concern for the relationship of new books, publishing, poetry, art, and criticism
Tipperary
Joined March 2014
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I don’t care anything about Farage and his horsey barbourness, but long for the extinction of this Labour Party and its evil Starmer, oh and you can take the proper toff aspirants with them whilst they’re at it!
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Simon Cutts retweeted
The range of ideas in the public sphere is sooooooooo tiny. It's almost embarrassing, except that it is actually criminal and tragic.
Simon Cutts retweeted
MAGA (Make Assassination Great Again)
(Moi en: Donald-Trump-le-3-novembre-2020)
#blanckartselfportraits
🇺🇸 Donald Trump a été reconnu jeudi coupable à son procès pénal à New York, un verdict historique qui projette la campagne présidentielle américaine en terrain inconnu #AFPVertical ⤵️
I know we’ve been here before… but guess who?
All his life
He hated frauds.
Worked in a factory.
Ate wood
- Pete Brown
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Palindromic gouache collage study for a painting, 'Illiassa Sequin at Home' by Trevor Winkfield c 1976. From about the time Ken and Illiassa Sequin lived in Beverley, E. Yorkshire. Ken was a great enamel badge collector and wrote a definitive work on them.
Those Jedwards of the art-scene, Elmsett & Dragnett have ventured into books and discovered libraries. This banal crap is unredeemed apart from the movement from curators to choreographers. Tiresome as the former has forever been, lets hope there's not a shift to the latter!
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Starmer’s ‘government in waiting’ like the prefects waiting to be invited to tea by the Headmaster!
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The Lund Humphries team were so sorry to hear of the passing of the fantastic artist, Joe Tilson, 1928-2023
This quoted post is unavailable.
Simon Cutts retweeted
"Thus, the small-press model is applicable over a far wider range of contemporary art than the world of independent literary publishing from which it arises." My review of Simon Cutts, *the small press model* @Uniformbooks is up at @BurlContemp contemporary.burlington.org.…
ALT ‘A History of the Airfields of Lincolnshire’, by Simon Cutts. 2003. Anodised aluminium letters on slabs of excavated concrete runway. (© Uniformbooks, Axminster, and Simon Cutts).
Simon Cutts retweeted
Don't miss the #smallpublishersfair23 readings & talks on both days of the Fair. On Friday 27 October (2pm-5pm), we have: Roelof Bakker & Jane Wildgoose (Negative Press); Penelope Curtis & Julie Kravis (@LesFugitives / Road Books); @EgidijaCW ...
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Just listening to Andrew Wilson and John James talking circa Barry Flanagan, and realising in retrospect that was Andrew’s great show at Tate, lean, spare and in pockets round the rooms. Perhaps the last great show and catalogue there.
Simon Cutts retweeted
Listen now to poet John James, a contemporary of Flanagan, talk to curator Andrew Wilson about the importance of poetry in Flanagan’s practice.
tate.org.uk/audio/late-tate-…
This Late at Tate recording was made on the occasion of Early Works 1965-1982 at Tate Britain, 2011-2012.
Simon Cutts retweeted
I love this small poem by Maureen Owen
ALT Cutting celery on a curved surface Sometimes out walking we go so slow I almost fall over
That’s the Labour Party for you! - they’ll pass a law that says only 3 pieces of school uniform are compulsory.
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Simon Cutts retweeted
Between 2002 and 2009 the quixotic Northampton-born journalist, broadcaster and gay rights campaigner Ray Gosling made a trilogy of remarkable and painful films documenting his own financial and physical decline. They're utterly unique and all on YouTube youtu.be/0Q1xhilxpyU?si=lnyh…