Documentarian | 🔴 NEW: JORDAN PETERSON — CHAOS FROM ORDER Co-host of @kinkspodcast
Berlin, Germany
Joined April 2010
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Chaos from Order, the new documentary on @jordanbpeterson , is out now.
Watch: youtu.be/80-yBDzWkrg
Liam Porter Films retweeted
Happy birthday, Ringo! Today at 12 noon local time, pause for a moment to simply say, post, or think “peace and love.” #PeaceAndLove @ringostarrmusic
Liam Porter Films retweeted
My entire X timeline is just;
- Hitler -
- Hitler -
- Hitler -
- Some random hot Blonde or redhead in a bikini -
- Some Jew caught in some kind of crime -
- How amazing Europe is and why you should live in Switzerland -
- Inflation -
- Hitler -
- Zoomers talking about Mass Deportations
- Hitler -
- Boomers complaining about Zoomers -
- Sydney Sweeney in a Bikini
- Hitler -
Liam Porter Films retweeted
"Based and redpilled."
"That's right, The Mascara Snake. Based and redpilled."
"Redpilled, also racist."
"That's right."
"Gordon's diatribes against women with Rosemary were in reality a kind of perverse joke; indeed, the whole sex-war is at bottom only a joke. The moves in this argument -they had it as often as they met- were always very much the same."
— George Orwell
Keep The Aspidistra Flying
Liam Porter Films retweeted
RIP Marjane Satrapi, the great cartoonist and film director, best known for PERSEPOLIS. She was only 56. A great talent. She will be missed.
Liam Porter Films retweeted
This app is a hellhole but unlike the alternatives it's a hellhole where people manage to say interesting things frequently
Liam Porter Films retweeted
The greatest dread you can feel as an adult is when you've been ignoring a problem or situation for a long time with the unspoken assumption It's Probably Fine, then all at once you are forced to look at it closely and you are gobsmacked by the True State of It.
Liam Porter Films retweeted
Speaking as someone who writes a fair amount for public consumption: in the last 3-5 years, there’s been an observable collapse in readers’ ability to follow and engage an argument. Most notably, people will raise “counterarguments” addressed in the text of the piece itself (1/x)
