certain kind of movie” solo and most certainly, never ever ever starring in one — sorry chief 😔 @Leverty @FireHouseBand @FHDrums
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Hit up Driftless Books and Music and Bad Axe Music in Viroqua, WI this weekend. No cd's this trip but I did find Saxon at the bookstore (and a book, An Echo in the Bone) aa well as the random pickup of Robert Tepper and Van Stephenson's LP's. I'm a huge Rocky fan if you haven't noticed, and No Easy Way Out rules. I love Van's work with Restless Heart and Blackhawk - this is his 2nd album featuring Dann Huff on guitar. Witness is from ebay and it is very, very good! It was a fantastic day all around @DavidDittmer11 !!
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It’s show day for HAIR ME OUT on Zoo92 - Rock Radio! For the last two years I’ve done a Halloween inspired theme show so you know what that means! Yep, tonight is my yearly Halloween themed show!! This year the vast major the show is made up of songs from horror movie soundtracks and it is jam packed! I’ll be going live at 8pm eastern so come hang out! #hairmetal #hardrock @HBBasement @HDBGChronicles @NatesHiddenGems @UniqueHiFi @FromHairTo4Ever @Bad_Hair_Decade @HairMetalGuru @ColdasBryyyce @ThaHeathen @bsmntdwllr73 @Grizzard_Goober @bsmntdwllr73 @AndyLeRock @reidworld @pvmckeown @BerserkerBill @CTMetsfan124 @KillahRoxxMusic @BillLam54414323 @BOBinBroadview @coolasice232 @jamiecaste73635 @JenniferSi33633 @_maiers @Racer24 @ipmuniversal @gjgp89 @Nico8x8 @Jackson1556 @GTAK_Weld @XIBILXIC @GlitterLitter13 @JGSixxgun @jay6_29 @LFCMFighter @LindaS72 @shaun_pinney @pb1505thfc @rob37316784 @RonSwanson1971 @AddFlan1 @StoicTrickXIII @NeedleOfSteel @MoKnowsMetal @HMHangover @metalgoddess33 @chico14436924
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“It isn’t about how hard you're hit,” Rocky said. “It's about how you can get hit and keep moving forward”—sometimes the glory of capturing that championship belt pales next to the triumph of staying on your feet for all 15 rounds. Much like Rocky, going the distance for Miljenko Matijevic & his band Steelheart was never about the early victories—it was clinging to resilience even through catastrophe, and refusing to stay down until the final bell. An immigrant from Croatia, Matijevic formed Red Alert in 1981—a band that would eventually become Steelheart. After years of grinding the club circuit and recording demos, they landed a deal with MCA Records. In 1990 they released their self-titled debut featuring their Billboard Hot 100 hit, I’ll Never Let You Go. Heavy rotation of its video on MTV made it the network's second most requested video at the time. Their high-profile success in the US was nothing compared to East Asia. On the day of the album’s release, it sold 33,000 copies in Japan alone. Then in 1992 while touring for their 2nd album, Tangled in Reins, tragedy struck. An improperly secured lighting truss collapsed on Matijevic, nearly ending his life. What would have been a knockout for most became a four-year recovery marked by isolation, memory loss, and the deaths of his mother and his original band. Despite this, he eventually channeled all that suffering into new material and reforming Steelheart with new members. He even provided a singing voice for Mark Wahlberg’s character in the movie Rock Star! More than 30 years later, Matijevic is still touring and recording with Steelheart—still on his feet, still going the distance. A glorious fusion of glam metal swagger and gritty hard rock, Steelheart is stacked with energetic rockers and stunning ballads. I would argue that Matijevic’s glass-shattering, 4 octave vocals are above and beyond the most impressive of this genre— and if you want a shining example of why, check out one of my favorite songs—Rock 'N Roll (I Just Wanna). The way he hits those impossible high notes without using falsetto is absolutely insane as is his seamless ability to transition from chest voice to head voice. My voice cracks like a 13 year old boy just thinking about it (I sing and that’s hard as hell to do, well for me anyway). So c’mon now big guy, don’t be a big loser, give one more round when you don’t think you can, and listen to Steelheart—or the only distance you’ll be going is from hopeful to hearing I really like you…as a friend 😭😭😭 @MiljenkoM @STEELHEARTBAND
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The absolute best band to throw some iron to. It really gets me going- that and about 500 mg of caffeine. open.spotify.com/track/0Mxqi…
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OH bass guitar- how do I love thee?! I'll let you in on it. The sound they bring to the party isn't just for your ears, bass tones bypass standard auditory processing and create a visceral sensory experience. The the low frequency passes through barriers undeterred, making you *feel* the beat. It activates the most primal part of your brain, triggering the release of endorphins, dilating your eyes, increasing your heart rate & respiration- it gives you goosebumps! Do you understand now!? 😁 Now knowing this, can you guess how much I just died for Kyle Kyle of Bang Tango's groove heavy bass on 1989's Psycho Cafe today? Absolutely. Murdered. This was a first listen and is now a 10/10 album for me, no skips needed whatsoever! Someone Like You is the absolute standout- the killer guitar intro, funky bass riff, and raw, bluesy vocals- Muah! perfect! Breaking Up a Heart of Stone, Wrap My Wings, Love Injection- the whole album is a hip-swaying, head shaking sleaze-funk hard rock gem. So, ladies, if you want to disrupt the order of the universe, hit on the bass player! You might be missing out on more than the foundation of the groove but on something much more mentally stimulating than the 2nd grade diploma would imply. (I'm kidding ILY 😊) #bangtango #psychocafe
