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Great Texts Program, Honors College, Baylor University

Waco, Texas
Joined November 2013
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The great books will change your life. And the Iliad is the first great book. If you haven't read it, make a goal for 2025 to do so.
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What is creativity? In today’s #GreatThought, Tolkien reminds us that our creativity comes not from ourselves, but is instead an invitation to step into our roles as “sub-creators.”
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Giambattista Vico was born OTD in 1668
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10. The Honors College at Baylor University
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Boethius died 1500 years ago this October. His Consolation of Philosophy was one of the most widely read books in Europe for over a thousand years. If you’ve never read it, make this the year you do!
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Common mistake: People think that the great books are packed with familiar cliches, whereas the great books are always startling, whether it's startling familiarity or startling weirdness.
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This is splendid! How did medieval Christians make the works of pre-Christian, pagan writers ("the ancients") into Christian teachings? How could pagans like Aristotle & Ovid write Christian truths? @SJ_Murray and a team at @Baylor explain in a terrific short film...
When we began translating the medieval French Ovide Moralisé, we learned a lot from the medieval writer about why translations and adaptations matter. Watch "Why Moralize Ovid?" to find out more about the tone-setting General Prologue to this long-lost book, contemporary to Dante's Divine Comedy in France. @greatsstorylab
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What is the Medieval French Ovide? Well, we spent a decade translating it, because we believe it's a "lost book" that changed and shaped the world. Quite possibly, you might think of it as the Divine Comedy of France. Now, learn about how it all began -- and then dig into the translation from @boydellbrewer. With thanks to our editor, @CanaryCaroline :)
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#OTD 1818 Frankenstein is published. Percy Bysshe Shelley sends a copy to Walter Scott, with a note saying "The Author has requested me to send you, as a slight tribute of high admiration & respect, the accompanying volumes"
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Imagine making a pilgrimage to Mont Saint Michel during the Middle Ages. It’s foggy, damp, cold. Then, the fog parts and you see, through the marshes, a tidal island that soars high above the flats and seems to scrape the sky. Firmly rooted on earth and yet not of this world.
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Chartres, rising up above the fields of crops. On the way into town, there’s a spot where you can still take in the cathedral as it appeared to medieval visitors, reaching for the sky! To walk our minds back through time is a gift of the imagination and yields great perspective.
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Hello fellow travelers! In today's canto, we will hear the unfortunate story of Guido. To help us better decipher the meaning behind this tale, Doug Henry will be giving our lecture. Enjoy!
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In every great artistic and literary revival and "renaissance" I know of, people have reached back BEHIND what their near contemporaries have been doing, to recover what had been forgotten in the meantime. Thus did the Pearl-poet and Langland and their ilk reach back behind the influences of French literature to recover an earlier English form of poetry, and we have that brief and utterly unique and brilliant "alliterative revival." Thus did the Italian humanists reach back behind the Latin of the schoolmen, and even behind the poetry of Dante himself, to recover the ancient rhetoricians and sometimes indeed to find lost works and to edit and publish them, and we have the Italian Renaissance, and its resurgence of interest in Cicero, Livy, Tacitus, and other rhetoricians and historians, and also in the Fathers of the Church. There is no Martin Luther or Council of Trent without the likes of Lorenzo Valla. Thus did Spenser reach back behind his more Italianate contemporaries to recover Chaucer (though Spenser was profoundly influenced by Petrarch, Ariosto, and Tasso) and the Arthurian legends. Thus did Dryden, Swift, and Pope reach back behind the religious and erotic lyricists of the 17th century to recover the classical satirists Horace and Juvenal. Thus did Wordsworth and the Romantics reach back behind Pope to recover Milton -- and Spenser, and medieval art such as they understood it. Thus did Donatello quite literally DIG UP classical sculptures -- Roman copies of Greek originals -- to help bring into being a new age in western art. Thus did Eliot reach back behind the antiquarianism of (some) Edwardian and Georgian poetry to recover the so-called Metaphysical poets, and also Dante, whose star had been eclipsed outside of Italy during the 18th century, but who had come back into the limelight in the 19th. When somebody asked Sergei Eisenstein where he learned how to direct a film, he answered, "From Milton." From the blind poet -- but if you know Milton, you can easily see how it would be. Maybe someday people will say, "You know, the old [fill in the blank] knew what they were doing, and we haven't been doing what they did." Then they will begin the humbling work of recovery. For it's been a very long time that we've suffered under the modernist delusion that we no longer need to learn from our forebears. There will be a heck of a lot of wheels to reinvent.
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Really looking forward to this in a month with Vincent Lloyd and Sarah Coakley! Join us in DC or jump on the livestream. baylor.edu/washington/index.…
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The amazing @SJ_Murray @GreatTexts has done what's never been done! boydellandbrewer.com/9781843…
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We all need space in our head to write & create. Writing doesn’t come from a place of hurrying or busying or, even, putting one’s own wants first and foremost. If the story is to be good, it needs to be in control. We get to serve it. #writerscommunity
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Today we have the privilege of going through canto 11 with the aid of Jenny Howell. Here we will analyze Virgil's description of hell. Enjoy!
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