Nik Goodman (@nikgoodman) header
Nik Goodman (@nikgoodman) profile picture

Radio and audio consultant - https://teapaw.org/t.co/YZJWpb1rTR Director at Bounce - https://teapaw.org/t.co/8JkzEsqq56 - Programming at Radiodays Europe - #RDE26

London
Joined April 2008
See you in Mallorca baby!! @RadiodaysEurope in Palma for 2027 😎 #RDE26 #RDE27
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Better think of something to say… #RDE26 #RDE2026
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I booked a room with a view… #RDE26
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As 2025 wraps up - thank you to the clients, teams, presenters, producers & partners I’ve had the pleasure of working with this year. I’m grateful for the collaboration & shared ambition that’s gone into everything we’ve worked on. Wishing everyone a strong start to 2026! 🙌
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I was having lunch in a European capital city this summer, chatting to a young journalist about public broadcasting. She said: “You’re from the UK? Wow… the BBC. That’s what we all want to be.” 1/5
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Who want to chip away at the idea that public service broadcasting can still matter. And that’s why this moment is so important. Because the BBC isn’t just a news organisation. It’s drama, music, comedy, education, culture, and of course… it’s radio. 4/5
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It’s part of how Britain sounds and feels. Without it, the UK would be culturally poorer and, frankly, smaller on the world stage. Every country I visit has media companies trying to be “their own BBC.” I just hope we don’t forget how lucky we are to actually have ours. 5/5
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Always was a classic. And the Sound Factory Mix is 🙌 Glad it’s getting lots of love… #johnlewis
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Fun to look around Spotify HQ in Stockholm…
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“If liberty means anything at all, it means the right to tell people what they do not want to hear…”
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“Tonight…” 🎶
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No doubting Heart’s success. All their 10 stations sound great. A fine example of how to roll out brand extensions. 👏 But I find this odd. Comparing their total brand reach to just one other station (regardless of which one), to try claim something, feels misleading. #RAJAR
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Bryan Adams chatting at @departurefest today. Thoughtful chap with interesting angles on radio, the music industry & artistry in 2025. Sadly, I didn’t bring my ‘Reckless’ cassette which I purchased from Woolworths in Liverpool in 1984 with me to get signed. Next time.
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