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Melissa ADD retweeted
Swedish Erotica — sounds juicy right? Well, let me tell you how disappointed I was when I got Swedish Erotica’s 1989 self-titled debut album and there wasn’t a single spicy picture in the entirety of the liner notes!? Worst erotica EVER. But…do you want to know what’s not the worst? The album underneath it! Swedish Erotica is a glam metal and melodic hard rock band formed in Sweden in 1985 — originally Swedish Beauty. In 1988 they signed with Virgin and released their self-titled debut in 1989. Drenched in reverb, this album is stacked with huge melodic hooks, sing-along gang vocals, glossy keyboards and crunchy guitar riffs. Mats Levén’s gritty, powerful vocals provide a sharp contrast, cutting through the pop-metal polish. One of my absolute favorites is Downtown. A built-for-the-arena party anthem, Downtown was co-written by King Diamond guitarist Andy LaRocque. Underneath the shiny production, aggressive heavy metal guitars and a blistering solo lie in wait. So don’t be sad at the lack of scantily clad statuesque blondes in the notes, listen to Swedish Erotica and be happy! Or pass if you’d rather stick with the stuck pages of that vintage Sears catalog. Choose wisely 😲
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Today has been a stellar day but somehow it just got even better! The USPS has delivered! Thank you, USPS for not stomping on my jewels this time 😁 A cracked jewel case is something that you can never fully recover from ☹️
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Like a lover’s caress, music has the power to stir our most complex and visceral emotions—and nowhere is this more apparent than within the inescapable staple of 1980s hard rock: the power ballad. Power ballads are a curious thing; even when the subject matter is melancholy it can still stir intense pleasure. And why is that? Well, the formula of these tracks perfectly mimics the slow burn of romance, starting with a soft, often acoustic intro that escalates toward an explosive, poignant climax. It floods your brain with oxytocin, a.k.a. the love hormone that bonds you to another. Then, as expectation builds through the verse and pre-chorus, the chorus proper hits and—BOOM. A rush of dopamine slaps you right in the face. A physiological and psychological phenomenon brought to life through sound—isn’t science fun, kids? I bet you never thought Every Rose Has Its Thorn was that calculated. A stunning example of such a power ballad is I’ll See You in My Dreams by the hard rock/AOR band Giant. From their 1989 album Last of the Runaways, I’ll See You in My Dreams is a track that should be as legendary as Bret Michaels’ anthem of love lost. For me, it evokes contradictory emotions, which really isn’t surprising as love and loss are two sides of the same coin. It’s a fullness that expands so completely, leaving my heart to swell and overflow with an overwhelming sense of adoration and joy—only to be contrasted by a pain that guts so completely—that should I try to speak, only a wail of despair like the keening of a wounded animal would arise. Bittersweet to say the least. But not so fast! This exquisite example of musical perfection is not relegated to one song—oh no. This offering from a band comprised of virtuoso-level session musicians, including the renowned guitarist Dann Huff, is the one that should have shot them into the stratosphere of arena rockers like Journey and Foreigner. Unfortunately for them and all of humanity, it was several years too late. Huge memorable hooks, infectious choruses, intricate soaring guitar solos, dynamic keyboards, big punchy drums—it has everything you need whether you’re slow dancing with your sweetheart or throwing your fist in the air with 15,000 of your closest friends. So, c’mon now, do yourself a favor and spin Last of the Runaways. The science of the power ballad demands it!! You don’t want to miss out on all of those explosive climaxes now, do you? (spoiler alert: you don’t 😁)
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May I present Rosemary Ann, my little peanut of a niece. My God I love her so much already! I promise you sweetheart, I will be the coolest cool aunt ever ❤️ What are you all waiting for? Bow down to the brand new Metal Princess, metal hordes! I don't want to have to start smiting my enemies again :)
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Swedish Erotica — sounds juicy right? Well, let me tell you how disappointed I was when I got Swedish Erotica’s 1989 self-titled debut album and there wasn’t a single spicy picture in the entirety of the liner notes!? Worst erotica EVER. But…do you want to know what’s not the worst? The album underneath it! Swedish Erotica is a glam metal and melodic hard rock band formed in Sweden in 1985 — originally Swedish Beauty. In 1988 they signed with Virgin and released their self-titled debut in 1989. Drenched in reverb, this album is stacked with huge melodic hooks, sing-along gang vocals, glossy keyboards and crunchy guitar riffs. Mats Levén’s gritty, powerful vocals provide a sharp contrast, cutting through the pop-metal polish. One of my absolute favorites is Downtown. A built-for-the-arena party anthem, Downtown was co-written by King Diamond guitarist Andy LaRocque. Underneath the shiny production, aggressive heavy metal guitars and a blistering solo lie in wait. So don’t be sad at the lack of scantily clad statuesque blondes in the notes, listen to Swedish Erotica and be happy! Or pass if you’d rather stick with the stuck pages of that vintage Sears catalog. Choose wisely 😲
