Calob Robinson (@Calob_Robinson) header
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Writer/Director or something. (He/Him) Hotel Now Streaming! Watch here: https://teapaw.org/t.co/wAzaCeV9ZL

Yakima, WA
Joined March 2014
Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)Photo by Calob Robinson (@Calob_Robinson)
I’ve kept so much of this movie under wraps but it’s Halloween so fuck it. Meet The Bunny Man. 🐇
From 10-20-25. Day 15 of The End.
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Yes, actually. Nailed it.
So this isn’t racism? But when a white person cosplays as black it’s racist?
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Anyone wanna buy my Out of Print copies of Skinamarink and Heck on VHS? DM me
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Calob Robinson retweeted
people just want healthcare
OMG the Tesla Roadster just flew in the air!
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All of that hard work only to use generative A.I. for all the backgrounds. Honestly makes the episode even more infuriating.
This quoted post is unavailable.
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Yeah, I've waited 8 episodes for satisfying character development. This final scene made me drop my jaw not because it looked great, but because it *felt* great seeing John finally becoming Green Lantern after everything he's been through. *Character over spectacle*
So you're telling me y'all waited 8 episode for this fucking shit CW level fly scene?
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Calob Robinson retweeted
the Lanterns finale was perfection. god I love shows where the main attraction is the character writing.
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Calob Robinson retweeted
Replying to @DiscussingFilm
what could go wrong?
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New South Park using generative a.i. was lame as fuck. For a show that’s had so many creative highs, this felt lazy and counterintuitive to what the shows all about. I expected more from Matt and Trey. Then again I’ve been let down by a lot of my favorite creatives lately.
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Even Scorsese and Schrader man. We’re fucked beyond belief.
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What a lame way to view art.
all filmmakers do is watch movies. They'll name every classic ever made. Never read a single novel or watch a play. That's why every movie looks incredible but the stories are dog shit
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Calob Robinson retweeted
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Calob Robinson retweeted
“They only used AI for concept art” “They only used AI for some shots” “They only used AI for one scene” “They only used AI for a few scenes” “They only used AI for the 3rd act” I’m already seeing idiots rationalizing the use of AI. This is exactly how they want you to think.
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This is your wake up call btw I hope you know every huge corporation has been using generative AI. Also whoever’s idea it was to put AI artwork in the art book ur kinda goated in a weird way
The new ‘SPIDER-MAN: BRAND NEW DAY’ art book revealed that AI-generated concept art was used for designing New York City in the film. (Via: thedirect.com/article/spider…)
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The most embarrassing aspect of this is that it was found in the art book. Hollywood isn’t even hiding this shit. They’re proud of it.
The art book for ‘SPIDER-MAN: BRAND NEW DAY’ reveals that generative AI was used in concept design of NYC for the film. (Source: thedirect.com/article/spider…)
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Calob Robinson retweeted
I cant afford groceries
JUST IN: 🇺🇸 President Trump says "we are in the Golden Age." "This is the greatest we'll ever be."
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Saw meteors over our house tonight! Crazy.
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Calob Robinson retweeted
We shouldn’t oversimplify how IMAX works. IMAX was conceived as an immersive exhibition format-historically described as “Image Maximum”-with the aim of filling as much of the viewer’s field of vision as practical. The taller image is only one part of that philosophy. The larger frame, steep seating geometry, screen size, projection brightness and sound system all work together to create the sense of immersion. That’s why simply saying, “you see more picture,” misses the point. The additional image area exists because it contributes to the immersive experience when viewed on a genuine IMAX screen. If you simply take a 1.43:1 image and display the whole frame on a conventional screen from a normal viewing distance, the effect changes completely. It no longer fills your peripheral vision, so the composition can feel unusually loose or distant. The framing was designed for an immersive presentation environment, not simply for preserving every pixel regardless of the display. The explanation and cropping below does a total disservice to all the work put in to make a true IMAX image and the skill Needed to make it work in other formats. You are not losing anything that is intended in no IMAX versions. Non IMAX version are all signed off and approved by the creatives.
THE ODYSSEY displays 100% of its image in IMAX 1.43:1, compared to 75.3% in Digital IMAX, 73.3% on 1.85:1 screens and just 59.8% in Scope 2.39:1. IMAX 70mm is by far the best way to experience the film.
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Getting really tired of seeing so many IMAX takes from folks that CLEARLY haven’t even seen a movie in IMAX before. It’s not something that can simply be explained. You have to experience it.
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The consensus on Supergirl is genuinely puzzling to me. I even liked the needle drop, and I’d be willing to bet most people would’ve been neutral on it had they not seen “LMAO THIS IS SO CRINGE” all over their feeds before seeing it. It’s like a mass psychosis. Swear to god.
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It’s so well acted and visually so strong. The idea of walking out upset is so wild to me that I can’t even imagine it.
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