rob trench retweeted
Yes, I know things can look a little glum at present. But , for now cheer up. From us.
rob trench retweeted
[me, fat and stoned on the couch, covered in Cheetos dust and sweat, pressing play on my fourth Tubi movie of the day] I'm just like Charli baby, brat summerrrrrr
.@charli_xcx talks to Rolling Stone about her movie-watching habits:
“My dream weekend is getting up late and watching like four films back-to-back, and ordering food. It’s like escaping into another world.”
Interview:
rollingstone.com/music/music…
rob trench retweeted
Public funding for the arts in Canada is great but it’s not enough to cover the growing costs of keeping a vibrant scene going. Consider throwing your support behind @LIFTfilm, a production access centre that supports tomorrow’s independent filmmakers.
🥰🎂 Today, April 8, 2026 is @LIFTfilm's 45th Anniversary. It's exciting and humbling to reflect on the impact we have made over the years on the lives of independent filmmakers.
We're extending our "$45 for LIFT45" campaign!
Please consider donating at lift.ca/news-post/happy-45th…
rob trench retweeted
I love finding old promotional DVDs because sometimes they’ll implant a beautiful phrase like “Unbeatable Andy Garcia Awareness” into your brain
rob trench retweeted
R.I.P. Shozin Fukui (1961-2026), visceral DIY and independent cyberpunk filmmaker known for RUBBER’S LOVER (1996), 964 PINOCCHIO (1991) and CATERPILLAR (1988).
rob trench retweeted
THE HISTORY OF CONCRETE, the feature debut from director John Wilson. In theaters later this year.
rob trench retweeted
"Is macready or childs The Thing at the end?" theorists are idiots. The answer is John Carpenter. It's in the poster. John Carpenter's The Thing. Dumbass
rob trench retweeted
hate to say it, but i think the best social media asset ever created for a film came from GOD’S NOT DEAD 2













































