R. Batty

This is the pinnacle expression of the relativist neoliberal dogma that has overtaken the West. Erecting statues to the least remarkable, rather than the most worthy, is a conscious exercise inverting the fundamental white urge toward advancement and improvement, that underpins Western Civilization. On the ground where our ancestors built statues to those of demonstrated virtue or accomplishment for the citizenry to model, the new orthodoxy that governs us dictates we must aim down, and presents to the agora the generic welfare-queen archetype: self-centered (the standard standoffish black pose, indifferent facial expression, hunched posture with hands on hips, refusing to help or contribute), devoid of self-control (obese), and draped in cheap street clothes. Michelangelo’s David was situated at the heart of Western civilization in its era—prominently displayed in Renaissance Florence—not merely as an artwork, but as a model for the citizenry to aspire toward greatness in body, mind, and civic virtue. It represents perfectly how we've come to embrace a diametric inversion of the values which allowed us to deservingly conquer the world. With his muscular physique and balanced proportions, David epitomizes the ideals of physical perfection and moral virtue. His defined musculature and poised yet dynamic posture convey disciplined strength, calm vigilance, and readiness for decisive action to protect one's people from a great threat. The statue’s intense gaze and contemplative expression further symbolize intellectual clarity, moral resolve, and self-sacrifice—an ideal citizen-warrior embodying the humanist aspiration of inner excellence expressed outwardly through the optimal human form. Rather than physical perfection, balanced proportions, and poised readiness, this figure, let’s call her “The Shaniqua” communicates physical decline, imbalance, and passive indifference to the needs of the public. The statue’s posture and gaze express disengagement, self-centeredness, and resistance. The monument presents the deliberate elevation of mediocrity, detachment, and passive opposition as a new civic ideal. Who is the inspiration for this artwork? What has she done? What does she represent to us for our self-mythologizing and proliferation of our ideals to future generations? She is canonized simply for existing and being the opposite of a white man. She is the DMV worker who closes her window right on time, who pushes her way through the subway past the patiently waiting elderly woman, who shouts "you ignant, bitch" and throws her chair at the teacher asking her to be quiet so she can conduct class. In its death throes, the West cries out: “all is inverted! The sacred is defiled! There will be no more statues to the white men who civilized this land and created all you hold dear. We will melt down the images of your civilizing heros and recast them with the villains who have only ever destroyed. The black woman will be worshipped not in spite of, but because of, her ugliness within and without, her defiant lack of contribution to the polity. Make no mistake: this is a massive, intentionally demoralizing gesture in the heart of the West’s current cultural capital, explicitly advocating directly for the dissolution of white civilization. It is The anti-David. We are at the logical endpoint of the path that modern and postmodern subversive intellectuals and artists set us on long ago, and Enlightenment thinkers before them. We are nearing the final blow unless we say “enough” and rip out this insidious ideology, root and branch, which means dispossessing those who force it onto us of all their power.

"I was a big part of the blue wave.." That's Lee Haight, president of RRCA (Roofing & Reconstruction Contractors of America) in Naples, Florida, defending his illegal immigrant crew from ICE and saying they're "necessary," not a burden on society. In the same video he complains the insurance company steered jobs to his competitors, then brags about an $85,000 stone-coated steel roof on the water and a claim he says could top $150,000. Cheap labor works out GREAT for the guy at the top. LMAO

Look who showed up to ruin Halloween for kids.

Republican senators who are pushing for more H1B visas to replace American workers: • Mike Rounds (R-SD) • John Barrasso (R-WY) • Susan Collins (R-ME) • Kevin Cramer (R-ND) • Mike Crapo (R-ID) • Steve Daines (R-MT) • Deb Fischer (R-NE) • John Husted (R-OH) • Cynthia Lummis (R-WY) • Jerry Moran (R-KS) • Lisa Murkowski (R-AK) • James Risch (R-ID) • Tim Scott (R-SC) • John Thune (R-SD) • Thom Tillis (R-NC)