assoc. prof. of English @HartwickCollege | C20-21 lit. & culture | poetry: The Rocking Chair, The Shape of Things, & 2013–2017: Sonnets @AuthorLachlan | he/him
Oneonta, NY
Joined August 2014
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I am beyond delighted that my long poem, “Postrock,” is now in @ACrashing. I am forever indebted to James Tadd Adcox and the other editors of AC for their ongoing support of my work. alwayscrashing.com/current/2…
I gave a talk to my @HartwickCollege colleagues today, "Teaching Without Computers," about my move, like so many of us, to an all-paper pedagogy in the spring 2026. The talk was simultaneously published at @Boundary2. boundary2.org/2026/09/bradle…
I wrote up a bit in memory of Rachel Blau DuPlessis. bradleyjfest.com/2026/09/10/…
Thanks to Justin A. Sider for inviting me to write a review of Conrad Steel‘s excellent new book, The Poetics of Scale: From Apollinaire to Big Data (University of Iowa Press, 2024) for Genre. The piece should be free to read for at least three months. read.dukeupress.edu/genre/ar…
I have a new poem, "2025.01," in a journal, but as I mentioned a few weeks ago, I am pretty sure that the journal is just the product of AI. So, instead of posting a link to the journal, I've written a little something about it. bradleyjfest.com/2026/08/17/…
This Friday at SUNY Oneonta, I'll be presenting a paper, "Teaching Without Computers," on a panel, "Against AI: Approaches to Preserving Student Learning." I'll also be presenting a longer version of this talk at Hartwick in September. ai-symposium.openlab.oneonta…
Delighted to have a new sonnet from my ongoing series, “2025.15,” in the third issue of Abundance Literary Magazine (my poem is the second one in). online.fliphtml5.com/FunInTh…
Happy to have a sonnet, “2025.13–14,” in Dazed Santa (a very cool new little journal) that I wrote on my recent return to Tucson, Arizona in November reflecting a bit on the half of my life I have now spent away from there and what it means to return. dazedsanta.com/2025.1314
And lo, today is one of those great days in which I have two publications. “2025.02,” “2025.04,” “2025.05–06,” “2025.07,” and “2025.11," some of my most recent sonnets that most directly comment on ALL THIS *gestures*, just came out in Other Rooms Press. otherroomspress.blogspot.com…
“2023.20," one of the last unpublished sonnets from the second volume of my ongoing sonnet sequence, is in the inaugural issue of The Colby Review. Thanks so much to Zach Peckham and the student editors of the journal for including my work. colbyreview.org/product/the-…
I am honored to have “2025.12” from my ongoing sonnet sequence in the new and excellent avant-garde journal bethh: readbethh.org/fest.
Looking forward to #MLA2026. I'll be speaking on a panel and a roundtable: session 52, "Comics as Physical Objects," Thursday at 1:45; and session 602, "Aesthetics, Politics, and Ecological Overshoot," Sunday at 10:15. bradleyjfest.com/2025/08/21/…
I am honored that the editors of @ACrashing have nominated my long poem, "Postrock," for a Pushcart Prize. Thanks so much to them and their ongoing support of my work. alwayscrashing.com/current/2…
My interview with @RobertTally, “Grateful and Generous Reading: An Interview with Robert T. Tally Jr.,” has just been published in the November 2025 issue of @Boundary2. read.dukeupress.edu/boundary…
If you haven't read this yet, you really should.
I am beyond delighted that my long poem, “Postrock,” is now in @ACrashing. I am forever indebted to James Tadd Adcox and the other editors of AC for their ongoing support of my work. alwayscrashing.com/current/2…
Bradley J. Fest retweeted
I am beyond delighted that my long poem, “Postrock,” is now in @ACrashing. I am forever indebted to James Tadd Adcox and the other editors of AC for their ongoing support of my work. alwayscrashing.com/current/2…
