From Saint Louis to Hong Kong to Berlin
Berlin, Germany
Joined July 2013
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"All art begins with a mistake – otherwise it's not art"
🙏@aiww
yahoo.com/entertainment/cele…
Exactly
countrylife.co.uk/culture/ar…
Congratulations to @sputniko for coming Autumn 2027 exhibition in Okayama.
youtube.com/watch?v=qLFatuSe…
Oui.Gallery retweeted
Petra Cortright — author of Untitled (Sensorium) for SCALE. Exploring the glitchy, luminous edges where digital intimacy meets material perception. ✨🖥️📚
📚scalepublishing.com/people/p…
✍ @petcortright
🗨 Email your records to [email protected]
👀
As a result of a US government directive, we are suspending access to Claude Fable 5 for all users. You can continue to use all other Claude models.
Here’s what this means for you:
Across Claude products, new sessions will run on your selected default model or Opus 4.8, and existing Fable 5 sessions will end with an error.
On the Claude Platform, requests to Fable 5 will also return an error. Please update your integrations to other Claude models.
We know this is a disruption to your workflows; we appreciate your patience and support.
👀
If you going to Art Basel and are interested in digital art - this June 15th Digital Art Summit looks really good. Speakers include Christian Paul (Whitney), Margit Rosen (ZKM), Trevor Paglen (Co-curator of Art Basel 01) and many others.
zurl.co/qRqAD
Oui.Gallery retweeted
This is good
May add more fuel to my half serious speculation that post AI economics might resemble the contemporary art world
For at least 100 years value has not been tied to craft, rather spectacle, narrative, in person presence and heavily debated/often abstract consensus
What are you worth when nothing is scarce?
For most of human history, economic value came from what you could do and how fast you could do it. If the machines end up smarter, faster, and stronger at every task, what's left? @alexolegimas wrote a great piece arguing that in the world the only thing left to price is human presence itself.
Which raises a set of questions I couldn't stop thinking about. What skills do you actually need when being human is the product? Does everyone end up competing on one likability leaderboard, or does status fracture into a thousand fields with their own hierarchies? Is a market in warmth coercive or any less of a meritocracy than the one it replaces?
New essay on Girard, Versailles, meritocracy, and the revenge of the jocks: juliawillemyns.substack.com/…
Going to that!
Here is an ICS file so it goes into your calendar:
oui.gallery/event/how-to-see…
Go to this 👍
Strange Rules opens May 4th @ Palazzo Diedo Venice
Curated with @HUObrist @hollyherndon & Adriana Rispoli
Opening 7pm, all are welcome
🪱
Oui.Gallery retweeted
Water is the original internet. 🌊
This writing explores the conceptual & geographical rivers winding through Oui.Gallery, the Pearl River Delta, the Mississippi River Basin & the Elbe Watershed.
🔗oui.gallery/2026/04/30/river…
Water is the original internet. 🌊
This writing explores the conceptual & geographical rivers winding through Oui.Gallery, the Pearl River Delta, the Mississippi River Basin & the Elbe Watershed.
🔗oui.gallery/2026/04/30/river…
See you there
From now, you can see our contribution to this year @rhizome's 7x7 as co-curators (link below)
The event is gonna take place at @newmuseum on May 16, 2026, in New York City.
"Seven artists and seven technologists work together in pairs to 'make something new', presenting the results at a public conference”
Sougwen is amazing and the work is amazing.
This artist paints with two robotic arms linked to their body through live EEG brainwave data → RECURSIONS 遞迴 by @sougwen
We presented this work at Art Basel Hong Kong this year, but we have not yet shared how the project is structured. RECURSIONS unfolds across six parts, and today we’re presenting Part 4: SILVER ↓
— 1 SYSTEM
— 2 SEED
— 3 STROKE
— 4 SILVER ⭐️
— 5 SCROLL
— 6 STELE
