realizing that i prefer early morning/afternoon partying more than late night partying these days is really unfortunate for me as a bird person
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Spotify just announced a feature that could either save the music industry or destroy it.
Starting as early as Q1 2027, Spotify Premium subscribers will be able to use AI to transform any participating artist’s song into a completely different version. Turn a folk ballad into a dance track. Make a hip-hop song sound acoustic. Generate a cover where one artist’s voice performs another artist’s song. Remix a pop hit into lo-fi study music. Create the version of your favorite song that only existed in your head until now.
The remixes will be uploaded directly to Spotify. They’ll appear in playlists. They’ll count toward the original song’s chart position. And most importantly the original artist will earn royalties every time someone listens to a fan-created remix of their work.
Spotify has already signed a landmark licensing deal with Universal Music Group the world’s largest record label. Negotiations with Sony Music and Warner Music are ongoing. The feature will cost an additional $4–$5/month on top of Spotify Premium. And analysts project 7–8% of American subscribers will adopt it by 2028.
This is not Suno or Udio generating music from text prompts. This is fans remixing real songs by real artists with the artists’ permission, on the world’s largest streaming platform, with royalties flowing back to the creators.
A music industry analyst who’s covered streaming economics for 15 years told her team something after reading the licensing agreement that reframed how she understood the future of recorded music.
“Spotify just turned 640 million listeners into 640 million potential remixers. The question isn’t whether people will use it they will. The question is whether paying artists for fan remixes solves the economics of streaming or creates a world where the original recording is worth less than the infinite remixes generated from it.”
Here’s what Spotify’s AI remix feature actually is, who wins, who loses, and why this might be the most consequential decision in the music industry since the launch of streaming itself 🧵
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ant retweeted
No guitar has so quickly made me a true believer as the fender jazzmaster has, what a beautiful piece of machinery. This is what guitar playing is supposed to feel like
feeling very inspired by the stripped down approach on the new andy stott album. excellent stuff
youtu.be/pDs046MoMu4?is=zi16…
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this tweet is pissing off so many insufferable nerds lol. carrie and lowell was my favorite album of 2015 at the time and i still like the songs, but the production has not aged well AT ALL
surprisingly, production on sufjan "michigan" - great tunes- not as precious as i remember- has aged way better than "carrie and lowell" - a terrible album that sounds like shit. im very sorry he felt that way, but the gloss and sheen on these songs is nauseating.
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most albums i liked in 2015 have aged pretty poorly. this one still slaps though
youtu.be/wWF2XUrX-Z8?is=ewnC…
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“finding a rare bird in the middle of the week is jobless behavior” i say to myself as consolation for not seeing a pair of chaseable sandwich terns in brooklyn
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i’m tired of seeing posts from crypto/AI bros about nyc nightlife. i do everything i can to minimize proximity to these weirdos when i go out
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whenever manhattan gets a bird (or birds, in this latest case) that make it onto the news, you can guarantee that something bad will happen to them that would’ve been easily avoided if we didn’t live in a stupid world
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