In ππππ§ππππ πππ π πΆππ’ππ‘ππ¦ (2024), Dr. Nathanael Mathews revisits the history of a Swahili-speaking Afro-Arab diaspora connecting East Africa and Oman.
Similarly, in πΆπππ πππΜπ (2022), Beata Umubyeyi Mairesse explores the fate of Afro-Belgian MΓ©tis children forcibly separated from their families during Belgian colonial rule in Rwanda, Burundi, and the Democratic Republic of the Congo.
Despite their different historical contexts, both books illuminate underdocumented diasporic histories whose cultural traces endure across Eastern African societies, Belgium, and Oman.
Also Read:
πΆπππ πππΜπ
lnkd.in/gBm448Bk
ππ‘ππππ πΆβππππππ, πΏππ π‘ πππ‘βπππ , π΄ππ πππ‘ πΉππ‘βπππ : π‘βπ ππΜπ‘ππ πππ π‘βπππ πΉπππππππ π’ππππ π‘βπ π΅ππππππ πΈπππππ
st-andrews.ac.uk/modern-langβ¦
#Historiography #History #Memory #Rwanda #Tanzania #DRC #Burundi #Oman #Belgium #DigitalMuseum
βLiving in Gitwe, maybe even more than in the rest of Bugesera, meant living on the turf of big, wild animals. The lions and buffalo soon left us in peace, but the elephants were drawn to the banana grove as soon as it was planted, and they feasted all night long. The leopards were forever prowling among the houses. They were like cats: every family had its own. It would come inside in the night.β
Scholastique Mukasonga (πΆπππππππβππ )
Also Read:
πΆππ‘π‘ππ πππππ π ππππ
newyorker.com/magazine/2018/β¦
πππππ πππ π‘βπ π
π€πππππ ππππππππ
fmus.org/women-and-the-rwandβ¦
π΅π’πππ πππβπ πππ’ππππ¦: πΉπππ ππππππ ππ₯πππ π‘π πΉππππ’ππ 1
newtimes.co.rw/article/39871β¦
#OralHistory #Storytelling #Memory #DigitalMuseum
βThis is a book of two childrenβs stories of survival. It is not a book for children. Itβs a book for adults about the depravity of adults. A horrifying book. And yet an exquisitely beautiful book, a book honoring the truth of genocide and the use of story and art to heal.β
ππ¨πππ«π ππ‘πππππ«π₯π², artist and author of Portraits of Racial Justice: Americans Who Tell the Truth.
amazon.com/Healing-Genocide-β¦
#Art #Healing #Memory #History #DigitalMuseum
Bisesero Civilian Resistance Monument at the Bisesero Genocide Memorial.
Location: ππ€π’πππ ππππ‘ππ, πΎππππππ π·ππ π‘ππππ‘, πππ π‘πππ ππππ£ππππ, π
π€ππππ.
Also, you can follow updates on the upcoming film about the Bisesero hills using the link below. The film is scheduled for release in early 2027.
biseseromovie.com/tickets
#Monument #Bisesero #Film #GenocideAgainstTutsi #DigitalMuseum
Injonge Karangwa participera en novembre Γ des moments dβΓ©change et de rΓ©flexion collective autour de lβhistoire de lβart et de lβhistoire coloniale, Γ Paris, en France.
Regards & HΓ©ritages.
#Poetry #Storytelling #GusomaChallenge #DigitalMuseum
βPreservation whereby gruesome evidence of the killings was protected from removal and frozen in time comprised the earliest initiatives, which began before the sites were formalized as memorials and a full year before the Genocide Memorial Commission was createdβ¦. The first preservation efforts took place at the Nyarubuye and Ntarama Churches, rendering them places of witness that rendered the genocide viewable long after its occurrence.β
Delia Duong Ba Wendel, (2025)
read.dukeupress.edu/books/boβ¦
ππ₯π¬π¨ π«πππ:
ππ’ππ£ππ£ππ π΄πππππ¦ ππ π‘βπ πππ π‘-πΊπππππππ ππππππππππ§ππ‘πππ ππππππ π ππ π
π€ππππ, by Stephanie Wolfe, Omar Ndizeye and Anna-Marie De Beer
tandfonline.com/doi/pdf/10.1β¦
#SitesOfMemory #GenocideAgainstTutsi #CulturalMemory #DigitalMuseum
ππ‘πβ ππ’π, ππππ πΎπππ, π’ππ ππβ!: πππ ππβ ππ’ππβ πΊππ‘π‘ππ ππ‘ππππ πππ ππΜππππππππ ππ πππ ππ’π‘π π ππ π
π’ππππ π’Μπππππππ‘π π’ππ πΉπππβπππ‘ ππππ.
Marie ist neun Jahre alt, als in ihrem Heimatland Ruanda der VΓΆlkermord ausbricht. UnzΓ€hlige Tutsi verlieren ihr Leben - darunter auch enge FamilienangehΓΆrige.Β
Mit einem Mal ist sie auf sich allein gestellt und weiΓ nicht, was sie tun soll. Bis sie unvermittelt eine leise Stimme hΓΆrt, die ihr genau sagt, was als NΓ€chstes dran ist.Β
Durch wundersame FΓΌgungen gelingt ihr die Flucht bis nach Deutschland. Trotz schwerster Traumatisierung schafft Marie es, dort FuΓ zu fassen und wΓ€chst zu einer nach auΓen hin selbstbewussten jungen Frau heran.Β
Doch etwas in ihr bleibt verbittert und tief verwundet. Eines Tages hΓΆrt sie plΓΆtzlich wieder diese leise Stimme: Gott fΓΌhrt sie ein zweites Mal in die Freiheit - dieses Mal endlich auch in die innere.
Eine Lebensgeschichte, die betroffen macht und staunen lΓ€sst - ΓΌber einen Gott, dessen leise Stimme lauter ist als jedes Kriegsgeschrei, und ΓΌber seine unfassbare Kraft der Vergebung, die immer das letzte Wort spricht.
amazon.com/dp/3957347297?lv=β¦
#Literatur #GenozidAnDenTutsi #GusomaChallenge #Resilienz #Bildung #DigitalesMuseum
Pictorial highlights of Injonge Karangwa during the launch of her second poetry book, ππΜπ π·π πΏ'πΈππππππ π·'πππ ππΜππ, at Brussels Poetik Bazar, a major French-language book fair dedicated to poetry in Brussels, Belgium.
The book reflects on transmission, motherhood, and the authorβs diasporic experience.
πΈ Β©οΈ Poetik Bazar, Colette Brunfaut and Assala Saidi (2026)
#Poetry #Ubusizi #Ubuvanganzo #Literature #DigitalMuseum










