
Founder @eavisualarts |@HumanRightsArts working with communities in Uganda. Using Art and storytelling to promote civic participation,and social accountability.
Uganda
Joined December 2010
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Check out Babaluku's video! #TikTok vt.tiktok.com/ZSbcnmQbo/
Grab your copy of the @DailyMonitor today if you appreciate art and human rights.
Threads of Belonging: Art and Human Rights return to Kampala radiocomnetu.org/timefm/2026… #TimeFM
Empowering creatives is one of the most direct ways to build sustainable economic growth. We can't just talk about the creative economy and social justice. We have to act on them.
How an arts residency is preparing young artists for the market links.monitor.co.ug/U-W5Xq
#MonitorUpdates
Read my thoughts on how Art challenges us to think differently. When art makes people uncomfortable observer.ug/lifestyle-entert… via @observerug
Check this out! evento.ug/event/30791741/thr… The 5th Human Rights Are Universal Arts Festival is coming to Kampala from October 9–17, 2026! Organized by @eavisualarts at @Xensonartspace this year's theme "Threads of Belonging" Don't miss it.
instagram.com/reel/DdsQlL9ox…
📅 9–17 October 2026
📍 Xenson Art Space, Kamwokya
🎟️ Free entry
Save the date. Share the programme. Bring someone with you.
Be part of the thread.
#HumanRightsArtsFestivalUG #ThreadsOfBelonging
“So when we talk about the creative economy, we should stop thinking only about producing artists. We need pipelines: talent development, mentorship, exhibition, market access, international mobility and investment. That is how a creative sector becomes an industry.”
Vincent kyabayinze. retweeted
Today's mentor Kajebe Jacob Joshua shared how he expanded beyond original artwork into notebooks, key holders, hoodies, and tote bags. Affordable, repeatable products reach more buyers than one-off pieces. A lesson in building income from a single creative practice.
#HumanRightsArtsFestivalUG #ThreadsOfBelonging
Another lesson from today's session with Kajebe Jacob Joshua: list every source that has paid you for creative work, then track which ones repeat. Artists who know their income streams can plan around them. Income you can't trace is income you can't rely on.
#HumanRightsArtsFestivalUG
#ThreadsOfBelonging
What makes you feel that you Belong?
Join us 9–17 October 2026. @Xensonartspace #HumanRightsArtsFestivalUG

ALT HUMAN RIGHTS ARE UNIVERSAL ARTS FESTIVAL — 5TH EDITION Kampala comes alive with art, expression, and the power of human rights. A festival poster for the 5th Edition of the Human Rights Are Universal Arts Festival in Kampala, Uganda. A celebration bringing together artists, activists, creatives, and communities to explore human rights through art, culture, dialogue, and collective action.
Vincent kyabayinze. retweeted
🧵 THE THREADS ARE COMING TOGETHER.
The Human Rights Are Universal Arts Festival is back.
This year, we gather under the theme,
THREADS OF BELONGING.
📅 9–17 October 2026
📍 @Xensonartspace
Nine days of art, culture, creativity, dialogue and stories exploring what it means to belong.
SAVE THE DATES.
The story begins now. 🧵
#HumanRightsArtsFestivalUG #ThreadsOfBelonging
Vincent kyabayinze. retweeted
Under this year’s theme,
THREADS OF BELONGING,
we return to create a space where art, culture and human rights meet.
For nine days, artists, creatives, human rights defenders, cultural practitioners, communities and audiences will come together through visual art, music,
Vincent kyabayinze. retweeted
Many people have been wondering why so many buildings are collapsing and claiming lives. Watch this and see one perspective on why this may be happening, and how corruption and fraud can affect the quality of construction materials. If you’re planning to build, this is worth watching.
Vincent kyabayinze. retweeted
#Uganda 🇺🇬 “I am appalled that the authorities are increasingly targeting any form of dissent, and deepening restrictions on the fundamental freedoms of all those living in Uganda. Those who dare to speak out are silenced.” - @UNHumanights Chief
ohchr.org/en/press-releases/…
The next generation of visual artists begins its journey at the EAVA Artists Residency, where every canvas tells a story. instagram.com/reel/Da7wNmtAO…
Vincent kyabayinze. retweeted
We issue Travel Advisories with Levels 1 – 4. Level 4 means DO NOT TRAVEL. We assign Level 4 based on local conditions and/or our limited ability to help Americans there. These places are dangerous. Do not go for ANY reason.
The Travel Advisories for the following countries are currently Level 4 - Do Not Travel:
⛔Afghanistan
⛔Belarus
⛔Burkina Faso
⛔Burma
⛔Central African Republic (CAR)
⛔Chad
⛔Democratic Republic of the Congo (DRC)
⛔Haiti
⛔Iran
⛔Iraq
⛔Lebanon
⛔Libya
⛔Mali
⛔Niger
⛔North Korea
⛔Russia
⛔Somalia
⛔South Sudan
⛔Sudan
⛔Syria
⛔Uganda
⛔Ukraine
⛔Yemen
Find the travel advisory for your destination at travel.state.gov/destination
The food basket.
Sixteen starve to death in Uganda as drought kills crops bbc.in/3SRBQvS
RIP
The Tragic Day 37 Years Ago When the Uganda State Army Baked Its Own People Alive
On 11 July 1989, at Okungulo Railway Station in Mukura, Kumi District, eastern Uganda, a horrific atrocity was committed against local civilians.
The victims were farmers, teachers, sons and fathers from the surrounding Teso villages, rounded up by the National Resistance Army’s (NRA) 106th Battalion on suspicion of being rebel collaborators. More than a hundred of these local men were driven into a single, unventilated steel goods wagon and locked inside.
The afternoon heat at Okungulo Railway Station was already suffocating when the heavy iron door was slammed shut and the bolts slid into place, sealing them inside the metal box.
Within minutes, the air vanished. Inside, it became a pitch-black furnace. Men stripped off their clothes, drenched in their own sweat and the sweat of those pressed tightly against them. They began to gasp, their chests heaving in vain for oxygen.
Desperate, they hammered their fists against the corrugated steel walls, screaming for water, for air, for mercy.
Outside, the response to their cries was a strike of a match. Soldiers gathered brushwood and lit a fire directly beneath the wagon.
The steel floor turned into a scorching hot pan, and the wagon became an oven. The rising heat and smoke consumed the last remaining pockets of oxygen. Inside the belly of the iron beast, the frantic thumping slowly faded, replaced by the sound of men choking and collapsing onto one another.
When the doors were finally opened hours later, the silence was absolute. Sixty-nine bodies lay contorted in the dark, piled in a desperate, final scramble towards the cracks in the door.
A concrete monument was eventually built to mark the mass grave of those who perished that day. Yet the nation has never truly come to terms with the horror of what happened.
Because this dark chapter remained unaddressed in the national conscience for so long, their restless ghosts continue to haunt the country’s memory.
Vincent kyabayinze. retweeted
Time is a friend of everyone inside and outside there @mugishamuntu some years back.
Now see … trust time
Vincent kyabayinze. retweeted
History isn't behind us; it walks beside us, shaping every civic space we occupy.Under the #EAVAResidency26, artist KIGOZI AXUM maps memory as an active socio-political force that directly impacts how we imagine and build future democracies.@eavisualarts @vinkyaba #VisualSovereignty @IanJeremiah_























