3ASiC retweeted
...∩...Setting up a generative audiovisual work with @the3ASiC within the old city wall built from 1360 to 1386 at Zhonghua Gate in Nanking.
3ASiC retweeted
Just teaser of another collab with @the3ASiC , and yes, back to milking Voronoi cells again.
3ASiC retweeted
Developed a more generalized version. The pattern 東南西北 can be displaced, but remains conserved.
3ASiC retweeted
MiniMeters v1.0 [OUT NOW!!]
✅ Plug-Ins of Each Meter
✅ Audio Clipping / Recording
✅ VU Meter
✅ Quad Layout
✅ Transparent Windows
✅ Color Maps
+ like 100+ fixes and changes...
Free update for current users. $20 for new users.
After six years, LJC and I reunite with our new EP “Lost / Echo”—two tracks blending trance, garage & grime-wave vibes.
Out now via inexist.club
Thanks for tuning in.
#3ASiC #LJC #LostEcho #ElectronicMusic #Grime #BassMusic
艺术创作的本质,归根结底是「判断」的过程。
真正定义一个艺术家风格和价值的,不是技术或工具,而是他们独特的判断力。创作过程中,艺术家不断对产出进行评估,保留精华,摒弃不合适的元素,通过这样的反复迭代,最终将自己的意识和美学完全融入作品之中。
有趣的是,这个过程与AI Diffusion models在本质上惊人地相似。无论是人类还是AI,都是在看似随机的产出中,通过「判断」来引导结果走向特定方向。经过足够次数的迭代,最终都能达到令人惊叹的效果。
这种思路让我意识到,无论是用传统乐器创作音乐、在DAW中制作电子音乐,还是直接谱写乐谱,其核心机制都是相通的——只是我们进行判断的抽象层次不同而已。
在这个意义上,人工智能的创作过程或许比我们想象的更接近人类艺术创作的本质。
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3ASiC retweeted
Brewing some more Apollonian gasket goodies...added a bit Lindenmayer system this time.
3ASiC retweeted
Big bleep. Big bloop.
Intense upward spectral compression exposing hidden plugin artefacts.
Thanks @idiotinium for the idea 🫡
3ASiC retweeted
Collaborated with @the3ASiC again on this new audiovisual piece "1D985". Did a test run earlier today at UFO Terminal.
3ASiC retweeted
Related tip: if I want to add a major (synth) part to a WIP but the project file is already very detailed and messy, I often bounce the track (maybe without the sfx/incidental layers), import the bounce into a fresh project and write the synth in the new clean session... (1)
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