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new non-release from me on the MDUO page. these tracks are sourced entirely (with permission) from Christian Mirande's wonderful 2017 tape "Museum Piece". I started the project back in 2023, shortly before losing my apartment in a building fire
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Gave my personal site a quick refresh, and added this footer as a place to put up experiments and sketches.
Plenty of easter eggs to find; my favorite (and this is a hint) is x-ray mode. Enjoy!
joshpuckett.me/
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This week on &&& Triple Ampersand, we publish “Is There an Iran for Curators to Discover? On To Share a Stomach at The Brick” by Mohammad Salemy.
tripleampersand.org/is-there…
The essay examines To Share a Stomach, Aram Moshayedi's exhibition at The Brick in Los Angeles,
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Many Japanese directors were given the chance to make their early films within the commercial vehicle of Nikkatsu’s Roman Porno, which, despite its formal requirements, gave directors remarkable creative freedom.
This quoted post is unavailable.
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Happy Pythagorean Theorem Day!
10/24/26
10² + 24² = 26²
This is the last one we’ll experience in our lifetime.
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in his treatise on cosmogenesis (1617-18), occultist Robert Fludd depicted the universe of unformed matter (hyle) as a single black square, "as a black smoke, or vapour, or a dreadful gloom, or the darkness of an abyss." God then inscribes a circle of interiority—the universe
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R.I.P. Ryu Murakami (1952–2026), enfant terrible of Japanese literature and author of "Coin Locker Babies" "Almost Transparent Babies", "In the Miso Soup" and "Audition". He was also known for directing TOKYO DECADENCE and for Hideaki Anno's adaptation of his novel LOVE & POP.
when everyone at work is calling out with a cold and I'm preparing to call out with the same cold
youtu.be/dmxNmXr46eg?si=KFRl…
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After complaints about Timothy Dexter's A Pickle for the Knowing Ones (1797) being entirely devoid of punctuation, in future editions the eccentric businessman supplied a supplemental page so that people “may peper and solt as they please”: publicdomainreview.org/colle…
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Now Available from Canyon Cinema: Christopher Harris's b/w (2023)
Shot on a single 100-foot roll of film and edited in-camera, b/w uses close focus cinematography of text from commercial house paint samples to suggest a mythology of light and shadow.
canyoncinema.com/2026/10/20/…
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A brief review of recent technical “errors” at Meta:
1. Restricting the Facebook pages of Brazilian president Lula who is in a runoff election against a Trump-favored candidate
2. Shutting down the pages of Albanians protesting Jared Kushner’s plans to build a luxury resort in the country
3. Rejecting ads for a documentary critical of Elon Musk
4. Shutting down the No Kings instagram page in the middle of a major anti-Trump protest
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Marx's Eighteenth Brumaire: A Thread 🧵
As we know, Marx believed that history progressed in cyclical episodes, or 'brumaires', and theorized that communism couldn't be achieved until the eighteenth brumaire. Marxists today mostly argue about which brumaire we're in. (1/12)

































