Director S (@Director__S) header
Director S (@Director__S) profile picture

Director S

@Director__S

Director | Filmmaker | Producer | Graphic Design for Film, TV, Commercials & Music videos and a father. Legacy One Productions, LLC Content Creator

 Queens, NY. ✈️ Dallas, TX
directorstevesmith.com/
Joined October 2009
  • Tweets24.5K
  • Following4K
  • Followers1.9K
3.3KMedia
Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)Photo by Director S (@Director__S)
For all video production needs visit me at directorstevesmith.com #Musicvideo #postchat #filmmaker #videoproduction #videographer. – at Grapevine, TX
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One golden world, two ways in… @DavidAriew's Quantum Stargate invites you into an immersive 8K world, rendered on GPUs powered by @rendernetwork’s node operators. Nov 16 - Beyond the Frame @framelessldn during @solana BP2026. RSVP: luma.com/frzpha3k
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You can now shoot Cinematic Mode within the Blackmagic Camera app, but it can be confusing depending on the phone and app version you’re using… New article: iphoneographers.tv/post/cine…
Cinematic Mode Updates & Confusion

Cinematic Mode Updates & Confusion

Have you updated to iOS 27? If not, you probably should as it unlocks a bunch of new features on most recent generation iPhones - including adding Cinematic Mode within the Blackmagic Camera app.

iphoneographers.tv
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Director S retweeted
The Pixel Lab (@jorenkandel) profile picture
The Pixel Lab@jorenkandelNov 2
I'm having too much fun playing with the brand-new Tubular Plugin we just launched. Learn more here: thepixellab.net/tubular-plug… #cinema4d #c4D #maxon
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Director S retweeted
Dhruv. (@_dhruvxr) profile picture
Dhruv.@_dhruvxrOct 31
Which one is your favourite?
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I like Cinema 4D and Maya I can't bring myself to use Blender and the shocking part is it's free
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Don't park in peoples spot goofy
DocumentingLibs (@USADocumented) profile pictureDocumentingLibs
@USADocumentedOct 31
She came home at 11:30 at night to find her neighbor's car in her paid parking spot, so she had it towed. "There's a sign on the wall and a sign on the floor." Neighbor: "You could have knocked on the door. We stay right next door to each other." Her: "I don't know you, mama. Seeing you does not mean I know you." Should she have knocked first, or was the tow fair?
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Cinema 4D 2027 + Octane Tutorial " Pantene Soex" 3D Commercial Product Visualization youtu.be/1MvWQlSi9-c
Image from A Ftelina graphic (@aftelinagraphic)
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Cinema 4D 2027 + Octane @OTOY Render Tutorial | Luxury Ice Cream Product Rendering youtu.be/ArCy0mi6Hrs
Image from A Ftelina graphic (@aftelinagraphic)
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You've asked for this for years. 🎉 It's finally here! 🎉 Maxon Noise is now part of your Red Giant or Universe subscription.
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ADVANCED SHIfT // 001 | C4D Icon Browser Decided to start offloading 12 years of knowledge and scripts I've written over the years. Starting with this little tool I've been carrying since R23 Free on GitHub: github.com/Thodos1/C4D-Icon-…
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New Post: That’s Sigma Corporation CEO Kazuto Yamaki with a pre-release FP2 camera focused on a bluefin tuna’s scary skeleton at Ciel Bleu in Amsterdam last month. Sigma Corporation of America President Mark Amir-Ha fdtimes.com/?p=56252
Image from Film & Digital Times (@FDTimes)
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I used @Maxon_Cinema4D's new MCP feature (Claude) to build, rig, and animate a 3D helicopter, and then used Seedance 2.5 for the final render. I have been using C4D for almost 20 years. MCP is a huge deal. Full process below 👇
🤖 Made with AI
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Director S retweeted
stu (@astronaughtyart) profile picture
stu@astronaughtyartOct 22
As much as I love Cinema4D: nobody should be paying this much when Blender exists.
Image from stu (@astronaughtyart)
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Director S retweeted
The Pixel Lab (@jorenkandel) profile picture
The Pixel Lab@jorenkandelOct 21
Atomic Explosions is waiting for you! thepixellab.net/vdb-explosio… #vfx #motiongraphics #visualeffects #3d
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Edward Goldner ACS, cinematographer for the psychological crime thriller ‘Treasure & Dirt’ talks about bringing this six-part TV series to life using Blackmagic URSA Cine 17K 65. Watch the video and read the full story at bmd.link/Kd4tcR
Image from Blackmagic Design (@Blackmagic_News)
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We released 150+ greenscreen VFX plates for FREE! Here's some more info on how you can use them.
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Blender users get the best toys.
Miettinen Jesse - Embrace FX (@JesseMiettinen) profile pictureMiettinen Jesse - Embrace FX
@JesseMiettinenOct 19
In case you missed, there bunch of new tools in DC Bundle! #DamageControl #b3d #geometrynodes Link in bio.
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You guys, @SchoolOfMotion went behind the scenes with legendary motion design studio @AlreadyBnChewed and got a firsthand look at how they use AI in their process for creating high-end graphics packages. Check out this studio tour: youtu.be/IWRP-ksDJYQ?si=lb15…
Already Been Chewed - Next Gen Studio Tour!

Already Been Chewed - Next Gen Studio Tour!

Go behind the scenes at Already Been Chewed to see how a working mo...

youtube.com
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Heading to Broadcast India? 👀 Join Maxon Autograph + Nick Harauz at Post Production World for sessions on: • Building projects in Autograph • Procedural workflows • Multi-format delivery • Smarter motion graphics systems Info: maxonvfx.com/4yuebk2
Colorful poster for the "Post Production World Conference South Asia" featuring cityscape of Mumbai with prominent landmarks like the Taj Mahal Palace and Gateway of India. Includes logos for FMC, A.B.I.S., and Broadcast India Show 2026.

ALT Colorful poster for the "Post Production World Conference South Asia" featuring cityscape of Mumbai with prominent landmarks like the Taj Mahal Palace and Gateway of India. Includes logos for FMC, A.B.I.S., and Broadcast India Show 2026.

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Director S retweeted
David Ariew (@DavidAriew) profile picture
David Ariew
@DavidAriewOct 18
The future is nowwwww 🤯
hectorvfx (@hectorVFX) profile picturehectorvfx
@hectorVFXOct 17
En esta prueba he querido poner Claude al límite con Houdini (modelo Opus 5.5). He montado toda la escena hablándole al iPhone para ver dónde está el límite, y mi conclusión es que no hay límite. Esto que veis es donde he puesto el freno, hay cosas que corregir aún pero quiero seguir experimentando con otros proyectos. El render ha tardado 50 horas en mi 5090 dado lo compleja que es la escena, volumétricas etc. El color grading lo he hecho en Davinci trabajando en Aces y también lo hice hablándole al teléfono con el MCP de Davinci. Me cuesta imaginar un futuro donde no vayamos a trabajar con esto de forma masiva.
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