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Melissa ADD retweeted
The trope of the tortured genius—we’ve seen it before, whether as the mad scientist or the starving artist. You could argue that it all started with the namesake of the band Tesla, a.k.a. the inventor of alternating current, Nikola Tesla. If you know the story of Tesla’s life, it begs the question: is it the pain or the process that births the exceptional? Well, much like AC and that girl you knew in college, it goes both ways. Fresh on the heels of platinum and multi-platinum records and ego-drunk on their own success, Tesla set out to record their third studio album, 1991’s Psychotic Supper. Named for their “psychotic,” drug-fueled behavior during its recording and the peculiar dining habits of Nikola Tesla, the band—in spite of the excess and personal struggles at the time—put together what some consider one of their best and most creative albums. The making of this heavy, bluesy, and overdub free hard rock album shows the true genius of what happens when pain and process intertwine. How was my first listen, you ask? Well, the fact that I’m able to write today is surprising, as it totally blew my mind! So if your exposure to Tesla is non-existent, stop everything and check out Psychotic Supper—it could be the only genius thing you’ll ever do, and there’s no two ways about it. 😁 @TeslaBand
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Melissa ADD retweeted
As William Shakespeare once said, “The fool doth think he is wise, but the wise man knows himself to be a fool.” I don’t know about you nerds, but I’ve always found this to be true: only the truly brilliant can be self-aware to the level of admitting they know absolutely nothing. And by that logic, Love/Hate, the self-proclaimed “stoopidest band in the world,” are absolute savants! Born in the squalor of a Skid Row adjacent warehouse, Love/Hate were one of the most implausible bands to rise out of the Sunset Strip. When these gutter rockers weren't getting into fist fights mid-set or hijacking beer trucks, their lead vocalist was getting arrested for crucifying himself on the Hollywood sign—you know typical MENSA behavior. In 1990 they released their debut album, Blackout in the Red Room, a chaotic mix of sleaze rock grime and funk metal groove. Featuring Jizzy Pearl's unhinged raspy snarl, aggressive reverb-free drums, and a funky slap bass line, Blackout in the Red Room is as unapologetically hedonistic as it is stark. Every song is etched with the desperate energy of their painful, poverty-stricken beginnings. If you want to know what the missing link between GNR sleaze and that filthy “G” word is, don’t be a dope and give Blackout in the Red Room a chance. If you happen to pass on it, keep it to yourself- you don’t want to open that big dumb mouth of yours and remove any doubt now do you? @lovehateband
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Melissa ADD retweeted
Page & Plant Jagger & Richards Lennon & McCartney Bert & Ernie A perfect pair — two halves of a whole that seem to exist in absolute synchrony, performing an intricate dance of give and take that’s so exquisitely perfect that you cannot tell where one’s contributions end and the other begins. The musical duos above created some of the most iconic music in rock history that, without one another, would never have existed. Well, maybe not Bert & Ernie — unless you count Rubber Duckie, of course. The strength and longevity of a band often rests on these partnerships, and a prime example is Rachel Bolan and Dave “Snake” Sabo of Skid Row. While neither was the frontman, their creative union brought into being a band that has sold over 20 million albums worldwide and has survived for nearly 40 years. Rachel Bolan and Dave Sabo founded Skid Row in 1986 after meeting in a New Jersey music store. The pair became fast friends and set out to write what would eventually become Skid Row’s self-titled album. Each brought something unique to the table — Sabo came from a classic heavy metal/hard rock background and Bolan, a punk rock one. These two had such chemistry that 98% of the album was completed before they had established a permanent lead singer. Skid Row was released in 1989 and blends thunderous twin-guitar riffs, forceful street-level lyrics, and bass lines that drive the songs rather than simply support them. Full of glam swagger with an aggressive, gritty edge, the album shows how Bolan and Sabo’s complementary strengths shaped its sound. I particularly enjoy Midnight/Tornado, it has heavy distorted riffs, a sick guitar solo from Scotti Hill, and showcases Bach’s soaring 4-octave vocal range. But honestly — do I really need to fill anyone in on what Skid Row sounds like, really? Despite lineup changes, business issues, and the passage of time, Rachel Bolan and Dave Sabo have remained the bedrock of Skid Row, continuing their legacy well into the new millennium. More than any surrounding noise or shifting lineups, this enduring partnership is what has given the band its lasting identity. So, if you happen to be Amish or lived your entire life on the ISS, get out of that duckie filled bubble bath and listen to Skid Row — you never know; you just might meet that Bert to your Ernie —I believe in you little buddy! 😉 @OfficialSkidRow
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I am very very pleased with these recent additions to my collection. Several were even hand picked for me at Budget Music in Grand Forks, ND. Thank you @DavidDittmer11 😁
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