
Director of Content at @solamediaorg. Building up institutions, new and old. Writing at Psychodogma. Creator, Co-host: @Passages_Pod.
California, USA
Joined June 2011
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What a wonderful surprise to see @Passages_Pod’s original artwork appear on this cover. Beautiful.
Print is magical, and it never gets old to hold one of these in the papery flesh! @pauljpastor @MrsKatyCarl @ecarrington725 @DanielKWilliam4 @profjoegriffith @matthew_loftus @Digitalliturgy @MischaWillett @SJ_Murray and several others not on this ex-bird site!
Tolkien gave up writing this project because he said that a new evil, focused on a secret cult of men who are fanboys of Sauron, was too cynical and cast doubt on the victory and eucatastrophe of LOTR.
Picking up what Tolkien decidedly put down is quite a choice.
Peter Jackson says 'The Lord of the Rings: Shadow of the Past' is in the scriptwriting stage ⚔️
The film takes place 14 years after 'The Return of the King'
(via @screenrant)
Ok I made a blunder here. I was thinking of 'A New Shadow,' Tolkien's potential sequel to LOTR.
I didn't realize this was Colbert's project that covers the Barrow-wights and Tom Bombadil.
Caleb Wait retweeted
“Saul, Saul, why are you persecuting me?”
Season 2 of Tell Me a Story opens on the road to Damascus. A man set on destroying the church comes face to face with the risen Christ.
Listen at solamedia.org/tellmeastory or wherever you get your podcasts 🎧 🎙️
Caleb Wait retweeted
Monstrous idiots and barbarians.
I appreciate that the topics on Interesting Times are still interesting. But I’m still eager for Douthat to get his own podcast again.
This is subjective but … Name three PERFECT movies. No argument. No explanation. Just three flicks you think are perfect. Here's mine:
(1) Raiders of the Lost Ark
(2) The Empire Strikes Back
(3) The Sting (1973)
Caleb Wait retweeted
I’ve been reading these by @MichaelHorton_ on my train journeys recently, and maybe it’s just that I don’t have my ear to the ground anymore, but they are far too prescient & well-thought out for me to have taken 2 years to hear of them! Spread the word!
Caleb Wait retweeted
Really lovely review here—thanks so much, Jared. modernreformation.org/resour…
Really grateful for @ModRef and @solamediaorg for publishing my review of @bonniekristian's "In Defense of Evangelicalism."
It is a wonderful book and you should all buy a copy! Read my review in the link below!
Caleb Wait retweeted
Really grateful for @ModRef and @solamediaorg for publishing my review of @bonniekristian's "In Defense of Evangelicalism."
It is a wonderful book and you should all buy a copy! Read my review in the link below!
Caleb Wait retweeted
I have a theory that Aslan will have a dual-tracked voice featuring tones of Ciaran Hinds and Meryl Streep woven together as a broader commentary on the divine masculine and feminine. Don't agree with it, but they're still keeping something about Aslan from us.
Walk with your kids through Paul’s journeys, learn about the beauty and wonder of the church, and key doctrines that shape the Christian life.
New season launches soon. Share with friends and other families!
From the Damascus Road to a shipwreck off Rome. Season 2 of Tell Me a Story follows Paul's incredible journey. Chapter 1 arrives this Thursday.
Subscribe now at solamedia.org/tellmeastory or wherever you get your podcasts.
Yes. I will add that good films have good stories. Doesn’t matter if it’s an action film or rom-com or drama.
Ever since the superhero blockbuster and legacy franchises (which I still enjoy) have become the most valued properties in film in the last 25 years, films have largely become occasions for spectacle and action sequences.
It makes sense, then, for many people to be drawn to AI “films.” Instead of them being variations on the theme of classic stories, they are variations on the theme of spectacle and action sequences and little else.
But AI films will be as ephemeral as the daily deluge of trending content.
They will be impressive to look at for a few seconds before you scroll past them and forget it entirely.
This is really impressive, and made me realize something. Going forward, creating spectacle will be easy. The thing that will set movies apart will be the writing and characterization.
Now, without the need to pay millions and millions for effects shots, there will be more resources and attention given to the one remaining competitive advantage: great writing. We could see another golden age of storytelling once we get past all the slop.
Something tells me that famous people who work hard accomplishing celebrated public work will enjoy peace and quiet differently than the average unmarried person with an entry level job and a few friends they rarely see.
I agree with Matt, and I’ll add that those who claim “live-streamed” executions would satisfy justice and thwart terrorism are terribly naive.
Instead of encouraging social sobriety, the video would be infinitely clipped and memed until the execution is turned into a banal event.
As a rule, human beings should never film or televise (much less "livestream") another person's death--regardless of whether they are being executed in the name of justice or not.
Death is not an ordinary moment in a person's life: it strips us of all else we have been and done, leaving us naked before the immediacy of God. Death does not merely terminate our life, but consummates it: the manner of our death is the crown on all our acts, or it is their final shame. There are deep reasons why Western society, including Christians, have often given people's last words additional weight in our narrative of our lives--including, in some conditions, additional legal weight. In dying, we journey into the hand of God--a journey that no one can make for us.
The honor that we have traditionally given to the moment of death is built on a fundamental awe and respect for the value of life. How we die--and how we kill--clarifies how we think about life as nothing else can.
The respect we owe to life is inherently degraded when we film people dying. Screens inherently participation in the voyeurization of our life together, which cannot but trivialize everything they depict. There is a reason why, even as our media has secularized, the deep instinct to keep death off our screens has persisted. Our forbearers who were originally confronted with decisions to film the execution of Nazis decided against doing so. The most barbaric of our foes reject this norm--and it is part of their barbarism that they do.
Execution and the responsibilities of public justice by no means nullify the respect we owe to the criminals--at least not for those who affirm the natural law or for Christians, for whom the obligations to engage in retribution must be bound by an unwavering affirmation of the value of the offender.
The obligations of justice are to be executed with 'equity,' epieikeia or clemency, as Aristotle and Aquinas knew and as Christians have long affirmed. The offender never loses his claim upon us, even when capital punishment is imposed. Broadcasting death dehumanizes the offender and, ironically, so destroys the very rational basis that is required to make punishment just. It intrinsically participates in the barbarism that terrorism thrives on.
There is no obligation on the state to broadcast its executions in the pursuit of its justice, then, regardless of who the offender is or what they have done. The argument that some have set forth, that doing so is necessary to demonstrate the seriousness of the crime, is astonishing for what it permits: if terrorists torture someone before killing them, should the state also torture them--and broadcast such torture, so that terrorists are "warned"?
The invocation of public executions from the Old Testament offers this practice no warrant either; the formative power of being required to participate by way of stoning is different in kind than that of viewing others killing, as even the Pharisees understood in John 8. The ethical question cannot be answered without attending to the nature of public communication and the differences between their world and our own.
All that can be said from within the scope of the natural reason, I think. Christians have themselves additional warrant to prescind from such barbarisms, namely, our obligation to exhort the state to extend mercy in its demonstration of justice. At a minimum, such a demand requires allowing sinners to meet God without the whole world watching. No one in their final moment on earth should be an object lesson for the state, even if they deserve the punishment they receive.

































