Chris Wiley (@weistwiley) header
Chris Wiley (@weistwiley) profile picture

Writer for @newyorker. Artist at Nicelle Beauchene Gallery. IG: @weistwiley

New York, USA
Joined January 2017
Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)Photo by Chris Wiley (@weistwiley)
I wrote about Joshua Citarella’s podcast “Doomscroll” for @NewYorker
Joshua Citarella launched “Doomscroll” as what he has called a “tactical media experiment,” designed to create a “new pipeline” to funnel politically curious young people toward leftist ideas instead of the right-wing media ecosystem. nyer.cm/P6tbGAn
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In 1991, German photojournalist Hans-Jürgen Burkard captured a rare look inside a prison cell in Leningrad, as the Soviet Union entered its final months. For decades, Soviet prisons had been almost entirely closed to outsiders. Under Mikhail Gorbachev’s policy of glasnost, or openness, foreign journalists gained access to places the state had long kept hidden. What they found was grim. Cells built for a handful of prisoners often held several times that number. Inmates slept on crowded bunks or in shifts, with little light, poor ventilation, and a single toilet in the corner. Disease, especially tuberculosis, spread easily. Many prisoners waited months or even years for trial in these conditions. Leningrad’s most infamous jail, Kresty, was built in the 1890s for about 1,000 inmates. During the turmoil of the late Soviet and early post-Soviet years, it reportedly held around 10,000. 1991 was a year of upheaval. In June, the city’s residents voted to restore its original name, and that fall, Leningrad officially became St. Petersburg again. By December, the Soviet Union itself had collapsed. Yet behind the prison walls, little changed overnight. Russia’s overcrowded jails remained a stark reminder that the end of an empire didn’t instantly transform the lives of those it had locked away. The most haunting photos ever taken: bit.ly/46yA996
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A more crowd-pleasing take: The New York Times’ 1944 article introducing the world to pizza is a lot of fun.
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sometimes while loaded i like to listen to bwiti iboga music. id love to see an electronic remix of this stuff, it feels like a precursor to EDM to me in some ways
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fashion graduate malene specht screen-prints clothing details onto tulle, then layers it over her designs. the jacket, an impression of a uniform. the shift, a memory of a dress. the clothes look like ghosts of themselves. rather haunting. 📸: malenespecht (ig)
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Palmapampa, Peru, 1993 © Alex Webb
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Flower Farm. Jamaica. (1983) ©️ Jodi Cobb
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Wild fact but maybe the most beautifully designed gas station in the world was built in Asmara, Eritrea by an Italian architect in 1938
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Motorola "House of the Future" ads from 1960’s by Charles Schridde
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Art collector couple Gifford and Joann Phillips Manhattan, New York apartment, 1983.
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Thinking about Johnny Cash in his cunty thigh high boots
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‘you and i are earth’, 1661 tin plate found in the sewers of london.
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In 1943 a man and his German Shepherd took some time out to pop into a photobooth in Grand Central, NYC. I'm glad they did.
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Don Cherry playing flute (and stalactites as percussion) inside Mammoth Cave, Kentucky, c. October 1978.
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Roda de capoeira, Maciel, Salvador da Bahia, 1979 ©️ Miguel Rio Branco
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ASICS continuing to push the boundary
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Ancient Roman music is the most unsettling shit I’ve ever heard in my life
Readers added context they thought people might want to know
The music is not from a surviving score. It is new music based on guesswork. en.wikipedia.org/wiki/Synaulia
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Ferrari showrooms back in the day had impeccable vibes
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Balenciaga security Guard in Vetements
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Once upon a time people actually understood how powerful orange could be
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Wayne Mondok (Canadian, b.1961) "Yellow Light," n.d. Acrylic on canvas 20 x 16 in
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