Collective building blockchain-based artworks since 2017 on #ethereum
Distributed
Joined December 2017
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Distributed Gallery retweeted
Derrière les comparutions immédiates qui ont suivi le 17 octobre, une réalité glaçante. Le rapport du barreau de Seine-Saint-Denis sur le dépôt de Bobigny décrit des mineurs transis de froid, sans véritables couvertures, privés de sommeil, enfermés parmi les déchets et les bouteilles d’urine. Plus de 100 personnes pour 10 matelas.
Voilà le visage d’une justice de classe, répressive, humiliante et brutale.
Colère et solidarité avec les victimes de cette répression.
➡️ avocats-bobigny.com/wp-conte…
Chez @lundimat1, nous publions une réponse à cet article de @Grand_Continent.
Les lycéen·nes ne sont pas des zombies hypnotisés par leurs écrans. Leur révolte mérite mieux que les vieilles paniques morales de boomers comme celle que vous publiez ce matin avec @ThierryBreton
Et si l’interdiction du portable avait contribué à déclencher la révolte des lycéens ?
Pour un professeur, en levant les yeux de leurs écrans, ses élèves ont surtout découvert un monde qu’ils jugent devenu insupportable.
legrandcontinent.eu/fr/diman…
L’article ici : lundi.am/Fallait-pas-confisq…
Cc @GillesGressani
Distributed Gallery retweeted
Distributed Gallery retweeted
Maman, le "perroquet stochastique" a résolu un problème du millénaire..
Distributed Gallery retweeted
“We stole all your knowledge and art, and now we’re gonna put a meter on it and sell it back to you. You’re welcome.”
We congratulate Levent Alpöge and Tristan Buckmaster on their remarkable mathematical work.
We (the researchers and the agents) did not see any of their work through any means until they released it publicly — in particular, no specific user data was accessed in order to solve this problem.
While unlikely, we cannot rule out that de-identified data derived from their usage of our products helped improve our models.
However, our proofs differ significantly and even the precise results proved are different in the Euler case (forced vs. unforced).
Distributed Gallery retweeted
Pretty scary thought that every plan, complex idea, private note, architecture choice, creative proof, or whatever digital artifact you create will sooner or later be absorbed into some model’s weights - unless you avoid, like, 99% of all cloud software.
Distributed Gallery retweeted
ABO, 2025
By @lennyjpg + @0xShiroi
[aside] smart contract implemented by @DistribGallery
Acquired by HEK (House of Electronic Arts) Basel, 2026
Very happy to see [aside] artworks entering the permanent collections of Centre Pompidou, HEK Basel & ZKM Karlsruhe
With [aside] we wanted to show that another economy is possible: one where liquidity is no longer a property of the market but an event in the world.
TWO [ASIDE] SMART CONTRACT-BASED PROJECTS WITH @DistribGallery ENTERING MUSEUM COLLECTIONS
@annaridler 👉 Centre Pompidou
@lennyjpg & @0xShiroi 👉 HEK Basel
⛓️ Years in the making, multiple board reviews and conviction that weird challenging blockchain works are worthwhile - hats off legends ! ⛓️
Distributed Gallery retweeted
HEK Basel | @lennyjpg & @0xShiroi
Nguyen Wahed is delighted to announce that HEK (House of Electronic Arts) Basel has acquired 'ABO' (2025) by Leander Herzog and 0xfff into its main collection, through the [aside] smart contract implemented by Distributed Gallery (@DistribGallery).
'ABO' is composed of 150 NFTs integrated into the [aside] protocol. The work explores social dynamics through a unique mechanism: each token possesses its own visual identity, can connect to six others maximum, and unlocks only through interaction with another token. Each connection dynamically modifies the visual appearance of the concerned NFT, making visible the evolution of its relationships in the network.
This threshold of six possible connections gives structural value to each link: creating or receiving a connection becomes a rare, engaging act, charged with aesthetic and symbolic consequences. Inspired by Dunbar's number (150), ABO transposes the cognitive limit of human relationships into a digital system, transforming NFT value according to their position in the network.
The work was created as part of [aside], a series of exhibitions presented in partnership with Distributed Gallery who created a bespoke protocol allowing artists to use the smart contract as a medium with custom time-lock features. In ABO, connecting a token to another unlocks both, transforming the time-lock into a social mechanism where engagement becomes the key to access.
Entirely designed in HTML, CSS, JavaScript and SVG, 'ABO' asserts itself as a native web3 social sculpture, where value emerges less from speculation than from interdependence.
Distributed Gallery retweeted
who wants to build a cooperative neobank?
all of fintech is becoming commoditized.
today you can launch a fully functional neobank by stitching together a handful of APIs:
> @dakota_xyz (global banking, virtual accounts & cards)
> @blend_money (yield & treasury infra)
> @moonpay (crypto rails & on/off ramps)
> @privy_io / @turnkeyhq (embedded wallets)
> @tryPortola (stablecoin credit as an API)
> @raincards (card issuance)
for well under ~ $60k, a small team can assemble infrastructure that would've taken years and millions of dollars to build from scratch just a few years ago.
the hard part is no longer building banking products.
as the underlying technology becomes more accessible, the moat shifts elsewhere:
the winners over the next decade won't necessarily have the most unique APIs.
they'll have:
> the best user experience
> the strongest distribution
> an obsession with customer support
> a brand people genuinely trust and want to be associated with
if you're building another generic B2B or B2C fintech with the exact same banking stack as everyone else, ask yourself:
why should a customer choose you over the other 200 companies built on the same APIs?
the answer usually lies between brand, experience & unique distribution.
