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🌊 Dev For Lola 👉Click the link below👇 👇

Joined December 2009
Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)Photo by flystewie (@FlyStewie)
Language practice shouldn't look like a flight recorder. 🎙️❌ Say enough French, watch the words light up, and let the conversation flow. Less voice memo. More je ne sais quoi. 🇫🇷✨
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flystewie retweeted
GPT-6 Astra really spent $6 and 11 minutes building a submarine that looks like a yellow potato from Minecraft 😭 Meanwhile Blender MCP built an entire underwater scene with realistic lighting, coral reefs and a detailed submarine for $9 💀 Same prompt, 4 AI workflows The underwater disaster report 🥇 Blender MCP → $9 / 20 min 🥈 Claude Code → $14 / 28 min 🥉 Kimi K3.1 → $2 / 3 min 💀 GPT-6 Astra → $6 / 11 min And here’s the funniest part Kimi was 3x cheaper and almost 4x faster than Astra, yet still managed to build something that actually resembles a submarine Meanwhile Astra apparently decided polygons were a luxury feature 😭 imagine asking AI to explore the ocean and getting a floating LEGO potato 💀
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We're giving Lola two upgrades: a bigger personality and a better memory. If I tell her I live in Toronto, she should start a conversation, not ask me where I live again. 😅💜
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I stopped opening After Effects for most stuff. Now I mostly just send Opus 5.5 these 20 free repos. It covers animation, shaders, rigs, audio and export. The stuff I used to jump between a few tools for. This is actually insane how much it covers. Remotion -> whole video engine in React github.com/remotion-dev/remo… Anime.js -> timelines, easing, choreography github.com/juliangarnier/ani… Scene.js -> CSS keyframes and sequences github.com/daybrush/scenejs Konva -> layered 2D graphics github.com/konvajs/konva Pencil2D -> hand-drawn animation github.com/pencil2d/pencil Zdog -> playful pseudo-3D github.com/metafizzy/zdog Three.js -> 3D scenes, lighting, cameras github.com/mrdoob/three.js Filament -> physically based rendering github.com/google/filament ozz-animation -> skeletal rigs github.com/guillaumeblanc/oz… Planck.js -> 2D physics and collisions github.com/piqnt/planck.js regl -> custom WebGL github.com/regl-project/regl WebGL Noise -> procedural shaders github.com/ashima/webgl-nois… meshoptimizer -> lighter models github.com/zeux/meshoptimize… MeloTTS -> multilingual voiceovers github.com/myshell-ai/MeloTT… RNNoise -> cleans up audio github.com/xiph/rnnoise Rubber Band -> time-stretch and pitch github.com/breakfastquay/rub… OBS Studio -> screen capture github.com/obsproject/obs-st… OpenRV -> shot review github.com/AcademySoftwareFo… Mediabunny -> browser video processing github.com/Vanilagy/mediabun… FFmpeg -> final encode github.com/FFmpeg/FFmpeg I just paste the list and say what I want. It figures out the rest. Full setup in the article below ↓
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Claude Opus 5.5 High vs Extra High vs Max vs Ultra 🧊 Everyone's been wondering: does effort really matter? Same model. Same prompt. Only the setting changes. High: $26.01 · 2h 17m 21s Extra High: $45.97 · 3h 11m 26s Max: $84.93 · 3h 37m 47s Ultra: $681.91 · 10h 47m 40s Ultra cost $681.91 for a 25-second film. 🤯 That's 26x High... and 8x Max. 😱 For me, Extra High is the sweet spot: quality, time and money. That's why I always pick it. So, does effort really matter? Which one would you pick? 👀
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I deploy to Dev like it’s a group chat. I promote to Production like it’s a bank vault. Jenkins is the bouncer with receipts. 🛠️
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I wanted 200 test accounts. Turns out I needed one QA factory, zero duplicated entitlement rules, and a 3 a.m. Jenkins robot that cleans up after itself. 🧪 The best QA account is one that knows how to reset itself.
