why is nobody selling this Made with Unlimited Seedance on @makeugc prompt here: Create a native 15-second, horizontal 16:9 realistic street video in the style of casual handheld footage. No reference image. No music. No on-screen text. CORE RULES One main character, Hana, a clearly adult Japanese office worker, 24 years old. One secondary adult: a man in his 40s, office worker, appears in shots 2 and 4. One location: a quiet residential side street in a Japanese suburb during a HEAVY DOWNPOUR on a weekday morning. The rain is the second main character: dense, clearly visible, loud, pouring the whole video. The central object is her transparent full-body dome raincoat: a rigid, clear vinyl bell-shaped dome, like a giant clear dome umbrella with no handle, covering her from the top of her head to just below her knees, with a thin clear rim at the bottom. It has exactly two round side openings at elbow height that always stay empty; her arms and hands stay INSIDE the dome for the whole video. The dome keeps the same shape, size and transparency in every frame. The rain hits only the outside; inside she is completely dry, with no fog or condensation. Nothing is written anywhere. CHARACTER Hana, 24, slim with realistic body proportions and a full, large, natural-looking bust, naturally sexy in an effortless, believable way. Shoulder-length straight black hair tucked behind both ears, light natural makeup, soft pink lips. Fitted dark navy blazer buttoned once, white blouse with a slightly open collar, knee-length dark navy pencil skirt, sheer skin-tone tights, black low-heeled pumps, a plain black backpack on both shoulders, a thin silver watch on her LEFT wrist. Calm, quietly pleased, like someone who solved the rain problem. FACE Her face stays clearly readable through the clear vinyl at all times, even in the heaviest rain. Same face and features in every shot. Mouth closed or a small closed-lip smile; no teeth showing, also while eating. Natural blinking every 2 to 4 seconds. Eyes look where she goes, at her food or phone, never into the lens. VOICE No speech. Ambient sound only. CAMERA: Authentic casual footage captured with an older consumer digital camera. Handheld DV 16mm camcorder aesthetic. An unseen person operates the camera from a plausible nearby position. Preserve the viewpoint, framing and shot sequence described in the scene. Camera reactions feel human and slightly imperfect. The recording device stays outside the frame. CAMERA HAND The operator stands 2 to 4 meters away under cover of their own, camera at chest height. The operator, their hands, umbrella, shadow and reflection never appear. No raindrops on the lens. HANDHELD: Natural hand shake, slightly crooked framing and small framing corrections. Brief motion blur during camera movement, occasional delayed autofocus after reframing and subtle vertical movement from the operator's body. Keep faces and important actions readable. Avoid perfectly stabilized or gimbal-like movement. LOOK: Soft digital-tape look with subtle vintage DV character. Soft fine detail, faint digital noise, mild compression, slightly muted colours, restrained contrast and imperfect white balance. Preserve natural skin tones, pores, wrinkles, fabric texture and realistic surface reflections. No beauty filters, plastic skin, glossy commercial finish or heavy colour grading. LIGHTING: Natural overcast daylight from a pale cloud-covered sky. Soft shadows, gentle light falloff, ordinary skin tones and realistic surface reflections. Keep faces and surroundings clearly exposed while preserving natural differences in brightness. No sunset tint, dramatic rim lighting or artificial glow. The sky is a heavy dark grey, slightly darker than an ordinary cloudy day, so the rain streaks stand out. WEATHER Heavy downpour, clearly visible in every shot. Dense thin diagonal rain streaks at many depths: close to the camera, around Hana and far down the street, most visible against the dark door, bushes, house walls and the dark sky gaps. The far end of the street is softened by a grey haze of falling rain. The asphalt is covered with a thin moving layer of water; every puddle is constantly broken by dense ripples and small bouncing splashes. Water runs in a small stream along the curb and drips in streams from roof edges and the entrance overhang. Rain drums on the dome: drops splash on its top, merge into running rivulets down the curved sides and pour off the bottom rim in a thin ring of falling drops. The rain is real 3D rain in the scene, never a flat uniform overlay over the image, and it never hides faces. Rain stays outside the dome and outside the covered entrance. VISUAL MATCH The image must look exactly like this: an ordinary person filming a neighbour during a real downpour on a grey Japanese morning. Full-body or knee-up framing, subject in the centre, camera at chest height, slightly tilted horizon. Muted grey, wet asphalt, dull green and navy palette; the brightest element is the glossy clear dome streaming with water. Mild noise, slight softness, no graphics. SETTING A narrow wet asphalt street with a white painted edge line. On one side: a beige two-storey apartment building with a covered entrance, grey metal door with a frosted glass panel and a pale tiled step of two stairs. Along the street: a low dark green metal mesh fence, tall trimmed green hedges behind it, wooden utility poles with sagging wires, two-storey houses fading into rain haze. No signs, no road markings with text. BACKGROUND Three planes in every shot. Front: Hana in the dome. Middle: flooded asphalt with rippling puddles and the green fence. Far: poles, wires, houses, rain haze. Anchors stay identical: the building on the LEFT, the green fence and hedge on the RIGHT. The background never warps. MOTION Calm, unhurried movement. Eyes lead, then head, then shoulders. Natural breathing. Short steps in the pencil