Sam Brodsky retweeted
🇨🇱 Rest well Patricio Guzmán (1941-2026), the great documentary filmmaker whose films included THE BATTLE OF CHILE trilogy and NOSTALGIA FOR THE LIGHT.
Read @SamBrod's interview with the filmmaker in @FilmComment from 2023: filmcomment.com/interview-pa…
Sam Brodsky retweeted
The #Oscars left the great Silvia Pinal (1931-2024) out of their In Memoriam section. A pioneering figure in Mexican cinema, Pinal’s remarkable career spanned decades, and she became an icon for her roles in classic films and her influence on the Mexican film industry.
Sam Brodsky retweeted
"The whole idea of the Oscars is to resell things that have already been sold a second time. Again, it’s all about advertising."
Jonathan Rosenbaum talks with @SamBrod about selling his DVD collection for $20K, championing Raúl Ruiz, and the role of a critic: thefilmstage.com/jonathan-ro…
Sam Brodsky retweeted
Today you have a director talking about how they spent 8 years working out every meticulous detail of their passion project. Meanwhile I'll see a movie from the 50/60s with the most insane blocking/compositions and it's from a director who made 2-3 films a year without stopping.
I Will be Seeing Phantom Thread for the first time today on a 35mm print, on Christmas Eve, while it Snows in New York City..
Sam Brodsky retweeted
incredible description of Gena Rowlands & John Cassavetes first date from Marshall Fine's Accidental Genius: How John Cassavetes Invented the American Independent Film
Sam Brodsky retweeted
accept it like a discipline, build it up like a church, follow it like a medical regime, vanquish it like an obstacle, win it like a friendship, cosset it like a little child, create it like a new world
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Tyler Taormina is one of the most distinctive voices in independent film today, and his wonderful new feature Happer's Comet opens at @BAMfilmBrooklyn today
@SamBrod speaks to the filmmaker about the suburbs, isolation, and working on a shoestring budget: screenslate.com/articles/aff…
