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I asked one AI to make Lola walk, talk, blink, and hug a corgi. It built the animation studio—then crashed before the curtain call. Next season: smaller runs, bigger wins, and a flying turtle named Homer handling the handoffs. 🐢
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flystewie retweeted
Prompt : Create a launch film for Fable 5.5 as a 2D anime short for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, a stylized web graphic, or a tech-company product ad. Deliver the final result as a single, self-contained HTML file with sound. Use any tools, libraries, references, guides, literally anything. Pre-rendering the film and embedding it in the file is allowed. All artwork and audio must be original. The page should be a black, letterboxed cinema frame with one quiet play button (browsers block autoplay with sound) and nothing else on screen. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere, without copying any existing character or shot. No people appear in the film. The main character is an original small red fox, because fables have always been told through animals. Use any tools or techniques you want, including 3D for layout, as long as the final result looks 100% like hand-drawn 2D anime. THE FILM: "THE LAST PAGE" (about 60 seconds, 24 fps) The idea: Fable means story. A forgotten library holds every story ever written, and it has been asleep for a very long time. One small fox wakes it up. Shot 1, Before Dawn (0:00–0:07). Black. The sound of wind comes first. Fade up on a vast blue-violet sea of clouds at the last hour of night. An ancient stone library tower stands on a cliff above the clouds, with a cracked copper dome gone green, wrapped in ivy and old pines. One small warm light moves across a window. Pampas grass sways in the foreground. Almost nothing else moves. Hold. Shot 2, The Reading Hall (0:07–0:14). Inside, shelves climb into darkness, holding thousands of unique books: leaning, sagging, sun-faded, some with moss growing along the spines. Moonlight falls in one dusty shaft. Tiny against all of this, the fox pads in from the left, carrying a small paper lantern in its mouth. It stops, sets the lantern down, and looks up. Shot 3, The Fox (0:14–0:18). Close-up. Ears swivel one at a time. It sniffs, then blinks, a real anime blink with a hold on the closed frame. Lantern light shows in its eyes. It is curious and a little afraid, and the audience should fall in love with it here. Shot 4, The Blank Book (0:18–0:25). An enormous open book rests on a lectern, its pages empty and yellowed. The fox hops up and places one paw on the page. Silence. A single line of ink appears under the paw and begins to draw itself in one confident brushstroke. It becomes a tiny sketched bird. The bird shivers, then peels off the page and flaps into the air, still made of ink and paper. Shot 5, The Library Stirs (0:25–0:32). A book on a high shelf trembles. Then a whole row. Dust sifts down in thin streams. A deep, low creak travels up through the tower. The lantern flame leans sideways with no wind to move it. The fox flattens its ears. Cut between shelves on hard, held key poses as the tension builds. Hold one beat of total stillness. Shot 6, The Pages Burst (0:32–0:39). Every book flies open at once. Thousands of pages tear free, folding into paper birds mid-air on sharp drawn frames. Cut to a dramatic low angle looking straight up the circular stairwell as the flock spirals in a huge rising vortex toward the dome. The dome's old copper shutters break open and the first gold light crashes down the shaft. Shot 7, Sunrise (0:39–0:44). Outside, the sun clears the sea of clouds. The fox has climbed out onto a stone balcony, fur and grass whipping in the wind, tiny against the sky. It looks up with its mouth slightly open. A great ring of wind rolls outward across the clouds. Shot 8, The Great Bird (0:44–0:52). This is the climax. High in the golden sky, the flock pulls together into one colossal bird made of a hundred thousand pages, with handwriting and old illustrations visible across its wings. It gives one enormous wingbeat with real weight, then tears across the sky in a sweeping arc, leaving a curving trail of light, mist, and loose paper. Make this the widest, most awe-inspiring image in the film. Shot 9, The Last Page (0:52–1:00). Quiet returns. Pages spiral down through sunbeams onto the balcony. One lands at the fox's paws. It is the only page still blank. The fox looks at it, then at us, and places its paw down. Ink blooms from under the paw and writes, in one hand-brushed stroke: Fable 5.5 Below it, a small red hanko seal reading 寓話 presses into the paper, followed by one line in smaller brushed lettering: "Every story begins with a blank page." Hold on the title. The fox's tail flicks once. Fade to paper, then black. Do not add logos, feature lists, benchmarks, or any product claims. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Fox: A hand-drawn anime character with a simple, appealing, solid design, cel-colored forms, and clear silhouettes. Keep it on-model from every angle, and let its ears, tail, posture, and eyes express emotion without any words. Paper birds and the great bird: Hand-drawn with real paper character, including creases, curled corners, and faded ink. The great bird must keep a consistent design and feel immense. