Terminal 313 🇪🇪🇺🇦 (@terminal313) header
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Once a raver and tape-jockey, Janno Toots is a Detroit techno fan, curious about new and old electronic music, vinyl lover. https://teapaw.org/t.co/CWOD0w6f0S

Tallinn, Estonia
Joined September 2009
Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)Photo by Terminal 313 🇪🇪🇺🇦 (@terminal313)
Terminal 313 🇪🇪🇺🇦 retweeted
Rest in power Juan Atkins. This shit low-key ruined my day. Not only did he basically invent techno and trailblaze it but he was also a mentor when I first got curious in techno as a teen. He was one the first older dudes to encourage me to stick with it and become a DJ.
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Eternal respect and timeless memories. Thank you, Juan!
RIP Juan Atkins. Thank you for everything, you changed mine & so many other people’s lives on this crazy planet. Journey well man 🥹💫 @juanatkins
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Within a few days, Juan Atkins and Patrick Stewart ... Their respective art was about sci-fi, and inspired many. Of the Belleville Three, Atkins stood out with his futuristic mindset, which was embodied in Cybotron and Model 500. Good travels to the stars and thank you!
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Terminal 313 🇪🇪🇺🇦 retweeted
元は87年に発表されて100万枚以上のセールスを記録したアフリカンソング。で、Hardfloorが94年に担当したのが、テクノ史に残るこのリミックスですよ。30年超でも色褪せずイケてる  Mory Kante - Yeke Yeke (Hardfloor Remix)('94) #vinyl #record #anaログ
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Terminal 313 🇪🇪🇺🇦 retweeted
5 months till blast off! @blocspaces @TheCause
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Terminal 313 🇪🇪🇺🇦 retweeted
chatted w @PhilipSherburne about life, love, & tech house
I interviewed the one and only Brian Leeds—aka Huerco S., Pendant, and now Loidis—about his stellar new album of silky, silvery, minimalist tech-house, From the Toolkit of Lovers futurismrestated.substack.co…
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Now "Interstellar Fugitives 3" restocked at submerge.com.
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After my own real-life experience I can assure that communism is the same as any other authoritarian regime. The elite and complices enjoy privileges, the people are suppressed many ways.
“Dear Italian students, who today take to the streets carrying flags with the hammer and sickle and wearing T-shirts emblazoned with ‘CCCP’,” began an open letter in Italian by Lithuanian expat Neringa Budryt. “I would like to ask you a question: do you truly know what the symbols you carry represent? And do you know what would have happened to many of you had you openly demonstrated in countries living under the oppression of communist regimes? Let me tell you something. It is easy to display a red flag when, for you, communism is merely an abstract idea of equality, social justice, and rebellion against the system. It is easy to wear a T-shirt with "CCCP" on it when you have never experienced the reality of a communist regime. We come from that part of Europe where communism was not a T-shirt, a symbol of rebellion, or a romanticized notion of equality. It was the system in which we lived—a system we never chose. We know the history of Soviet repression, Stalinist purges, the Gulags, and mass deportations. Above all, we know the word "Siberia"—a place to which thousands of innocent people were forcibly deported, simply for thinking differently. In Siberia—amidst freezing cold, starvation, and forced labor—many lost their lives; those who survived carried the scars of that experience forever. Entire families were torn apart, and generations were denied the chance to live freely in their own homeland. In the countries of the Soviet bloc, censorship, political police, surveillance, and the suppression of dissent drastically curtailed individual freedoms. We grew up in a system where state control permeated even our daily lives. At school, we were required to wear the red necktie of the "Pioneers." We were monitored; they tracked where we went and even whether we attended church. Even faith—a choice that should belong to an individual’s own conscience—could become a cause for suspicion. We used to celebrate Christmas with our windows blacked out, to ensure no one would see us and report us. Because it was forbidden—just like so many other things: jeans, rock music, and all the symbols of a Western lifestyle. My mother returned from a Soviet labor camp. And do you know what happened to her? She was barred from continuing her education because she had been labeled an enemy of communism. Under a communist regime, you could not protest. You risked arrest, imprisonment, interrogation, persecution—and, in certain historical contexts, even death. In the Soviet Union and other communist regimes, political dissent could cost you your freedom and your life. Demonstrations independent of the authorities were not a guaranteed right; they were often suppressed by force. That is why it strikes me to see young Italians proudly displaying the hammer and sickle—symbols associated with regimes that persecuted and imprisoned millions of people. Today, you are free to take to the streets, shout against the government, criticize institutions, and wave your flags precisely because you live in a democracy that grants you these freedoms. Under an authoritarian regime of that kind, protesting against those in power could have landed you in prison. This is not about denying the existence of social injustices, inequalities, or the right to fight for a better world. You are free to take to the streets to demand a more just society—but you should not idealize a system that denied so many people the very things you are free to exercise today: the right to choose, to believe, to speak, and to dissent. Before wearing a T-shirt with "CCCP" on it, listen to those who experienced that world. Talk to the deportees and their descendants; read the accounts of those who endured the gulags and forced exile to Siberia. Learn what it meant to be stripped of your freedom, your home, your loved ones—and even any prospect of a normal life—simply because of your background or your beliefs. Before waving the hammer and sickle, please, study history thoroughly.”
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Terminal 313 🇪🇪🇺🇦 retweeted
ladies and gentlemen, the weekend The Scene - Model 500 - No UFOs 1985 / WGPR Detroit / Nat Morris ⚡️sound on⚡️
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It has been a while. Sounds good.
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Folk & trap.
We do know how to have fun in Estonia 🇪🇪
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Terminal 313 🇪🇪🇺🇦 retweeted
I’ve spent over a year rebuilding this place after work and at weekends. Kept thinking I was nearly done. Then I’d fix something, open another page and find another problem. Anyway, you can finally have a look around :) secretthirteen.org/?utm_sour…
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Bucha. It was a genocide, recognized by everyone. They buried hundreds of people. They tortured people. We found the grave. There were, I believe, around 500 people. When we liberated those towns near Kyiv, there emerged this, you know, this kind of hatred for the Russians, right at that moment. Not even at the moment when they started the full-scale war. Back then nobody understood what it really was yet. People understood what this war was and what Putin did personally when we found those mass graves of tortured adults, children. I mean they didn't just kill them, they tortured and killed them. When we liberated Bucha, I said, bring every journalist here. Don't touch anything, just bring the journalists. The whole world simply has to see this. Imagine finding a mass grave in the U.S. or in Britain, God forbid, with 500 tortured people, adults, kids, dogs, animals shot dead. I mean, they held hunting sprees there from military vehicles. People were running, they were shooting, just hunting, playing games. They literally just played with people, like slavery. So how, after this, can you listen to Putin? And how, after this, can you forgive? From The Diary of a CEO podcast with Steven Bartlett. (2/3)
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Went to Hard Wax: > Stones Taro "Foglore #2" > Intellitronic "Pixel" > Various "American Dub Electronics" > Various "From The Bassment With Love"
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"When The Sandbox Has No Edge", a new album by Saint Abdullah & Eomac, is a rough, rhythmic ride. Their previous collabs, were much more abstract and even static. Now the sound is close to stunning 2017 debut of the Mehrabani brothers. saintabdullaheomac.bandcamp.…
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