Anish Pallyal retweeted
Tom Hiddleston says happiness is overrated and spending your life chasing it can actually make you unhappy
"Happiness is overrated. Meaning is underrated. Happiness is like a sunrise or a sunset. Bear with me"
"You're there. It's lovely. You're present with it. The sun's rising or the sun is setting. It's perfect. After 15 minutes, the moment is over and it's gone. Trying to sustain it is impossible because it's over"
"And a life spent chasing the permanence of that feeling will make you unhappy because you can't hold on to it. The moment you try to hold on to it, it slips through your fingers and is lost"
"Meaning is a structure that only you create in your own life, an architecture with your own particular spiritual fingerprint, whereby if you're going through a hard time, if you're going through challenge, struggle, obstacles, suffering or pain, only you know why you're going through it"
"You might know, this is hard now. I'm doing it for my kids. I'm doing it for my mom. I'm doing it for my future"
"And then it makes enduring the hard times bearable because you know what it means"
"And meaning - this is the take - meaning yields joy. Joy is deeper than happiness"
Anish Pallyal retweeted
i can't emphasize this enough: reading fiction is one of the most underrated tools for mental health.
Anish Pallyal retweeted
The primary duty of literature is to tell the truth about ourselves by telling us lies about people who never existed.
—Stephen King—
Anish Pallyal retweeted
Replying to @historyinmemes
The Lonely Genius: Terry A. Davis 👨💻🙏
Terry A. Davis was a brilliant but troubled programmer from the United States. He studied computer engineering and once worked with top technology companies. But in his 20s, he was diagnosed with schizophrenia, a mental illness that made him hear voices and have strong religious visions. 🌩️
Instead of giving up, Terry poured his life into creating something extraordinary — TempleOS, a full operating system he built alone. He wrote every part of it: the kernel, compiler, and even its graphics. He believed God was guiding him, and TempleOS was meant to be the "third temple" described in the Bible. 📖💻
The system was unusual — it ran at 640x480 resolution with 16 colors and had a programming language Terry invented called “HolyC.” While many saw it as strange, others admired the sheer genius and dedication it took to build such a project single-handedly.
Sadly, Terry struggled with homelessness, isolation, and his illness until his passing in 2018. 🌙 His life is remembered as both heartbreaking and inspiring — a reminder of the thin line between brilliance and pain, and how even in struggle, creativity can shine. ✨
Anish Pallyal retweeted
Use Elan Lee's approach to make your next brainstorming session fun.
cc: @elanlee
Anish Pallyal retweeted
There’s undoubtedly immense difficulty in curating a list of 100 best anything, but if your project omits major film industries, artistic movements, and entire continents, it’s probably time to go back to the drawing board.
Anish Pallyal retweeted
The twist that no one saw coming: 'Another Round' was a reference to a Danish, Oscar-winning (best international film, 2020) film!
Anish Pallyal retweeted
On the occasion of the re release of SATYA on JAN 17 th 2025, here’s both an INTROSPECTION and a CONFESSION
SATYA was a film which me and all involved mostly made it without having a clue about what we were making except for a real gut instinct on the subject matter
On our talent fronts each of us realised our each others talents only after the film became a cult hit and then hearing the praise about each of our talents from others
The characters in SATYA felt so real not because of putting in a tremendous effort in character design but simply because I mostly copied them from real life characters
SATYA proved to me that great films cannot be made but they just make themselves.
The fact none of us involved in the film could repeat the magic of SATYA ever again proves my above point
In short we din’t make SATYA , SATYA made us
It’s like we all gave birth to a baby called SATYA and how it grew up and became what it became was never really neither in our intention nor in our control
I don’t remember a single time any of us discussing , whether SATYA will work at the box office but we all seriously wanted it to work for us
We never had a script but strangely enough we were all being very true and honest to what we were shooting each day
And then with the final outcome of what we made , we were as much shocked as the audience ..I go back to my line that no parents can know what their child will become when he grows up
The only time I realised that there is something really special about SATYA is on the last day of mixing , when I saw most of the characters, I created with so much love being killed like dogs .. Not that I din’t know that before , but to see it in a flow along with music and sound stirred something deep in me ..I got choked and had tears in my eyes which prompted me to put a super at the end of the film “ My tears for SATYA are as much as for those, who he killed “
The point is whether one is a gangster or a cop or a common man , underneath all of them is a human being
This truth of SATYA dawned upon me much after it released is that SATYA is not a gangster film, but it’s actually about human beings and the circumstances they are placed in either by force or by accident
But once they are in , destiny takes over and no one is in control after that including the ones who created those circumstances
SATYA was made by honest instincts and not by clever design , and the cult status it achieved should be a wake up call for all film makers present and future including us, its original
makers
When the whole industry right now is in a MAD RUSH in their REQUISITIONS for MASSIVE BUDGETS, EXPENSIVE VFX , GARANGUTAN SETS and SUPER STARS it might be prudent for all of us to take a hard re look at SATYA and give a deep thought to why it became such a BIG BLOCKBUSTER minus any of those above mentioned REQUSITES .. That would be the real true tribute to SATYA
Anish Pallyal retweeted
The handwriting of famous authors - thread🧵
1. J. R. R. Tolkien's letter from Aragorn to Sam Gamgee, in which the King of Gondor informs the hobbit of his future visit and expresses his desire to "greet all his friends."
Anish Pallyal retweeted
Folks who write "screenplay" was this that good/bad in their reviews, guys you have no idea what the screenplay was. You are reviewing just the film. The way it was shot+edited, director+editor must have already rewritten the screenplay few times. So aap "film" kahiye or writing.
Anish Pallyal retweeted
This 500-year-old portrait may seem ordinary, but it's one of the most mysterious in history.
There's so much detail that you can read every musical note on this small page.
But look closer — an unsettling secret is hiding in plain sight... 🧵
Anish Pallyal retweeted
Okay my fave quote from the Salim-Javed doc is Dibakar Banerjee saying that if you devalue writers they'll go and become mediocre directors instead lol
Anish Pallyal retweeted
Scott Frank: "The best writing is also subconscious where you don’t know that you’re doing it, and you don’t realize you’ve done it." #screenwriting

































