Our new AI-generated feature film A Woman Asleep has been covered by both Variety and Screen International over the past two weeks, following its selection for the main competition at 36th FilmFestival Cottbus. At Spongeworthy, we've now produced two AI-generated feature films that are being taken seriously by established film festivals, critics, and the international film industry. Our first feature, Post Truth, has already reached several important milestones for AI filmmaking within the traditional film industry: A commercial theatrical release, over 30 international festival selections, awards, nominations, critical acclaim, an international sales agent, film market screenings, and distribution deals across multiple territories. And now A Woman Asleep by @VikkiBardot is taking things further, with its festival journey just beginning. The response we've been receiving from festival programmers has been particularly encouraging. It will premiere tonight at the longest-running film festival in Turkey: 63rd International Antalya Golden Orange Film Festival. None of this has been easy. We're working in an environment of considerable backlash against AI-generated films, while the conversation around AI filmmaking is dominated by clickbait, misleading marketing, inflated claims, and announcements from companies that have yet to complete a single feature. There's no shortage of AI filmmaking news, but very few completed films that have earned genuine recognition within the established film industry. At Spongeworthy, we're not selling the promise of what AI filmmaking might become, nor are we chasing the next viral moment, nor are we saying Hollywood is cooked. We're making feature films that are selected, reviewed, awarded, sold, and distributed through the same channels as other independent films. We are making feature films that are pushing the the cinema beyond traditional narrative forms. We're not interested in short-term attention. We're thinking long-term. We want to make films that stand the test of time, that can be revisited, recontextualized, and perhaps understood differently as the years go by. IYKYK.