97年，卡洛斯打入了那记技惊四座的任意球，看新闻画面的时候，感觉球远远偏出门框，但它竟然奇迹般画出一道不可思议的曲线，最终擦着立柱进门。从那时候起就很想看到一个从空中俯视的视角，看看球的飞行路线究竟是如何的轨迹，可惜当时没有俯拍的视角。
昨天我想起这个事情，我就问Grok bot,你知道这个进球吗？你能给我做出俯视的轨迹图吗？你能将轨迹图做成动画吗？你能将动画与原视频做对比吗？
然后Grok真的给我做出来了，虽然经过了一些小的调整，比如为了与视频同步，动画的速度做了一些改变，虽然它不是真实的速度和曲线，但大致能展示出这个球在俯视角度下的轨迹。
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我有理由相信，火箭回收的技术源自于中国。
【prompt]
integrated_multimodal_description: [Shot 1] Live-action, ultra-photorealistic cinematic spectacle, vertical 3:4, 10.00 seconds, hard sunlight, physically correct shadows, real metal reflections, clean precise motion, real-time speed with no slow motion. A true-scale orbital launch vehicle is returning to Earth, exhaust plume narrowed, passing through thin cloud; below are a coastline and open land. From 00:00.000 to 00:03.000, the rocket dives into frame from high altitude, heat-shield tiles faintly glowing red, air tearing into a faint shockwave; the camera tracks the descent. [Shot 2] At 00:03.000, from the right of frame a giant adult male right hand suddenly enters, dark suit cuff and white shirt, a metal wristwatch; it holds a pair of silver metal chopsticks scaled up to match the giant hand, tips aimed precisely at mid-body of the rocket. [Shot 3] At 00:06.000, the chopsticks clamp the rocket firmly; the plume extinguishes at once; the rocket hangs motionless in mid-air—no break, no explosion; the metal skin dents only slightly and stays intact. [Shot 4] At 00:08.000, the giant hand uses the chopsticks to set the rocket down upright on the ground; a small ring of dust lifts and settles. The chopsticks release; the hand pauses. The camera slowly pulls out, revealing the scale contrast of rocket, giant hand, and ground through 10.00 seconds. No explosion, no fragmentation, no on-screen text, no subtitles, no watermarks, no logos.
overall_soundscape: High-altitude wind and a thinning rocket roar that cuts off when the chopsticks clamp, a solid metallic grip, a brief dust puff on landing, and open-air quiet. No dialogue, no narration.
non_diegetic_music: N/A
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9月25日，是中国传统的中秋节，中国人在这一天要吃月饼这种传统美食。秋天，桂花开放，人们也会把桂花作为一种制作月饼的食材，它会给月饼带来香味。
通过AI（图像krea2T，ZIT；视频Minimax H3；音乐suno）感受一下一千年前中国人的浪漫和悠闲的生活。
1
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我原以为Qwen image 2.1具有编辑功能，应该很容易实现参考图片中的动作，结果无论我怎么给它指令，得到的姿势都不对，甚至很多都完全没有参考姿势，然后我看到有人说将参考图用open pose提取出骨骼图，这样效果就好了很多，但是依然有很多问题。
354
试试模型的编辑功能。Qwen image 2.1是及生图和编辑一体的，支持10图做参考。我现在最多用到了五个参考图，图越多越慢，除非必要，我还没打算用足10个参考图。
图1是最常见的人物，服饰，配饰，场景四合一，结果ok，不过树荫下的斑驳阳光没有体现；
图2的测试让原图人物拿禅杖，盘腿坐下，戴墨镜，挤眉弄眼，单手施礼，还加上文字，一下改变五六种，一次通关完成！
图3-4这些改变背景换衣服头发的操作就太基础了！
2
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Qwen-Image-2.1\GPT image2\Gemini（Nano Banana 2） 对比。有一个很明显的特点，千问的图片和GPT一样，布满了细小的噪点和令人讨厌的细节，有些悉悉索索、不干净的感觉。
422
Qwen-Image-2.1 natively generates transparent images. For best results, use the recommended prompt format:
This is an RGBA image with transparency. <your description>. The image has alpha channel and the background is transparent.
直接可以生成透明背景的图像了，省了抠图环节。
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测试，每张图中，从上到下，使用的模型依次是Qwen image 2.1/Banana 2/GPT image 2.5/Z-image Turbo，有一些可取的地方，也有很多不足之处，也许生态丰富了会更好，明天再测试编辑功能。
1
1
706
女友相片做手机屏幕，怎么能被图标遮挡呢！这是一个现实的问题。
生成视频：integrated_multimodal_description: [Shot 1] Live-action ultra-photorealistic close-up of a smartphone screen only, vertical 9:16 framing, approximately 15.00 seconds, real phone bezel and glass with slight environmental reflections, high-clarity display. Strictly only one person exists in the entire video: the wallpaper woman inside the phone screen. Outside the screen there must be absolutely no human, no face, no hand, no finger, no arm, no body part, and no silhouette—frame contains only the phone and its display content. The wallpaper is a half-body photo of a young beautiful Asian woman—delicate features, refined makeup, vivid expression, fashionable clothes—but the home-screen is densely covered by many app icons that block her face, eyes, and key body areas. No readable text, no captions, no subtitles, no watermarks, no logos on screen—app icons are pure graphic symbols without labels. From 00:00.000 to 00:02.000, static frame: dense icons fully covering her. From 00:02.000 to 00:12.000, the wallpaper woman suddenly comes alive inside the screen, slightly frowns with an angry-yet-coquettish look, and the lively young woman with a clear mid-high voice (S1) shouts face-on with visible lips: [Chinese] 挡住我了！ Still only inside the wallpaper, she uses only her index finger with precise targeting: the fingertip must first press directly on an icon’s exact position, then quickly swipe that icon away; icons move only when accurately pressed—random waving through empty space does nothing. She clears them one by one this way; if she moves very fast, it is still a rapid sequence of accurate press-and-swipe hits on successive icons, never aimless flailing. Some icons leave with one sharp press-swipe; a few need a second precise press-swipe. While clearing them she pouts coyly and occasionally rolls her eyes; icons gradually decrease as her face and body are revealed bit by bit. The moment the last icon leaves the screen, all index-finger press-and-swipe motions stop immediately—her on-screen hand settles and no longer keeps flicking. From 00:12.000 to 00:15.000, the screen is clean with only her photo; with the swiping hand already still, she breaks into a bright happy smile, eyes curved like crescents, makes a victory V-sign toward the viewer, and holds the freeze through 15.00 seconds. Ultra-real, smooth natural motion, true screen lighting and soft reflections. overall_soundscape: Soft phone-glass room tone, short UI tap-then-whoosh for each accurate press-and-swipe, her one shouted line and light coquettish breaths. After the last icon clears, finger-motion sounds stop. non_diegetic_music: Light playful electronic plucks at a moderate tempo, brightening when the last icons clear, then holding softly under the V-sign freeze.，3:4，15s
左边海螺H3,右边seedance 2 mini