Byproduct of the film industry. DeLorean historian & beleaguered restorer. Whippet dad.🎬: Avengers, Jurassic World 4, Venom 3, Fast 9/10... that kinda stuff
The Metropolitan Line
Joined March 2009
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@Chris_C_Lowrey @FrontlineFire I don't suppose you're able to reveal exactly when the new DLC kicks in are you? I did save after CR ended thanks to the hints about Bulldog but I have a horrible feeling it's mid 3058 and I like to do the whole continuous campagin thing...
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@Chris_C_Lowrey @FrontlineFire also having finished CR - absolutely loved the story. Older, wearier Adam was pretty compelling so I hope we see more of him. As someone who is in this hobby because of the cartoons, it was a delight to see Malthus and Redmond again and I thought
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Finally finished this lightbox for my screen-used TNG LCARS panel from the bridge of the Enterprise. This is one of the 'animated' backlit panels that use a variety of filters, and a spinning polarised disc to give the effect of a moving video screen:
To do this, I designed a laser-cut chassis to fit within an existing sign box frame. This chassis contained the LED strip, a mount for the motor, and the rotating polariser, and then a raised panel to block out any light that wasn't polarised by the disc to maximise the effect
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Matthew Clark retweeted
A Sunday reminder for #Blender users out there. Ive made a little cinematic race sequence for you all to check out youtu.be/PjVKk7jYqZM?si=mWK1…
#b3d #blender3d #racing #blendercommunity #MarkBdesign #scifi #shortfilm
Dragging myself out of twitter retirement for a @JurassicWorld Rebirth work recap. As per pretty much every one of the first 3 movies, there was an InGen rebrand to design - first 100 (!) passes were much more inline with Gareth's heavy-industrial SF aesthetic
Barely seen, but every prop featured 100s of micro-decals and labels. Fun in photoshop, absolute hell when it came to applying to actual physical props, often fresh out of the mould or with wet paint.
