Pinned Tweet
Drew @OsiriaBlood ‘s really cute OC for Art Fight! 💗💗💗
Teo 🪻 retweeted
That's amazing! and we'll be working on Part 2 of ur fantasy film as we wait! In the meantime, meet our little witch and lady! Our Black girl coming of age animation continues production She may not be a princess, but hopefully they'll bring a little magic to your timeline !
A new animated ‘PRINCESS AND THE FROG’ special will be releasing soon.
“We are really moving on that right now... That will be out to people soon. New songs. Original cast. It is pretty spectacular.”
(Source: collider.com/princess-and-th…)
Teo 🪻 retweeted
“i grew you so i could touch you whenever i want” is probably not how i would frame things for my child! certainly not if i wanted them to understand their bodies as their own!
Teo 🪻 retweeted
winx club should've gone this route after season 6. make spin-offs of different groups of fairies before doing a reboot
Teo 🪻 retweeted
comm @brienscei
Cersei Lannister and Brienne of Tarth
#asoiaf
Teo 🪻 retweeted
I did not and would never consent to this administration running my fanart through AI and posting it. Can’t even believe I’m saying these words.
There’s Magic in Learning 🪄
Readers added context they thought people might want to know
This image is an AI recreation of an artwork done by @DevinElleKurtz and Devin further stated they did not give the
U.S. Department of Education permission to use their artwork.
x.com/DevinElleKurtz…
Teo 🪻 retweeted
These are wartime stories btw.
She Hid Her 12-Year-Old Daughter in a Ditch for Nine Months to Save Her From Boko Haram
In August 2014, Zainabu Hamayaji made a decision that would keep her daughter alive but force the young girl to spend nine months hidden underground.
Hassana was only 12 years old. Her mother feared that Boko Haram fighters would abduct her and force her to become a child bride.
To protect her, Zainabu hid her in a deep ditch behind their home in Madagali, Adamawa State, Nigeria.
Then, she did something that made the plan even more extraordinary.
She pretended to be mentally ill so the insurgents would leave her family alone.
When Boko Haram invaded Madagali, families faced a terrifying choice. People who tried to escape were being killed, and Zainabu witnessed the violence firsthand.
Her husband was among those killed.
She was left trying to protect her children in a town controlled by the same fighters she feared would take her eldest daughter away.
Zainabu had heard that the insurgents were looking for young girls to marry. When they learned she had a daughter of marriageable age, they came to her home.
She denied having such a daughter, but they did not believe her.
They beat her repeatedly. Her shoulder was dislocated, and she lost a tooth during the attacks.
Zainabu realised that simply denying Hassana's existence would not be enough. She needed to make the fighters believe there was something about her family that made it dangerous to interfere with them.
So she began acting as though she had lost her sanity.
She loosened her hair, stripped off her clothes and wandered around the community. She rolled in rubbish and smeared herself with urine and faeces.
The woman who had once lived an ordinary life was deliberately making herself an object of avoidance.
The insurgents returned repeatedly to check whether her behaviour was genuine. Each time, Zainabu continued the act.
Her younger children helped her maintain the deception. When the fighters questioned them about their mother's behaviour, they insisted that she had been mentally unwell for a long time and had previously visited a psychiatric hospital.
The children were frightened, but they played their part.
Eventually, the insurgents began to believe the story.
According to Zainabu's account, they feared that harming a mentally ill woman or taking her child could bring a curse upon them. They even left a warning on the family's house telling other fighters not to attack them.
But while Zainabu was trying to convince the insurgents that she was mentally unstable, Hassana was facing a different kind of ordeal.
She was living inside a ditch.
Her mother had prepared the hiding place with supplies, including food, water and matches. Hassana had to cook and manage her basic needs in the confined space. She also had to find a way to dispose of her waste.
For nine months, the ditch became her hiding place.
She could not simply walk outside whenever she wanted. Her safety depended on remaining hidden while her mother continued the deception above ground.
It was an extraordinary burden for a child who should have been able to live without fear of being abducted and forced into marriage.
Zainabu kept up the act, despite the beatings and the physical injuries she had suffered.
Then, in March 2015, Nigerian soldiers recaptured Madagali from Boko Haram.
When the soldiers encountered Zainabu, they were suspicious. They wanted to know how she had survived in the occupied town and questioned whether she had been married to a Boko Haram fighter.
She denied it and explained what she had done to protect her children.
The soldiers did not immediately believe her.
So she took them to the hiding place.
When they opened the ditch, Hassana was there.
After nine months underground, the 12-year-old girl was finally brought out of hiding.
The soldiers took the family to a camp for displaced people in Gwoza, where Zainabu later told her story to journalists.
Teo 🪻 retweeted
Here is my interpretation of the sun and the moon.
I created these characters for my webcomic, "Theater of Lost Dolls."
#2danimation #indie_anime #OC
What pains me most in this case is that EVEN in death, Junko has not found peace. Her grave was vandalized by a relative of one of her killers and had to be moved. Such cruelty is truly inhuman.
Teo 🪻 retweeted
also listen, we went through an oversaturation of "brown haired white boy has silly adventure with friends" cartoons for DECADES
i think we can survive an "oversaturation" of "queer girl leads saving the world with the power of friendship" for a bit
Replying to @kianamaiart
it shouldn’t be a surprise that the most viewed and prominent indie shows with fandoms are lore driven shows made for gay teens, not just for the above reason, but also because gay teens tend to be the audience that is online and the most active within fandoms
Teo 🪻 retweeted
Who cares if an old woman doesnt look conventially attractive she still should be treated as a human
Teo 🪻 retweeted
ppl are always so weird about fabien w this mind you he thought his good friend had just flashed him
Olivia Cooke says she wore incredibly bushy pubic hair for a House of the Dragon oral sex scene and left her co-star completely disgusted
"I had to do a scene where my scene partner was underneath my skirts. You can imagine what was happening."
"Because you have to wear these padded, sticky jock straps for obvious reasons. And I said, Can you make me the biggest, hairiest merkin? And I want the color to be fiery red to match my hair."
"That's power."
"It looks incredible. And I stuck it on, and the reaction that my castmate Fabien had, I was a bit alarmed. I was like, surely you've seen pubic hair before. But he leapt to the other side of the room. He was so shocked and disgusted, and he thought it was real."

















