skirt, knees following the toes, slight hip sway. The dome moves only with her body, rigid, with a small sway on each step, and its lower rim never touches her legs. She never hurries: she is the only calm person in the downpour. DEFECT PREVENTION Hands: shot 1 – both hands INSIDE the dome hold the inner lower rim, then rest inside at waist level. Shot 3 – both hands hold the rice ball inside the dome at chest height. Shot 4 – RIGHT hand holds the phone inside the dome at chest height, LEFT hand on the backpack strap. Hands and arms never pass through the vinyl or the side openings. Five fingers per hand; fingers never merge with each other, objects or her body; the camera hand is never visible. Face: when the dome passes over her head in shot 1 her face stays visible through the clear top. Rivulets on the dome run down the sides, never as a sheet over her face. During bites the rice ball stays below her nose and her lips close while chewing. Her face, teeth and features stay identical in every shot; head turns under 45 degrees. Body and legs: she steps down the two tiled stairs RIGHT foot first, LEFT follows. While walking, weight transfers heel to toe. In shot 3 she stands still with weight on both feet. Exactly two arms and two legs; joints bend only naturally; feet never slide on the wet ground. Objects: one dome, one backpack worn under the dome, one watch on her LEFT wrist, one rice ball (plain white rice wrapped in plain dark nori, no wrapper) in shot 3 only, already in her hands at the start of shot 3, one black smartphone with a dark unreadable screen in shot 4 only. The man has one clear umbrella in his RIGHT hand and one black briefcase in his LEFT hand. Objects never vanish, duplicate, change shape or colour, or pass through bodies. No readable text on any object. Continuity across cuts: same outfit, hair tucked behind ears, backpack, watch, the same rain intensity in every shot; building on the LEFT, fence on the RIGHT. Each shot starts from a pose that logically follows the previous one. Physics and environment: no water, drops or fog inside the dome. Her hair, blazer and skirt stay perfectly dry. The man is getting soaked: dark wet patches on his shoulders and trouser legs, water streaming off his umbrella edge. No reflections of her or the camera in glass or windows. Nobody else appears. The background never warps or shifts. STORYBOARD SHOT 1 (00:00.0–00:03.5) Operator on the street facing the entrance; Hana full-body on the tiled step under the dry overhang, door behind her on the LEFT; heavy rain pours just beyond the overhang edge in the foreground. 00:00.0 START POSE (cover frame): both arms raised inside the dome, hands on the inner rim above her shoulders, the dome already over her head. Weight on both feet. Small pleased smile. 00:00.0–00:00.7: she pulls the dome down; eyes look up at the dome top. 00:00.7–00:01.3: the rim slides past her shoulders and backpack and settles below her knees with a soft rigid bounce. 00:01.3–00:02.2: hands rest inside at waist level, small shoulder roll, she looks out at the pouring rain. FACE: confident small smile. 00:02.2–00:03.5: she steps down the two stairs RIGHT foot first, LEFT follows; the instant she leaves the overhang the rain drums on the dome top and rivulets start running down. SHOT 2 (00:03.5–00:06.0) Operator ahead of her, slowly walking backwards; Hana full-body walking toward camera on the flooded street, fence on the RIGHT. Far behind, the man with the clear umbrella walks away, hunched against the rain. 00:03.5–00:04.6: two short steps through the thin water layer, small splashes at her pumps; rain streams down the dome. 00:04.6–00:05.3: she tilts her head up to watch water pour down the vinyl. FACE: amused small smile. 00:05.3–00:06.0: she looks ahead and keeps walking calmly. SHOT 3 (00:06.0–00:10.0) Operator 2 meters away, knee-up framing; she stands by the green fence, hedge behind, rain bouncing off the fence rail. 00:06.0 START POSE: standing still, weight on both feet, rice ball in both hands at chest height, eyes on it. 00:06.0–00:07.2: small bite, lips close. FACE: chewing slowly, eyes half closed with pleasure. 00:07.2–00:08.4: she glances up at the water sheeting down the dome, small content nod. 00:08.4–00:10.0: second small bite, chewing; rain pours off the dome rim around her knees. SHOT 4 (00:10.0–00:15.0) Operator in front, full-body; the man walks on the LEFT half of the frame, Hana on the RIGHT half, side by side toward camera. The man: grey suit, white shirt, plain white face mask, short black hair, clear umbrella in RIGHT hand, black briefcase in LEFT hand, shoulders soaked. 00:10.0–00:11.5: they walk; water streams off his umbrella edge onto his shoulder. Hana scrolls her phone, LEFT hand on the strap. 00:11.5–00:13.0: he walks hunched, she walks upright and relaxed. FACE: calm. 00:13.0–00:14.2: she glances at his wet shoulder, then back to her phone. FACE: small smug closed-lip smile. 00:14.2–00:15.0: they keep walking toward camera through the downpour; she stays perfectly dry. SOUND Loud steady downpour, rain drumming hard on the vinyl dome with a hollow patter, rain hammering the man's umbrella, water gurgling along the curb, splashing footsteps, faint nori crunch in shot 3. No music, no voices. HANDS AND FEET Relaxed hands with natural finger spacing. Pumps stay on her feet with flat contact on every step. The man's steps match his walking pace. CONTINUITY AND REALISM Everyday imperfections: water spots and small scratches on the vinyl, a crease in the skirt, puddle ripples, rain haze. The dome looks like a real manufactured product, not a CGI bubble. FINAL FEEL A real neighbour casually filming a woman in a weirdly genius raincoat during a heavy downpour. Believable, slightly funny, everyday. Not polished influencer content.

Clubs are going to start booking DJs that don't exist Made with Unlimited Seedance on @makeugc