She/her | Curator + arts writer | Founder @NFTAsiaOfficial

Joined February 2020
🧵 A little about me 🧵 I am a curator, researcher and arts writer. My practice focuses on contemporary asian art, emerging technologies, and the art market. I'm the Founder of @NFTAsiaOfficial, and currently curating @artdubai 2023 digital section 📸: @GrantYun2
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do u think the problem with art and tech is that we don’t do proper studio visits anymore? like we’re always doing coffee or calls but if we had to just look at the WORK together, maybe the discussions would change
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meet us at the intersection of art tech and souvlaki 💗 @proofofgail @jokawaharalino @o009h @sofiagarcia_io @aval0vara
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Video game art talk in Hong Kong! Sat Oct 17 - 1-4pm in Chai Wan, HK Talk by artist @mitchellfchan and @mayeth8848 May Xue with a preview of the Vu-Chu Digital Art Residency. Artist talk at 2pm. luma.com/1gqbaluc ​About Mitchell F. Chan: Mitchell F. Chan is an artist described as “committed to the most serious ideas of conceptualism in the most playful way possible.” He is currently presenting an exhibition of digital and sculptural art games, titled “Workers’ Playtime,” at DE SARTHE. His most recent work includes: The Boys of Summer, an interactive sports management simulation; and Winslow Homer’s Croquet Challenge, an allegorical croquet video game about Reconstruction-era America, commissioned by the Buffalo AKG Art Museum. His pioneering blockchain artwork Digital Zones of Immaterial Pictorial Sensibility was recently exhibited at the Fondazione Prada during the Venice Biennale. ​About May Xue: May Xue is an international arts leader and former CEO of UCCA. She is the co-founder of Outland, a platform dedicated to digital art, and the founder of Horizon Art Foundation, supporting contemporary artists and cultural initiatives. ​About the Vu-Chu Digital Art Residency: Started by @LACMA Digital Leaders co-Chairs Jeannie Vu and Jehan Chu in Q3 2026, the Vu-Chu Digital Art Residency invites artists to come to Hong Kong and explore/deepen their digital practice while experiencing the rich culture and community of Hong Kong. In collaboration with Partners @MnemeFoundation and LACMA’s Digital Leaders.
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In Manchester tonight with @claracxw - presentation on art and tech philanthropy and what’s at stake (or not) when AI companies fund cultural innovation and initiatives
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Reading @RtClick_Save Art & Tech Q3 hand delivered by @AlexEstorick this morning ✨
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currently working on an essay on the art history of NFTs, and it's been a struggle to contain the sheer amount of info and developments i would want to focus on. it's made me realise that maybe there is a bigger project in the works here... there still is so much for us to say
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I’ll be back in London this September to present a programme as part of the Southbank Centre’s ‘Creative Intelligence’ festival, with thanks to Peckham Digital 💗 See you there!
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Excited to be in Lisbon this week! Moderating a panel 'Systems in Practice' for @arabbankCH with @NinaRoehrs @gretchenandrew @jonas_lund and @CezarMocan
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Clara retweeted
I’m gonna be doing the visuals tonight with my project —index— for @delibeat at @rhizome 7x7 afterparty!
Replying to @GrayAreaorg
And come celebrate an incredible 7x7 day for @rhizome with a beautiful night of sound and visuals. Hosted at @reSOUND_newyork , co-hosted by @GrayAreaorg , @artw__rld , True Love, and Artifice. Featuring performances/sets/visuals from… @nonperformant , @delibeat , @bianjie_systems , Loka, Naz, and Dorothy Carlos. Post-Containment / rhizome 7x7 after party May 16, 2026 | 9:00 PM NYC Tickets: rhizome.itm.studio/m/post-co…
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Wondering if any of these points were made 1. contemporary art sales are one of the most high-touch, charisma and social-network driven fields I can think of
It’s hard to think of a more important question in the arts today than how we respond to the threat of AI. Very pleased that the Cambridge Union is having this debate, and to be taking part. “This house believes AI will kill the artist.” 8pm tonight.
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My essay on @mplusmuseum Magazine is the first thing highlighted in the museum newsletter today 🔊
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Clara Che Wei Peh @claracxw Independent Curator
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have so many exhibition and programme ideas floating around recently, literally more than I have time to write grant applications / pitches tldr it’s been nearly 5 years since I curated ‘Right Click + Save’ inside Le Freeport in Singapore and things are ripe for a re-examination
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The Emergence
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obsessed with the fact that chansey is the mascot of fukushima 💗
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Call for Entries closes May 23 If you're an artist experimenting with technology in your practice, then this is your moment to apply. ✨ $30,000 total prize pool 🏆 Three award categories 🌍 Global art prize 📣 Wider artist opportunities 🗓️ Entries close May 23 🔗 lumenprize.org/about-the-pri… Featured artist: @fuse_works #LumenPrize #ArtistOpenCall #DigitalArt #ArtPrize #ArtCompetition
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i’ve been a vocal advocate for bridging the web3 and trad art world, sharing knowledge and value across these systems, since day 1. but i want to caution against collaborations that only extract from the space, and reward those who have been building here with a long term view
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but i have encountered too many folks happy to work on a web3 funded project, and then abandon the space when it’s done conversely, it’s on us in the space if we are chasing trad brands and hype rather than genuine knowledge sharing and value alignment
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if you want to work with curators researchers and builders who have worked for years to grow this ecosystem with rigour, i am always happy to recommend myself or a whole network of great people like @briandroitcour @proofofgail @drmiminguyen @benoit_tokyo_ @mackxdav & many more
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