I can finally read American news again. (I’m from California, which party did you think I’d vote for?)
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Say what you will about the festival's lineup or the award nominees this year, but Golden Horse Awards/Festival's marketing is as on point as ever youtube.com/watch?v=-3290qDt…
Tracy Letts and I should be friends
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Film distribution is complicated business and cannot be simply answered with “release everything day and date”. Not everyone is a cinephile who is constantly online, and algorithms make promoting films harder than ever because they keep everyone in their own bubbles.
My first piece for @Screendaily, an interview with Indonesian director Yosep Anggi Noen on his Busan competition title THE SEA SPEAKS HIS NAME, is up now screendaily.com/features/yos…
Hong Kong chooses SONS OF THE NEON NIGHT as its representative at the Oscars this year. I’m not allowed to snark so much anymore, so that’s all I can tweet.
How you prove that you’ve been in the film industry long enough: when you can trade stories of companies owing you money with other industry people like war stories (yes, I have my share of them).
Chen Jiwen's DESCENDANTS, for which I did a subtitles polish, will have its world premiere in the competition of the Busan International Film Festival. biff.kr/eng/html/program/pro…
So proud that Isabella Lam’s DEAD END will have its world premiere in the Vision section of this year’s Busan International Film Festival. I worked with Bella on TWILIGHT OF THE WARRIORS, and I was honored that she asked me to subtitle her directorial debut.
The Golden Horse Awards announces - with help of Tenky Tin and head honcho Chang Chen - Hong Kong’s Will Or will be the host of this year’s ceremony youtu.be/kVd1AeOOtE8?si=D_wL…
Welcome to Hong Kong, where you can pass by Chow Yun-fat and his friends on a Saturday morning run by the harbor on a regular basis (and everyone respects him enough to not stop him for a selfie).
LFG @greatswifty !
#TIFF26 World Premiere:
💔 THE AGE OF GOODBYES
dir. Edmund Yeo

ALT A graphic containing a still from the film THE AGE OF GOODBYES. A young woman is in her wedding dress, she looks like she is lost in her thoughts, staring into nothing. Behind her are chinese lanterns, glowing in red. The graphic reads: "Special Presentations, THE AGE OF GOODBYES, dir. Edmund Yeo."
















