Grant Sundin (@wrytangle) header
Grant Sundin (@wrytangle) profile picture

Find me at @wrytangle.bsky.social

Brisbane, Queensland
Joined October 2015
Photo by Grant Sundin (@wrytangle)Photo by Grant Sundin (@wrytangle)Photo by Grant Sundin (@wrytangle)Photo by Grant Sundin (@wrytangle)Photo by Grant Sundin (@wrytangle)Photo by Grant Sundin (@wrytangle)Photo by Grant Sundin (@wrytangle)
I'm out of here you sterling people. Can be found on the hot new thing at the address in my profile. Ciao.
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The gurus from Ludo Studio have been putting this together…
our new show starts tomorrow on @StanAustralia ! it's called *thou shalt not steal. love you to rt and share with your friends ♥️🤠
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I’ve run out of superlatives for this fucking company. Most impressive technical feat I’ve ever seen or will probably ever live to see.
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I think RB were too kind to Daniel. Live beheading should be the standard for F1 driver retirement.
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I feel like Kamala could unzip her human suit on LiveTV and still convincingly win this.
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Grant Sundin retweeted
In this moment of change and uncertainty it is more important than ever not to give any politicians money. I promise they will do fine without it.
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Can’t believe how long it took to get the older person to move aside for the younger one after what seemed like any eternity of pleading, begging almost. But enough about Lando Norris and Oscar Piastri…
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Grant Sundin retweeted
Check out Chop Shop's VFX breakdown for Australian crime drama Troppo, including this CG cassowary, snake and crocodile Watch the full video (includes some more gruesome effects): vimeo.com/975942682 #VFX #VFXbreakdown #lookdev #characterrigging @chopshoppost
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Joe and the dems are just going to sleepwalk the US into oblivion aren’t they? And they’ll throw their hands up and say ‘it wasn’t us’.
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I can see how Ep1 of Season 3 of 'The Bear' could be divisive. I adored it. Second only to 'Forks' for me in the entire series so far. Christopher Storer is brilliant.
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Best scene in a TV show this year? For me it's Mariko's conversation in the tea house with her husband in 'Shogun'. No blood, no katanas, but the deepest of wounds is laid bare. Transfixing.
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The final scene of the finale of Hacks Season 3 is simply glorious. Acting, direction, editing, music cue. Glorious.
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'Furiosa' has a couple of great action sequences but otherwise is a tangled mess. I love Anya Taylor-Joy but she doesn't bring the gravitas the role needs. Charlize was just inherently more intimidating. Way, way too long.
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What if Greig Fraisier got bored with lensing $200 million blockbusters and switched to nature films. Then they would like like 'Billy & Molly: An Otter Love Story" on @NatGeo - absolutely mind-blowing work. My highest recommendation. #slashtag
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Wow. Diddy. What a fucking coward.
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Can’t believe I’m saying this but I really, really liked ‘Sugar’. The strangeness of the finale did it for me.
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dinosaurs celebrating the asteroid
Reese Witherspoon shares her thoughts on AI. “It’s here to stay, so just get used to it. And I think AI is not coming for your job; people who know how to use AI are coming for your job. So learn about it. It should be a tool upon which we lay our own creativity, our own humanity and our own ethics. That’s a whole conversation — for women and people of color and people who are othered sometimes in those developmental spaces really need to get in there… let’s not be scared of it, let’s dive in.” (hollywoodreporter.com/tv/tv-…)
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This site is superb.
If you're not using en.editingtools.io/ in post, you really should be. So many free useful tools. Really a time saver on a ton of mundane tasks. Music cue sheets, converters, matte generators, and tons more! #PostChat
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Every lead role I saw Daniel Craig in before Bond, he knocked my socks off. Every lead role I’ve seen Aaron Taylor-Johnson in I thought he was actively bad. In ‘Godzilla’ he was a veritable charisma vacuum.
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Random post thought. Could you use Resolve to make Media Composer-compatible MXFs that would also double as Premiere Proxy files? I understand the MXFs would need to be in one folder, and not stored next to the OCM as per the Premiere default. They'd HAVE to be OP1a, correct?
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