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered depth, and individually considered books, stones, foliage, and clouds. Lighting: The film travels from cool moonlit blue and warm lantern amber to overwhelming golden sunrise. Use colorful shadows, glowing mist, drifting dust, and soft atmosphere that unite characters and background. Animation: Authentic hand-drawn anime timing, mostly on twos and threes, with real weight, strong key poses, natural holds, smears on the fastest frames, and overlapping movement in fur, grass, ivy, paper, and dust. The film should build slowly, then release with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax, followed by one small, tender moment. Text: All text must look brushed in ink on paper and appear only in the final shot, with no web fonts sitting on top of the picture. SOUND Create an original score and sound design, with no borrowed melodies. Start with wind and near-silence, then add a lone felt piano motif when the fox appears. Bring in low strings and creaking wood during the tremor, then a sudden roar of fluttering paper, and a full orchestral swell at sunrise. At the climax, the piano motif returns at full scale. End with a single soft piano note as the ink touches the final page. Sound effects should include paw steps, lantern flame, ink, dust, page rustle, and the huge wingbeat. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. - AI art: No warped shapes, melted details, flickering, garbled text, or changing character designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the characters, or generic digital illustration. - Tech advertising: No glowing neural networks, circuit patterns, chat bubbles, UI mockups, futuristic HUDs, particle-logo reveals, or typed-out text effects. - Amateur work: No stiff poses, empty backgrounds, repeated books or trees, identical paper birds, muddy colors, clip art, placeholders, or unfinished details. You are free to change any part of this prompt if it would produce a better result. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment a story you loved as a child comes back to you. Before finishing, inspect random frames as still images from every shot. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.
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A 6,000-line file isn't necessarily the problem. The problem is when deleting one feature requires negotiating custody with 14 others. My new refactoring metric: How much of the app survives when this feature leaves? Less coupling. Fewer roommates. Faster shipping. 🧹
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Designing LolaLingo so you can swap the character, change the world, and keep your progress. The boss gets a dramatic entrance. The dependencies get an orderly exit.
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flystewie retweeted
Opus 5.5 just turned a simple idea into this I'm still in shock… Drop the PDF below into Opus 5.5 and try it yourself. Then read the article below, it's everything I learned with Opus 5.5.
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Teaching Lola to keep englishTranslation: backstage, where it belongs. 🎭🇫🇷 Next act: smoother onboarding, natural voice conversations, and zero accidental JSON monologues. 🎙️
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flystewie retweeted
Opus 5.5 is a motion designer now It’s f*cking unreal… Give the PDF below to Opus 5.5 and watch it work. Then read the guide below, it’s the easiest way to get started.
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flystewie retweeted
after Opus 5.5 it actually hurts to look at anything GPT 6 Astra designs gave both models the exact same prompt: "make a dynamic 15-second motion graphics video that shows what an incredible motion designer you are, like it's your showreel for a résumé. go all out." not even close, see for yourselves. GPT is honestly terrible here, openai just has awful taste
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flystewie retweeted
Opus 5.5, what are you doing? It made another perfect jelly whale for $9.26. Translucent, squishy, and full of tiny bubbles. You can spin it, squish it, and toss it around while its whole body flops and wobbles I just wanted to check the result. Now I can’t stop tossing this little guy around
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The most expensive UI bug is making people ask AI the obvious next question. Click a mayor’s bike policy? Show the council evidence, trade-offs and unknowns right there. Save the chatbot for the question the interface couldn’t predict.
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Toronto votes today. Still deciding? 🗳️ Five candidates. Six issues. One place to compare. I built a free guide to explore the plans, trade-offs and sources before you vote. Independent. No candidate endorsement. toronto.lolalingochat.com
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Toronto votes today 🗳️ (10am–8pm). I built a free, nonpartisan guide comparing 5 mayoral platforms, with sources and a link to Toronto’s official voting lookup. Independent project, not affiliated with the City. toronto.lolalingochat.com
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flystewie retweeted
Opus 5.5 did this in one try, not After Effects I’m still shocked… Send the PDF below to Opus 5.5 and copy what I did. Then read the guide below, it’s the shortcut I wish I had.
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