Distributed Gallery retweeted
🚨Breathings of the Moon’s “Chelsea Bridge” of Anna Ridler is entering Centre Pompidou permanent collection🐚
the [aside] series with the custom protocol created by Distributed Gallery has been one of the most challenging projects to work on over the last 3 years - and fun!
Tb to Anna talking through the work last year at the opening of Nguyen Wahed’s show in London (in conversation with john gerrard)
Anna Ridler: Centre Pompidou Acquisition
Nguyen Wahed is delighted to announce that @CentrePompidou in Paris has acquired ‘Chelsea Bridge' (2025) by @annaridler, a generative work made using a custom model, custom software and a physical almanac, through the [aside] smart contract implemented by @DistribGallery.
‘Chelsea Bridge' is part of 'The Shell Record: Breathings of the Moon', a series linking artificial intelligence, lunar cycles and Thames tide data, extending Ridler’s project ‘The Shell Record’ (2021). The series was conceived as part of [aside], a series of exhibitions presented in partnership with Distributed Gallery who created a bespoke protocol allowing artists to use the smart contract as a medium with custom time-lock features.
The work was presented in London as part of Nguyen Wahed’s exhibition, ‘Face Value’, alongside by john gerrard, Addie Wagenknecht, Rachel Maclean, FAR, and Harm van den Dorpel with Jonas Lund, and last year it was included in ZKM's exhibition 'The Story That Has Just Begun. NFTs from the ZKM Collection'. With around 12,000 works, the ZKM | Karlsruhe collection is one of the largest and most significant media art collections in the world.
Anna Ridler
Chelsea Bridge, 2025
In the collection of The Centre Pompidou
Distributed Gallery retweeted
Anna Ridler: Centre Pompidou Acquisition
Nguyen Wahed is delighted to announce that @CentrePompidou in Paris has acquired ‘Chelsea Bridge' (2025) by @annaridler, a generative work made using a custom model, custom software and a physical almanac, through the [aside] smart contract implemented by @DistribGallery.
‘Chelsea Bridge' is part of 'The Shell Record: Breathings of the Moon', a series linking artificial intelligence, lunar cycles and Thames tide data, extending Ridler’s project ‘The Shell Record’ (2021). The series was conceived as part of [aside], a series of exhibitions presented in partnership with Distributed Gallery who created a bespoke protocol allowing artists to use the smart contract as a medium with custom time-lock features.
The work was presented in London as part of Nguyen Wahed’s exhibition, ‘Face Value’, alongside by john gerrard, Addie Wagenknecht, Rachel Maclean, FAR, and Harm van den Dorpel with Jonas Lund, and last year it was included in ZKM's exhibition 'The Story That Has Just Begun. NFTs from the ZKM Collection'. With around 12,000 works, the ZKM | Karlsruhe collection is one of the largest and most significant media art collections in the world.
Anna Ridler
Chelsea Bridge, 2025
In the collection of The Centre Pompidou
Distributed Gallery retweeted
I have information that Anthropic scraped my github twitter reddit discord and facebook posts for the development of it's Fable model.
To do this they developed a sophisticated internal platform to conduct large scale scraping and obfuscation of their actions.
We have information that Moonshot AI distilled Anthropic’s Fable for the development of its K3 model.
To do this they developed a sophisticated internal platform to conduct large scale distillation against U.S. models, allowing them to quickly switch between multiple methods of access to avoid detection. Moonshot AI has also acquired GB300-equipped servers and has accessed GB300s in Thailand, likely to train its AI models.
The United States strongly supports the free and fair development of AI, including a thriving competitive ecosystem that spans frontier models, specialized systems, open-source frameworks, and open-weight models. Legitimate AI distillation used to create smaller, more efficient models plays a vital role in this open innovation ecosystem. However, large-scale, covert industrial distillation aimed at stealing proprietary U.S. technology and undermining American research is unacceptable.
Distributed Gallery retweeted
🔗 To read the full article, visit:
100collectors.art/info/artic…
Distributed Gallery retweeted
Depuis quelques jours, le col roulé de Michel Foucault dopé à l'IA hante l'interweb et répond à toutes les mauvaises questions. Miracle amusant ou profanation trop couteuse en eau, les responsables proposent quelques réflexions sur la désertion du monde technique. À lire ci-dessous ⬇️
Quelques réflexions sur la désertion du monde technique.
lundi.am/Quelques-reflexions…
Distributed Gallery retweeted
Foukenstein. Interactive artwork by Distributed Gallery (2026) ift.tt/tc9dBYe
